We run down the ten best movies of 2015 (so far) on this week’s episode of the Voice Film Club. Alan Scherstuhl and Stephanie Zacharek of the Village Voice, joined by Amy Nicholson at LA Weekly, each share a few of their favorites on this mid-year (well for Hollywood, anyway)…
The pizza joint Shakey’s in Hollywood is packed when transgender actresses Mya Taylor and Kiki Rodriguez slide into a booth with their director Sean Baker, whose shot-on-location-and-on-iPhone comedy Tangerine was the most talked-about surprise of this year’s Sundance Film Festival. Taylor, the quieter and more glamorously aloof of the pair…
There’s probably only one humanist film that opens with the words “Merry Christmas Eve, bitch!” accompanied by the proffering of a single, sprinkle-dusted doughnut. In Sean Baker’s Tangerine, best friends, transgender women and prostitutes Sin-Dee and Alexandra (Kitana Kiki Rodriguez and Mya Taylor, respectively) catch up at a doughnut joint…
The opening of Antoine Fuqua’s Southpaw, shot in gritty, grayed-out tones, is a grim harbinger: A fighter getting ready for the ring holds up his meaty paws for the ritualistic wrapping of gauze and tape. His gloves are slipped over the wrappings, and then they’re taped on, too — but…
Silents never actually were. According to composer Rodney Sauer, musical accompanists always played for silent film screenings, a feat that will be replicated by his Mont Alto Motion Picture Orchestra this week when it underscores the innovative 1930 German film People on Sunday as part of Boulder’s Chautauqua Silent Film…
If science fiction and economic trends can agree on anything, it’s that robots are destined to become our merciless overlords. You can prepare yourself for this horrific inevitability, or even study how you might fight it, with a trip to the Longmont Museum for its new robocentric film series, launching…
Long gone are the days when depictions of reporters in movies were reduced to a fedora with a white “Press” card tucked into the bow. We have Robert Redford and Dustin Hoffman in All The President’s Men and Peter Finch’s epic cry of “I’m mad as hell and I’m not going to take…
We may not need another hero, but true believers don’t need to shrink-ray their expectations. Ant-Man is the first Marvel film — and the first of this summer’s pixels-go-kablooey time-wasters — to get better as it goes. The filmmakers save their biggest, wiggiest ideas for the climaxes, where they wittily…
While Judd Apatow and Amy Schumer’s new movie Trainwreck is “occasionally very funny, it also feels carefully constructed to make its points, chief among them that men can get away with all kinds of bad or crazy behavior that women can’t,” writes Village Voice film critic Stephanie Zacharek in her review…
Does gay have a particular sound? Is there a certain way that gay men speak that our brains read as a dead giveaway to their sexual orientation? The new film Do I Sound Gay?, opening Friday at the Mayan Theatre, explores the myth and science behind the queer dialect ,…
Above all else, a movie built around a star promises presence, and in Bill Condon’s Mr. Holmes, that promise is dual: Here’s 100 or so minutes with the great Ian McKellen, for once not casting spells, controlling magnetism or classing up script pages of expositional gobbledygook. Besides that, Mr. Holmes…
The problem with clamoring for more woman-led comedies is that actual comedy may be the thing that ends up being left by the wayside. Tina Fey, among others, has railed against the boneheaded dictum that women can’t be funny. But in the current climate of watchfulness — one in which…
Dr. Jeffrey Young is a casting director’s dream. There’s the veterinarian’s look: long, greying hair, a thick mustache and kanji tattoos inked on his biceps, sculpted from years working as a track-and-field coach at North High. Then there’s the fact that, a quarter-century into his practice, Young still isn’t shy…
Imagine if Donald Trump wanted to reboot his disastrous presidential-campaign-announcement month to start over as a younger man with real hair. In Tarsem Singh’s Self/less, Trump could hire the medical geniuses of Phoenix Biogenic to transfer his aging brain into a strapping-hot bod for $250 million — the price of…
The death of Amy Winehouse, in July 2011, at age 27, was one of the first great tragedies of 21st-century pop music, an event — like the deaths of Tupac Shakur and Kurt Cobain in the last decade of the twentieth — that emphasized the jarring contrast between the fragility…
Dana Nachman’s Batkid Begins marches in with the mini-movie you’ve already seen. (Unless, as Bruce Wayne suffered in The Dark Knight Rises, you’ve spent months in a hole.) On a November weekday in San Francisco — a/k/a Gotham-by-the-Bay — five-year-old cancer survivor Miles Scott rode shotgun in a Lamborghini Batmobile,…
Hollywood lives by the simple, sad axiom “Where there’s money, there’s more money,” which is how we get remakes of movies that sometimes shouldn’t have been made in the first place, two Spider-Man reboots within five years, and a Star Wars franchise that ensures our children’s children will revere George…
There’s no one right way to show mental illness in the movies, yet there are hundreds of ways to get it wrong. Even though certain disorders come with specific traits, a diagnosis is not a human being, and doomed is the actor who just cycles through symptoms rather than working…
After many high note-saturated years, the long-in-the-tooth American Idol will sign off after this upcoming fifteenth season (premiering in January 2016). But if your dreams of being America’s next golden throat are still red-hot, fear not: AI will kick off auditions for its epic swan song this Friday in Denver, so pour…
Emily Griffith’s story deserved a happier ending. After giving so much to so many — she founded the first free adult-learning institution in the country, the Opportunity School — she retired in 1933 and moved to a cabin up in the mountains. And there the founder of the Emily Griffith…
The upcoming Amy Winehouse documentary Amy is one of the best music docs Village Voice film critic Stephanie Zacharek has ever seen, and she explains why to Voice film editor Alan Scherstuhl and LA Weekly film critic Amy Nicholson this week. Also this week: The confusing (yet really, really enjoyable) explanations…
Perhaps a side effect of Denver’s recent development boom and expansion is that this city may have just become an easy mark for reality television — at least judging from the sudden rash of audition opportunities headed our way. Big Brother, The Bachelor, Jeopardy and Wheel Of Fortune all came…
