On this week’s film podcast: Godzilla, Neighbors and Chef

Village Voice film editor Alan Scherstuhl and L.A. Weekly film critic Amy Nicholson recommend Neighbors (Seth Rogen, Rose Byrne, Zac Efron) and Godzilla (Bryan Cranston, Godzilla) and are joined by special guest, James Beard Award-winning L.A. Weekly restaurant critic Besha Rodell, who discusses the highs and lows of Jon Favreau’s…

Tom Hardy drives solo in Locke

How much can you take away and still have a movie? Steven Knight’s Locke is an experiment in whittling down contemporary screen storytelling to its irreducible essentials, which isn’t quite the same thing as being an “experimental” film, despite the ravishing early reviews from England. It shows us just one…

Ishiro Honda’s Godzilla is the real deal

In an era in which Hollywood considers destroying whole cities obligatory for blockbusters, it’s refreshing to recall a time when such fantastical demolition had a poignant significance. You can feel it in Ishiro Honda’s Godzilla, now receiving a sixtieth-anniversary re-release. Honda’s miniatures are both charmingly quaint and touchingly physical (a…

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Chuck Forsman. The Denver Art Museum’s curator of photography and media arts, Eric Paddock, has a special interest in photos of the American West. For Seen in Passing: Photographs by Chuck Forsman, Paddock chose works from two series by Forsman: “Western Rider” and “Walking Magpie.” Beginning in the 1970s, Forsman…

Bring Me the Head of Han Solo

Harrison Ford has been a good soldier in the Star Wars. He did whatever was asked of him by his commanding officer, George Lucas, even when his commanding officer was wrong. Now that Ford is back in Star Wars, and J.J. Abrams is running the show, Abrams’s first order of…

Director Wally Pfister Doesn’t Want Immortality

When Wally Pfister won an Oscar for Inception, his sixth film with Christopher Nolan, he went home and put the statuette on his mantel. “And then it moved to the corner, and then my office, and then the closet because you go away for a few months, and then it…

Tom Hiddleston: The God Who Wanted Jeans

Tom Hiddleston can pull off extreme looks. In The Avengers, he strutted around in Loki’s two-foot horned helmet. For Midnight in Paris, he finessed F. Scott Fitzgerald’s prim finger waves. And in his latest, Jim Jarmusch’s vampire romance, Only Lovers Left Alive, Hiddleston lounges bare-chested in velvet-cuffed robes. The only…

The riveting Blue Ruin is a nail-biter of a revenge drama

Everything in the opening scenes of Jeremy Saulnier’s nerve-racking revenge drama Blue Ruin is the color of a bruise, from the ocean to the bullet-hole-pocked Pontiac Bonneville that homeless near-mute Dwight (Macon Blair) calls home. Dwight has never overcome the pain of his parents’ murder when he was a boy…

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1959. Dean Sobel, director of the Clyfford Still Museum, is the host curator for Modern Masters at the Denver Art Museum, and he’s done a companion exhibit at his own stamping grounds called 1959: The Albright-Knox Art Gallery Exhibition Recreated. (Special tickets allow visitors to see both.) The backstory for…

Stanley Film Fest programming director’s picks for the fest

Tonight at the world-famous Stanley Hotel, the Stanley Film Festival will kick off its second year with Alexandre O. Philippe’s look at zombie culture, Doc of the Dead. [Disclosure: I appear in Doc of the Dead.] Sunday, the fest closes with the horror comedy What We Do in the Shadows,…

The Railway Man tracks the aftermath of war

Has it ever occurred to contemporary commercial filmmakers that maybe audiences could take a movie’s word for it that a character has been tortured? That perhaps implication and skilled acting could communicate the idea with sufficient power, and that we might all be spared the screaming and limb-breaking and slow-motion…

The absorbing Galapagos Affair plays like a true-crime tale

At first, before the murders, the story might sound like some nihilistic last-century tropical sitcom. In 1929, German physician Friedrich Ritter, brain aflame with the promise of the superman, convinced his lover, Dore Strauch, to abandon Berlin in favor of a life of solitude, labor, and the triumphing of their…

Now Showing

1959. Dean Sobel, director of the Clyfford Still Museum, is the host curator for Modern Masters at the Denver Art Museum, and he’s done a companion exhibit at his own stamping grounds called 1959: The Albright-Knox Art Gallery Exhibition Recreated. (Special tickets allow visitors to see both.) The backstory for…

Kristen Wiig shows another side in Hateship Loveship

Liza Johnson’s proudly frustrating Hateship Loveship is a film you’ll long to like. As middle-aged virgin Johanna, buttoned-up, buttoned-lipped Kristen Wiig seems to have landed in the Midwest from Mars — she could be The Maid Who Fell to Earth. In real life, Johanna would be wearing mom jeans and…