On this week’s Voice Film Club episode, film critics Alan Scherstuhl, Amy Nicholson and Stephanie Zacharek recommend seeing Matt Reeves’ Dawn of the Planet of the Apes (12:00) and Richard Linklater’s Boyhood (20:00), a movie filmed over twelve years with the same cast. [Subscribe to the Voice Film Club podcast…
Janus FilmsOn this week’s Voice Film Club episode, film critics Alan Scherstuhl, Amy Nicholson and Stephanie Zacharek race through the latest (and the most terrible) Transformers movie (2:01), Earth to Echo (13:14), and Tammy (16:30). They then discuss Life Itself (21:54), a film about the life of the late Roger…
Mark Ruffalo’s great gift, besides those scruffy good looks and that prickish, hung-over charisma, is capturing the essence of the guy who’s spinning toward a crash but trying to angle himself back. His greatest performance, in Kenneth Lonergan’s You Can Count on Me, is a slow-motion skid-out, a portrait of…
Earth to Echo is a slender kiddie flick about a quartet of preteens and their palm-sized alien pal that’s at once bland, well-intentioned, and utterly terrifying regarding the mental development of modern children. As in the most honest kids films, our five-foot heroes admit to being isolated, unhappy, and cowed…
It’s kind of happy-sad, like watching a kid you knew as a toddler graduate from high school: Chris Evans, seemingly destined to be a boy forever, is now officially a grownup. In Bong Joon-ho’s futuristic snowbummer Snowpiercer, the Korean director’s first English-language film, Evans plays the leader of a group…
It’s a relief, after the wretched Identity Thief, to see movies whose makers love Melissa McCarthy as much as audiences do. Identity Thief’s comic centerpiece was predicated on the idea that McCarthy having sex is a hilarious grossout, like she’s the pie Jason Biggs once had to diddle. Half an…
Horror, like porno, can be judged only by its effect on your pulse: If you jerked in your seat, it served its function. Biology requires us to react to jump scares, just as it urges a lonely man to thrill to a great set of tits. But triggering a coronary…
Let’s get the obvious over with: The early days of the Beatles, as reflected in Richard Lester’s ebullient shout of freedom A Hard Day’s Night, were all about the optimism of the early 1960s, a thrilling and energizing time when young people, and even some older ones, truly believed that…
Articulated Perspectives. Summer is group-show time, and Bill Havu and Nick Ryan have put together a great exhibit that looks at artists who combine representational imagery with abstract sensibilities. The exhibit, installed on both the main level and the mezzanine, includes the work of three painters and one sculptor. As…
Here are some of the triumphant moments of recent history that make it into the climactic montage in America, the latest “America’s perfect!”/”America’s doomed!” pant load from felonious troll Dinesh D’Souza: Jackie Robinson rounding home. Elvis Presley swinging his hips. Ronald Reagan and the Berlin Wall. Boxed copies of Windows…
If a toddler tried to re-create the mystifying behavior of adults, it would look a lot like Paul Haggis’s Third Person, a drama where grownups scream and cry and kiss for reasons that are confounding even to those who understand speech. The film follows a handful of couples, or, really,…
How has there not already been a Nicolas Cage movie called Rage? That title could fit many of the Drive Angry star’s late-career time-wasters. Here it works best as an imperative rather than an announcement of theme: You may feel some anger if you pay to watch this. Or you…
July is a perfect time to bask under the stars at one of Denver’s many outdoor screenings or to cuddle up in an air-conditioned theater and get out of the heat. This month’s picks for movie events include throw-back classics, one queer festival and two killer new releases. See also:…
Denver Public Library’s Chris Loffelmacher wants people to see the DPL as “a community gathering spot where citizens can be with their ‘tribe.’ That has always been a goal of libraries, but it has become more and more important in the age of social media. We want to give our…
This Saturday, Channel Z is bringing one of the strangest buddy comedies of all time to the Alamo Drafthouse. Frank Henenlotter’s horror comedy Basket Case is the tale of a country bumpkin named Duane and his horrifically deformed “twin,” Belial. After his little, creepy conjoined buddy is forcibly removed, Duane…
On this week’s episode of the Voice Film Club podcast, Voice film critics Alan Scherstuhl and Stephanie Zacharek, along with L.A. Weekly film critic Amy Nicholson, discuss rom-com Begin Again (2:26), starring the always-interesting Mark Ruffalo. They also talk about the biting rom-com parody They Came Together (15:47), which might…
Coloradans like to celebrate their state almost as much as they like to live in it. Longmont’s second annual Front Range Film Fest, running Thursday through Saturday, “Connects the Front Range to Film,” with three feature-length films and a series of shorts, most of which are by local filmmakers. “Our…
In January 2013, an incandescently brilliant American political activist and computer programmer named Aaron Swartz was hounded to suicide by the overzealous U.S. Attorney for Massachusetts, Carmen Ortiz. Anyone who argues differently has a desk drawer full of government pay stubs. Brian Knappenberger’s The Internet’s Own Boy: The Story of…
Romances are Hollywood’s most anxiety-inducing fantasy. Like superhero flicks or horror films, they exist in a phony world of big scenes and breathtaking climaxes. But while audiences know that geeks can’t meld with spiders and that the bogeyman isn’t real, they still hope to fall in love, and, boy, it’d…
Although it’s full of information, the documentary Ivory Tower at its core poses a question: Is the price of college worth it? The film touches on a host of issues beyond finances, including the party culture at some schools, the unique value of historically black colleges, and experimentation with online…
Gildersleeve, Balas, Bumiller, Judd. Commanding the large front spaces at Robischon Gallery is Allison Gildersleeve: Within Earshot, which includes a selection of paintings in which the artist employs the methods of abstract expressionism but uses them to convey representational subjects. In the small space beyond the Gildersleeves is Jack Balas:…
Believe it or not, during Transformers: Age of Extinction, Michael Bay’s fourth rattling of the toy box, I felt one moment of near transcendence. Three-fourths of the way through the punishing 165-minute runtime—and fifteen minutes after my seatmate took off her 3-D glasses in exhaustion—my brain left my body, crying…
