Hanna Ranch presents a moving portrait of eco-cowboy Kirk Hanna

When it comes to social or political movements, Americans tend to favor hero narratives that focus on or elevate individuals. And if the tale ends in tragedy, we want there to be some sort of blaze-of-glory defiance in play. As outlined in the documentary Hanna Ranch (see Night & Day…

X-Men: Days of Future Past is earnest but clever

America’s sweetheart, Jennifer Lawrence, truly can do anything. In the course of three months, she’s managed to graciously lose an Oscar (her third nomination in four years), swan above the mansplaining condescension of a male pundit who tsk-tsked her for getting drunk in public, and burst into the summer blockbuster…

Sandler and Barrymore Hurt Us in Blended

A romance ripped from the pages of Deuteronomy, Frank Coraci’s Blended posits that the best reason for a woman with sons and a man with daughters to get married is that they can take care of each other’s kids. Quel pragmatisme! In the world of this sitcom love story, men…

Six Movies to Watch for From Cannes

Stephanie Zacharek has been reporting online from the Cannes Film Festival. For much more, including a couple daft cartoons she drew, visit westword.com/movies/. Foxcatcher Even if Steve Carell’s performance in Bennett Miller’s Foxcatcher — a terrific one — ends up being the most lauded in the film, what Channing Tatum…

James McAvoy Loved Wallowing for Filth

James McAvoy knows not to trust the British tabloids. While flogging his grotty drama Filth, based on the Irvine Welsh novel about a coke-addicted, double-crossing cop, they breathlessly reported that the Scottish actor had dived so deep into method acting that he’d convinced a German hooker to punch him in…

How YouTube and Internet journalism destroyed Tom Cruise

It was Jason Tugman’s first day of work. Almost a decade later, he still remembers the screams. A former circus fire-eater, he’d taken a job as a lighting technician for The Oprah Winfrey Show after burning off a chunk of his tongue. The pay was $32 an hour and he…

Photos: American Ninja Warrior tryouts at Civic Center Park

American Ninja Warrior returned to Denver this week to hold tryouts for the TV show. Challengers tackled an obstacle course set up in Civic Center Park in an attempt to prove they have what it takes to be the Ultimate American Ninja Warrior. Photographer Marissa Shevins was there to capture…

Now Showing

1959. Dean Sobel, director of the Clyfford Still Museum, is the host curator for Modern Masters at the Denver Art Museum, and he’s done a companion exhibit at his own stamping grounds called 1959: The Albright-Knox Art Gallery Exhibition Recreated. (Special tickets allow visitors to see both.) The backstory for…

The new Godzilla‘s special effects aren’t too shabby

Godzilla is the movie monster with the mostest. King Kong may be just one gorilla chest hair behind, but not even the greatest of apes can quite match the half-dragon, half-dinosaur who first stomped and chomped his way through Tokyo in Ishiro Honda’s 1954 Toho Co. Ltd. extravaganza. In that…

Jon Favreau’s Chef is a foodie’s delight

Chef, the back-to-his-roots indie flick from Jon Favreau (Iron Man), is to modern foodie culture what his own Swingers was to the ’90s swing revival. Favreau plays Carl Casper, a culinary bad boy, barreling egotist, and divorced father with a chef’s-knife tattoo stretching down his right forearm and “El Jefe”…

Nothing in Stage Fright beats Meat Loaf

Nothing in Stage Fright, a horror-musical hybrid that plays like a sleepy, off-brand Troma movie, is as good as Meat Loaf. A walrus-mustachioed Loaf plays Roger McCall, the skeevy owner of Center Stage, a summer camp for young musical theater performers. To generate the ticket sales that will pay his…

Cannes Report: Grace of Monaco at Least Has Clothes

Greetings from Cannes! It’s an unwritten rule – maybe it should even be a written one – that no one who is lucky enough to come to Cannes for the film festival, now in its 67th year, should, in any way, shape, or form, complain about being here. But may…

A Rom-Com of One’s Own

When first-time director Gillian Robespierre’s festival favorite Obvious Child makes its theatrical debut in June, it could herald the sweetest, funniest, most unassuming cinematic revolution in years. Starring former Saturday Night Live bit player Jenny Slate in a ravishing star turn, the romantic comedy quickly caught attention at Sundance for…