The Warm, Sweet I Am Big Bird Could Use a Touch More Grouch

Maybe we contain multitudes, and maybe we contain a couple great splashes of primary color. With one arm stretched high above his head, puppeteer Caroll Spinney has spent the last decades embodying the warmest of yellows and grimiest of greens, playing — in every sense of the word — Sesame…

Beware the Falling Rock in San Andreas

The San Andreas fault stretches 810 miles up the Pacific coast, roughly the length of a dozen Dwayne “The Rock” Johnsons lying end to end. When it rumbles, we’ll need all twelve of him to spring into action — although, as Brad Peyton’s San Andreas warns, that still won’t be…

For All Its Familiarity, The Connection Is Still Engaging

A movie about bringing down drug lords that’s actually mostly about movies, Cédric Jimenez’s The Connection is stretched over driven-cop beats so familiar that American audiences could probably follow it without subtitles. (It’s in French; add that to the title, and you get a sense of its police-film ambitions.) It’s…

Podcast: The ‘Mad Men’ Ending Was the Real Thing

The final episode of Mad Men was upbeat — if you enjoy the death of the counter-culture. On this special episode of the Voice Film Club podcast, Village Voice film editor Alan Scherstuhl and editorial fellow Lara Zarum, along with the Voice’s TV critic Inkoo Kang, discuss the final episode…

Brad Bird Makes Caring Cool in Tomorrowland

In a junk-food summer, Brad Bird’s Tomorrowland is a defiant carrot stick, a blockbuster adventure flick where the message is “Think smart.” It’s a deliberate phooey to the kiddie carnage of movies like Transformers and The Avengers, which frighten children about the apocalypse before they can even spell the word…

Podcast: Is Pitch Perfect 2 Racist? And Mad Max Rules

Pitch Perfect 2 hit a few wrong notes for the Village Voice’s Alan Scherstuhl and special guest Monica Castillo, but LA Weekly film critic Amy Nicholson interpreted the film’s humor a little differently. We circle back to Sofia Vergara’s performance in Hot Pursuit, before arriving in the desert for Mad Max:…

Tom Hardy Is Mad Max in the Wild Fury Road

This feels like a film that shouldn’t exist. How is George Miller’s bonkers, exhausting, no-future smash-’em-up Mad Max: Fury Road not one of those almost-was boondoggles mourned and dreamed of by fans, a revered director’s impossible vision that, thanks to the un-stout hearts of studio bean counters, never actually vaulted…

Albert Maysles Goes Out in Style With Iris

Iris Apfel isn’t exactly a household name, unless we’re talking about very stylish households. From 1950 to 1992 Apfel ran Old World Weavers, the business she co-founded with her husband, Carl, which faithfully re-created antique textiles for use in home decorating: From grand Park Avenue drapes to demure White House…

An Iranian Master Crafts Humane Suspense in About Elly

It’s tempting to suggest that if you have any interest in Iranian film in general, or in particular Asghar Farhadi — the director and writer of that shred-your-heart masterpiece A Separation — you should simply get yourself to Farhadi’s About Elly without knowing a thing about it besides its title…

Hot Pursuit‘s Silliness Is a Plus, Not a Liability

Sofía Vergara is built like an amphora, a living testament to the form ceramicists throughout the centuries have adored. In the fleet and gloriously ridiculous comedy Hot Pursuit, Vergara plays Daniella Riva, a mobster’s wife who needs to be escorted from San Antonio to Dallas, where she’ll testify against the…

Podcast: Avengers 2 Is Better Than Avengers 1

Avengers: Age of Ultron director and screenwriter Joss Whedon wants to give us everything in his movie, and that he fits it all in is its own kind of feat, writes LA Weekly film critic Amy Nicholson in her review of the film, which opens May 1. Joining her on…