Planes‘ tailspin is more fun to ponder than to watch

It turns out that the cars and planes of Cars and Planes can kiss. Deep into Planes: Fire & Rescue, a time-killing kid-flick whose title is an exact summary of its plot, the filmmakers introduce us to two creaky old Winnebagos, a husband and wife in their sunset years, revisiting…

Monkey business is good in the new Apes sequel

Who knows why, but the sight of apes sitting tall and proud on horseback is stirring in a primal way. That’s one of the best images in Matt Reeves’s Dawn of the Planet of the Apes, the sequel to the enormously successful 2011 Rise of the Planet of the Apes…

A Coffee in Berlin is a compelling behavioral study

Jan Ole Gerster’s debut feature, A Coffee in Berlin (originally titled Oh Boy), arrives in the U.S. riding a wave of success, having swept several major categories at the 2013 German Film Awards, where its main competition was Cloud Atlas (co-directed by Gerster’s friend Tom Tykwer). By comparison, Gerster’s film…

Now Showing

Articulated Perspectives. Summer is group-show time, and Bill Havu and Nick Ryan have put together a great exhibit that looks at artists who combine representational imagery with abstract sensibilities. The exhibit, installed on both the main level and the mezzanine, includes the work of three painters and one sculptor. As…

Anna Kendrick Had Her Heart Broken by a Hot Dog

“I forget that people think that I’m the girl with a ponytail and a briefcase,” says Anna Kendrick, perched on a couch in a T-shirt and jeans. Her career-launching role as a prim go-getter in Up in the Air is so far removed from her actual self that she’s still…

Begin Again never quite hits those high notes

Mark Ruffalo’s great gift, besides those scruffy good looks and that prickish, hung-over charisma, is capturing the essence of the guy who’s spinning toward a crash but trying to angle himself back. His greatest performance, in Kenneth Lonergan’s You Can Count on Me, is a slow-motion skid-out, a portrait of…

Earth to Echo is E.T. for the hyper-digital age

Earth to Echo is a slender kiddie flick about a quartet of preteens and their palm-sized alien pal that’s at once bland, well-intentioned, and utterly terrifying regarding the mental development of modern children. As in the most honest kids films, our five-foot heroes admit to being isolated, unhappy, and cowed…

It’s the haves versus the have-nots in Snowpiercer

It’s kind of happy-sad, like watching a kid you knew as a toddler graduate from high school: Chris Evans, seemingly destined to be a boy forever, is now officially a grownup. In Bong Joon-ho’s futuristic snowbummer Snowpiercer, the Korean director’s first English-language film, Evans plays the leader of a group…

Tammy attempts to housebreak Melissa McCarthy

It’s a relief, after the wretched Identity Thief, to see movies whose makers love Melissa McCarthy as much as audiences do. Identity Thief’s comic centerpiece was predicated on the idea that McCarthy having sex is a hilarious gross­out, like she’s the pie Jason Biggs once had to diddle. Half an…

Deliver us from this anemic spook story

Horror, like porno, can be judged only by its effect on your pulse: If you jerked in your seat, it served its function. Biology requires us to react to jump scares, just as it urges a lonely man to thrill to a great set of tits. But triggering a coronary…

Fifty years on, A Hard Day’s Night is still revelatory

Let’s get the obvious over with: The early days of the Beatles, as reflected in Richard Lester’s ebullient shout of freedom A Hard Day’s Night, were all about the optimism of the early 1960s, a thrilling and energizing time when young people, and even some older ones, truly believed that…

Now Showing

Articulated Perspectives. Summer is group-show time, and Bill Havu and Nick Ryan have put together a great exhibit that looks at artists who combine representational imagery with abstract sensibilities. The exhibit, installed on both the main level and the mezzanine, includes the work of three painters and one sculptor. As…