Here it comes, the crisp chill of September, when shorts during the day give way to hoodies and pants at night. The air conditioning in your local movie house will be turned off, and a warm bucket of popcorn will keep your fingers toasty and buttery. In no time at…
Cities, like young people, are forever becoming something new. The latest tender charmer from Ira Sachs chronicles the growing pains of teens and Brooklyn with the wry sensitivity and eye for economic reality that distinguished Sachs’ Love Is Strange (2014) and Keep the Lights On (2012), which began a sort…
Ira Sachs has become one of our great American filmmakers. His newest, Little Men, about two teenage boys (Theo Taplitz and Michael Barbieri) who become best friends even as their parents face off over the fate of a small dress shop in the ground floor of a Brooklyn home, is…
The attempt to reconcile the personal with the political has been the great theme of Nanni Moretti’s cinema, as it was for many of the legendary Italian directors before him. In Mia Madre, it finds one of its more vivid examinations. The film’s concept is blunt — a director struggles…
Nepotism is occasionally a positive, and not just for the direct beneficiary. Ridley Scott gave us Alien, with heroine Ripley and a memorable cast of ne’er-do-wells and villains with defined personalities. And now Scott’s son, Luke, who’s been shadowing his dad on his last few big-budget films, has delivered unto…
Tension and release is the driving principle of a tearjerker, where every good fortune is countered by something worse. And as dismissive as critics often are of the genre, it’s actually quite difficult for a director to make people cry en masse and genuinely feel things. Derek Cianfrance’s foreboding melodrama…
Opening your film on the image of a child plummeting off a cliff, presumably to his death, is a fairly foolproof way of getting the audience’s attention. And Alexandre Aja’s hyper-stylized coming-of-age-movie-slash-fantasy-slash-psychological-thriller The 9th Life of Louis Drax excels at grabbing you with a steady stream of provocative and ornate…
You can be forgiven for thinking that the new show from Dan Harmon, creator of Community and Rick and Morty, might come off as niche. Available on the new comedy streaming service Seeso, Harmonquest features comedians playing Pathfinder — a tabletop role-playing game similar to Dungeons and Dragons — in…
Barbara Kopple’s Miss Sharon Jones! tells the kind of true story that makes you want to kick creation itself square in the crotch. Here’s that firecracker soul singer, nearing her 60s, her boogie still majestic, her band still a tight retro marvel, her wail still the southern end of a northbound…
Natalie Portman proves herself a filmmaker of intelligence, ambition and inventiveness in her debut as a director and writer — just not one who is always certain as a storyteller. A Tale of Love and Darkness adapts, with a passionate somberness, several threads from Amos Oz’s autobiographical novel of the…
In contemporary film, it’s typical for an African-American character to be the sole person of color in the story, only existing to reveal hidden racism or make white people uncomfortable with themselves. Black characters rarely get to talk to other black characters. Last year, Manohla Dargis suggested a new Bechdel-type…
The sarcastic wag who first drawled the phrase “as exciting as watching grass grow” never intended it as a compliment. But have you ever actually watched grass grow? I mean, I haven’t either, but there must be a pretty cool hidden world of fresh-smelling earth and tickly dew and bugs…
Don’t let the uptick in big-cast movies fool you: Ensemble films are difficult to make. When a script gets a projected budget in creative development, “ensemble” adds dollar signs and story challenges. Each actor needs to get a moment in the star circle, and each is competing for top billing…
Critics often dismiss blockbuster entertainments with the vague, half-assed complaint that they resemble “video games.” Movies like Fede Alvarez’s Don’t Breathe reveal games’ actual influence — for the better. The breakthrough with studio horror films in recent years, since the found-footage boom, is a welcome environmental immersiveness. It’s a testament…
Just like there’s a bizarro internet where Donald Trump is celebrated as a warm, loving, generous, successful businessman who really wants to earn a Purple Heart, I wonder if there’s also a bizarro, ravenous audience awaiting a feature-film reenactment of Donald and Melania’s epic first date. (He literally tricked his…
Robert De Niro — the Raging Bull himself, now aged from boxer to trainer — is introduced in Hands of Stone bathed in Madison Square Garden’s overhead spotlights, more the image of a reigning champ than the promising fighter whose American debut his character Ray Arcel has come to see…
It’s hard out there for a TV comedy fan. That’s the case for network television, at least. Before All in the Family altered the TV comedy landscape, most sitcoms hewed closely to the formula of solving minor annoyances in 22 minutes (with the occasional “OMG Vincent Price in Hawaii” curveball)…
Everybody’s favorite four-seat, mobile, musical movie house — Davey B. Gravey’s Tiny Cinema — has been zipping around Colorado this summer, delighting handfuls of moviegoers one little 8mm film at a time. And now, just as the sun begins to set on summer, the Cinema will bring its magic to…
Late in Lo and Behold, Reveries of the Connected World, his unsurprisingly wry, quizzical documentary survey on life inside and beside the virtual world, Werner Herzog stumps two brain researchers with a lyrical question in that instantly recognizable (and often parodied) German accent: “Does the internet dream of itself?” An ever-adventurous…
From its opening image — of a distraught woman battling massive ocean waves on a moonlit night — to its surprisingly ambiguous final shot — of what, I won’t say — Kubo and the Two Strings sears itself into your brain. The stop-motion animation studio Laika has perfected, over the…
In a summer of disappointing reboots, underperforming sequels and rejected franchise bait, Ben-Hur is something rare: a remake no one asked for but weary moviegoers might accept as a small gift for lack of any better option. Timur Bekmambetov’s reimagining of William Wyler’s 1959 epic, itself preceded by two silent…
Anna Gunn actually gets to do things in Meera Menon’s expansive high-finance drama Equity, which is almost reason enough to recommend it right there. The Breaking Bad co-star tears into the role of a rainmaking banker taking a Silicon Valley company public. For once it’s Gunn whose character gets to…
