Paul Haggis’s Third Person is a baffling rough-draft epic

If a toddler tried to re-create the mystifying behavior of adults, it would look a lot like Paul Haggis’s Third Person, a drama where grownups scream and cry and kiss for reasons that are confounding even to those who understand speech. The film follows a handful of couples, or, really,…

Rage: The maddest highlights of Nic Cage’s latest

How has there not already been a Nicolas Cage movie called Rage? That title could fit many of the Drive Angry star’s late-career time-wasters. Here it works best as an imperative rather than an announcement of theme: You may feel some anger if you pay to watch this. Or you…

The ten best movie events in Denver in July

July is a perfect time to bask under the stars at one of Denver’s many outdoor screenings or to cuddle up in an air-conditioned theater and get out of the heat. This month’s picks for movie events include throw-back classics, one queer festival and two killer new releases. See also:…

Podcast: Is this the Rom-Com that finally kills the Rom-Com?

On this week’s episode of the Voice Film Club podcast, Voice film critics Alan Scherstuhl and Stephanie Zacharek, along with L.A. Weekly film critic Amy Nicholson, discuss rom-com Begin Again (2:26), starring the always-interesting Mark Ruffalo. They also talk about the biting rom-com parody They Came Together (15:47), which might…

A new film connects the dots in Aaron Swartz’s short life

In January 2013, an incandescently brilliant American political activist and computer programmer named Aaron Swartz was hounded to suicide by the overzealous U.S. Attorney for Massachusetts, Carmen Ortiz. Anyone who argues differently has a desk drawer full of government pay stubs. Brian Knappenberger’s The Internet’s Own Boy: The Story of…

They Came Together cranks romantic comedy up to eleven

Romances are Hollywood’s most anxiety-inducing fantasy. Like superhero flicks or horror films, they exist in a phony world of big scenes and breathtaking climaxes. But while audiences know that geeks can’t meld with spiders and that the bogeyman isn’t real, they still hope to fall in love, and, boy, it’d…

Andrew Rossi’s Ivory Tower ponders the value of higher education

Although it’s full of information, the documentary Ivory Tower at its core poses a question: Is the price of college worth it? The film touches on a host of issues beyond finances, including the party culture at some schools, the unique value of historically black colleges, and experimentation with online…

Now Showing

Gildersleeve, Balas, Bumiller, Judd. Commanding the large front spaces at Robischon Gallery is Allison Gildersleeve: Within Earshot, which includes a selection of paintings in which the artist employs the methods of abstract expressionism but uses them to convey representational subjects. In the small space beyond the Gildersleeves is Jack Balas:…

Broadway goes to Hollywood in Jersey Boys

If you think summer movies are clamorous, try a current Broadway musical. Watching Jersey Boys on stage is like soldiering through some extreme eating contest where you’re force-fed dessert for three hours. It’s all falsetto heroics and hustled-through character drama, every beat of every scene over-scored, over-rehearsed, and overbearing. And…

Obvious Child is not your mother’s rom-com

For all of Fox News’s fear-mongering about Hollywood being out to indoctrinate us with liberal values, when it comes to pregnancy, the movies have for years been curiously conservative. If a woman gets knocked up, she either loses the baby by accident or carries it to term. Abortion, an option…

Riley Morton’s Evergreen chronicles the road to legalization in Washington

In 2012, advocates for marijuana legalization pushed Initiative 502 onto the ballot in Washington state. This year, director Riley Morton released the documentary Evergreen: The Road to Legalization, which chronicles the months leading up to the vote. In interviews with recreational and medical marijuana users, dealers and legislators, as well…

Now Showing

Chris Richter. Back in March, gallery director Bobbi Walker realized that her planned June slot had come apart and that she needed to come up with somebody fast. At the time, she was checking out the scene in Santa Fe, New Mexico, and came across the work of painter Chris…

The Heart Animates MS Doc When I Walk

“Wherever you live in this world, basically…you are alone. Even if have support systems, we’re really alone.” Those words, shorn of sentimentality, are offered—and received—as motherly balm in the documentary When I Walk. Filmmaker Jason DaSilva, having turned his camera on himself to capture the ravaging effects of multiple sclerosis…

Forgotten Flick Ravenous Is the Best-Ever Manifest Destiny Cannibal Comedy

Ravenous is a film-shaped UFO: It’s so delightfully weird that its very existence defies logic. Imagine a film that makes A Modest Proposal–style satire out of Dracula’s gothic horror tropes in the spaghetti western milieu of The Great Silence. It’s a pitch-black comedy about Manifest Destiny and cannibal frontiersmen. Set…

Pattinson and Pearce battle through The Rover

The Rover, Australian filmmaker David Michôd’s followup to the brutish family drama Animal Kingdom, is a post-apocalyptic Western from the Outback, a stretch of land that already looks like the world’s been blown away. All Michôd needs to convince us of the devastation is a title card pegging the events…