Alec Baldwin is no Steve Harvey. Unlike Harvey, Baldwin seems diminished on the set of a retro ’70s game show dedicated to getting contestants to say gently dirty nonsense. On ABC’s baggy, boozy Match Game, Baldwin crabs into a skinny last-century microphone about how everything’s stupid: his celebrity panelists, the…
Allison Janney is deflecting questions about herself to proclaim the talent and intelligence of her Tallulah co-star Ellen Page, whom she already step-mothered onscreen in 2007’s Juno, when she suddenly interrupts herself. “Oh my god,” she says. “I’ve been talking since six this morning. I’m bleary-eyed from all the conversations…
This quietly moving doc has a hook worthy of the most shameless of Hollywood weepies, offering tragedy and a miracle and much ado about the power of movies themselves. But the film is tender and patient, as fascinated by the challenges of daily life as it is by the dramatic…
Does it matter that Freddy Krueger was a pedophilic middle-school janitor who died in a blazing fire when parents sought revenge? No. And unless you’re a horror-film obsessive, you probably don’t even know how he morphed into a pizza-faced Where’s Waldo with knife fingers — what matters is he lives…
Like the real 1980s, Stranger Things gets more unsettling as it goes. The opening episode of the Netflix show, created by the Duffer Brothers, gives us swear-y, scruffy kids playing D&D and then, beneath a lavish suburban starscape, encountering the unknown — which one of the boys promptly hides in…
In Anna Rose Holmer’s The Fits, emotion becomes motion and psychology becomes space. It’s a coming-of-age story, but Holmer mostly eschews dialogue and standard storytelling devices; she tells her tale through movements and patterns and the way that she films them. The Fits follows Toni (Royalty Hightower), an 11-year-old tomboy…
Star Trek Beyond might be the Star Trekkiest film of the new, J.J. Abrams-ified Trek era. That is to say, it’s the one that feels the most like a turbo-loaded episode of the original series, and has at least some of that classic spirit of exploration and derring-do. That’s not…
Steve Allen didn’t know what to make of Frank Zappa. The clean-cut young musician was promising to “play the bicycle” on the set of The Steve Allen Show in 1963, spinning the wheels and tapping on the spokes. The result, with the help of a tuneless orchestra behind him and…
To understand what Absolutely Fabulous (first a TV show and now a movie) means to Brits, you’d have to go back to the TV premiere in 1992. Margaret Thatcher had their economy in a stranglehold until her departure as Prime Minister two years earlier, and when every sensible citizen was…
Summer and summer movie events are as hot as Georgia asphalt right now. This week the eighth annual CinemaQ Film Festival returns to the Sie FilmCenter to show an array of scorching titles that illustrate and illuminate a snapshot of the current LGBTQ community. Full disclosure: In 2006, as programming…
25 years ago, Annie Leibovitz stunned America with her infamous portrait of Demi Moore — nude, bronzed, seven months pregnant — on the cover of Vanity Fair. The image of Moore’s proud, bare body, heavy with child and unmistakably erotic, meant that in some states the magazine had to be…
In the world of Difficult People, the cutting comedy returning this week to Hulu, the game is rigged against Julie (Julie Klausner) and Billy (Billy Eichner), but perhaps only because they rigged it against themselves. As their friends find success, the two struggling comedians feign interest in jobs that pay…
Here’s a story you might have missed a few weeks back, what with the country collapsing. In late June, at Dallas’ Kay Bailey Hutchison Convention Center, 30 aspirational souls received burn treatment after walking over hot coals at a Tony Robbins seminar. Robbins, a seize-your-life salesman of granite physique and…
If there’s a war movie we haven’t seen enough of yet, it’s one from the female perspective, one that further obscures who the good guys and bad guys really are. In Anne Fontaine’s moody feature The Innocents, even the nuns are gray. During a bitterly cold winter, tucked away in…
Here’s some good news: Netflix is now streaming Crazy Ex-Girlfriend. No other TV show is quite so ambitious or politically deft as star and executive producer Rachel Bloom’s (and co-creator Aline Brosh McKenna’s) darkly comic, whip-smart send-up of romantic comedies. The title alone has turned more than one of my…
Is it possible to sustain a feature in a single interior location with the premise that three outlaws on the run may or may not rape the three women of the house, two of whom are already being molested by their father? I mean, you could. But why the hell…
At their best, Michel Gondry’s movies are sad in a way that makes you not want to be happy. The problem is that Gondry’s best doesn’t extend far beyond Eternal Sunshine of the Spotless Mind, that dream-weaving romance from more than a decade back, and scattered moments from subsequent films:…
Don’t let the publicity photos of the ensemble cast clad in ’70s-era tuxes and flower-child dresses, or even the cloying Mumford-mimicking soundtrack on the trailer, fool you: Captain Fantastic ain’t some twee, cutesy Wes Anderson romp or a Little Miss Sunshine knockoff. This dramedy marking the feature debut of longtime…
Kindly allow this lengthy aside and conspiracy theorizing: I can’t start my review of Paul Feig’s redo of Ghostbusters without first mentioning the stupefying chaos that attended last Thursday evening’s press screening, the only one of two scheduled a half-hour apart in New York before the movie’s opening. This unprecedented…
Alex Gibney will be ready if the power grids fail. “We have a place in Maine now,” the director says. “We just installed solar panels. We can fish. We have water. With a little bit of Sterno, we’ll probably be OK.” After a long career dredging up the dark side…
James DeMonaco’s Purge series, about a near future in which all crime is legal for one annual 12-hour period, began as a disturbing setup for basic genre thrills: 2013’s franchise-starter was essentially a home-invasion thriller with a dystopian twist. By the time Purge: Anarchy rolled around a year later, the…
A wiener dog is the perfect mascot for Todd Solondz’s films. Dachshunds are ridiculous, funny without trying, but that zero-dignity waddle belies a much fiercer purpose: to hunt and kill small prey. Solondz’s body of work, stretching from coming-of-age cringefest Welcome to the Dollhouse to his newest, Wiener-Dog, has the…
