The Death of the Star Wars Universe

Recently, Star Wars fans, along with much of the planet’s pop-culture collective, nearly ruptured the internet in their enthusiasm to share set-building photos from next year’s long-awaited new feature film. But these weren’t shots of just any set. They depicted the construction of the Millennium Falcon. You’ve never heard of…

Punk-girl blast We Are the Best! earns its title

A truly punk act, a shout of freedom, frustration, and exaltation, hits about halfway through Lukas Moodysson’s girl-punk reverie We Are the Best! The three thirteen-year-old protagonists, high on the idea of the three-chord band they’ve just started, find some damp garbage bags on the street that, they discover, are…

The Case Against 8 is the best kind of popular history

There’s much to be astonished by in the story of how the Supreme Court was goaded in slapping down Proposition 8, California’s gay marriage ban. One of the most surprising: that in courtroom after courtroom, be it state, district or superior, Charles Cooper and the proponents of the ban never…

Think Like a Man Too thinks like too many other movies

Comedies about the battle of the sexes tend to have one clear loser: the audience. Driven by an oppositional view of romance that proved outmoded and seldom funny, Think Like a Man introduced us to six men living in Los Angeles and their corresponding flames. Some of these entanglements were…

Now Showing

1959. Dean Sobel, director of the Clyfford Still Museum, is the host curator for Modern Masters at the Denver Art Museum, and he’s done a companion exhibit at his own stamping grounds called 1959: The Albright-Knox Art Gallery Exhibition Recreated. (Special tickets allow visitors to see both.) The backstory for…

In 22 Jump Street, the original magic has dimmed a bit

One of the biggest selling points of 21 Jump Street, the 2012 TV-remake comedy, turned out to be its seemingly unscripted lunacy, the way it put Channing Tatum and Jonah Hill in police-shorts outfits and let them riff on their characters’ mutual ineptitude. As undercover cops who pose as teenagers…

The Signal delivers some thrills, too many spills

There’s still one kind of dread that today’s genre filmmakers can reliably stir up: that everything we’ve been watching on screen is going to be upended by some last-minute twist, that all the clues and portents we’ve puzzled over will be swept away in favor of some revelation so big…

The sequel How To Train Your Dragon 2 mostly works

If you ever have days when you prefer animals to human beings, How to Train Your Dragon 2 is your kind of movie. In some ways the second entry in this animated franchise is inferior to the first, released in 2010: The plot is needlessly busy, and much of the…

In defense of Seth MacFarlane

Filmmaker Seth MacFarlane’s A Million Ways to Die in the West hit theaters recently and on this week’s Voice Film Club podcast, the Village Voice Voice’s Alan Scherstuhl and Stephanie Zacharek, with L.A. Weekly’s Amy Nicholson, talk about his generally offensive body of work. Also on this week’s pod: reviews…

Now Showing

Amy Metier. The William Havu Gallery is currently showing Amy Metier: Preconceived Notions, a marvelous solo that’s filled with modernist-derived abstractions. The show — Metier’s first in-town solo in two years — fills the gallery’s entire main level, not only with her signature paintings, but also with prints featuring experimental…

Tom Cruise comes full circle in Edge of Tomorrow

In 1986, peaceniks were mad at Tom Cruise. That year, the Navy thanked Top Gun for boosting enlistment with another 20,000 recruits. Since then, Cruise has made more critiques of the military than advertisements for it, most of which (Lions for Lambs, Born on the Fourth of July, The Last…

The Dance of Reality is part memory, part Marquezian fairy tale

The grand old dirty pope of midnight-movie voodoo and post-’60s turn-on, drop-out mythopoeia returns with a vengeance, in his autumnal phase and with — surprise! — a personal look backward at his own childhood. The Dance of Reality may be Alejandro Jodorowsky’s best film, and certainly, in a filmography top-heavy…

The sentimental Ping Pong Summer captures the restless energy of youth

There’s no doubt that Ping Pong Summer is someone’s childhood. It plays like a cherished memory, rosy and warm, rebuilt in minutiae with such affection and detail it’s hard not to be moved by its sincerity. Writer-director Michael Tully weaves his coming-of-age story with all the trappings of the ’80s,…