In 1976’s The Devil Finds Work, James Baldwin makes a crucial verb distinction when discussing the screen legends, like Bette Davis, with whom he was transfixed (sometimes uneasily so) in his youth: “One does not go to see them act: one goes to watch them be.” When one goes to…
Gina Prince-Bythewood has directed two of the most devastatingly romantic films of this millennium — Love & Basketball (2000) and Beyond the Lights (2014) — so it might seem odd at first to see her at the helm of a TV show about police violence, unsolved murders, and race relations…
Alice Lowe’s baby Della whacks two knives on the table as Lowe describes for me the nightmare she had before she knew she was pregnant: A horde of shadow selves in ninja gear were trying to kill her, and she had to battle Lowe after Lowe to survive. Lowe looks…
Almost no one ever asks young women what they desire — in movies or reality. Feminine cravings are still seen as a dire threat, a grand disturbance to the power structure, and the few movie men who dare speak the words “What do you want?” — like Noah in The…
There’s more of a narrative in Song to Song than in Terrence Malick’s last two films, but that may not, at first, seem like a good thing. Pin Malick’s work down these days — tease a story or philosophy out of it – and you’re usually faced with something simple,…
Somehow, MTV2, the channel that was launched 21 years ago to show all the music videos MTV wasn’t, has essentially turned into BET — or TV One or Centric or whatever black programming-filled channel you know about. The evidence is all there — before it jumped back to its original…
Since every cell of you dies and sloughs away so many times in your life, can you be said to be the same you at 65 that you were at 20? Such questions power this frustrating doc about William Powell, the humanist adult who happens once to have been the…
Consider, before you consider anything else about the sequel to Trainspotting, that the director of both films is an artist whose signal trait had been a seeming repulsion at the thought of ever going back to the well. Between the original and the new T2 (cheeky title, innit), Danny Boyle…
To understand how Ritesh Batra’s The Sense of an Ending might disappoint you if you’ve read the suspenseful, tear-jerking Julian Barnes novel on which it’s based, you should think back to Batra’s much-lauded debut feature The Lunchbox (2013). In that humanistic film, a young woman trapped in her marriage falls…
Having now reached the age of its wayward protagonist, Donnie Darko is once again being tasked with forestalling the end of the world. Richard Kelly’s sleeper first opened almost two years after screening at Sundance, and a month after 9/11, becoming an early example of a trend that scarcely exists…
The antagonistic atheist Madalyn Murray O’Hair relished it when Life magazine called her “The Most Hated Woman in America” in the 1964 profile that only heightened her notoriety. That designation followed the 1963 Supreme Court ruling on Murray v. Curlett (and another lawsuit) that ended Bible-reading in public schools. Director…
Mainstream awareness of Breitbart, Infowars and other unsavory conservative “news” outlets has skyrocketed, as millions suddenly found themselves needing to know who Steve Bannon et al. were. For me, none of these outlets or talking points were news: I’m Texas born-and-raised — there, free-floating libertarian paranoia is a standard component…
Director George Mendeluk has stated that he wanted to make Bitter Harvest to bring wider attention to the Holodomor, the forced famine imposed by Joseph Stalin that killed between three and seven million ethnic Ukrainians in the early 1930s. That’s certainly a subject worthy of a film, but the question…
Let’s say you had to make up a list of historical moments that might serve as grand backdrops for sweeping, old-fashioned, Hollywood-style romantic dramas. How high would you rank the Armenian Genocide? How high would you rank any genocide? Watching Hotel Rwanda, you probably never hoped that, amid the carnage,…
Even if it were not for the fact that Mean Dreams has become Bill Paxton’s penultimate picture, Nathan Morlando’s thriller would be worth recommending entirely on its own merits. Start with cinematographer Steve Cosens (The Tracey Fragments), who uses sharp focus and the occasional faded Polaroid-style filter to lovingly caress…
It’s the take as old as time. Yes, Beauty and the Beast’s love story can be read as a tale of abuse and brainwashing, of a woman imprisoned by a tyrant until she starts chatting with the table settings — and then, as seasons pass, chastising herself in song for…
With movie-history viewing choices spawning like mold in a damp room, we can easily see the things we didn’t even know we’d never seen. For me that includes Takashi Miike’s Black Society Trilogy (Arrow Video), a trio of quick, down-and-dirty crime-gang pulp rockets (1995-99) that established Miike as Japan’s fin-de-siècle…
Pop quiz. What comic-book adaptation centers on a white man orphaned by tragedy but blessed with great wealth who travels to an Asian country, only to return to America as a fearsome hero of amazing skill? That’s a trick question, of course: There are too many to count. In Batman…
Don’t hold it against Martin Zandvliet’s land-mine drama that its English title is the dopiest movie-title pun since John Singleton’s Poetic Justice. That film concerned a poet named Justice; Land of Mine a land of mines. Called Under Sandet in the original Danish — roughly Under the Sand — Zandvliet’s…
Every Western that gets made feels like it could be the last one, and yet the genre refuses to ride off into the sunset. Martin Koolhoven’s Brimstone doesn’t breathe new life into the oater, but the Dutch writer/director has clearly studied the gunslingers of yore. His film strives for a…
“A cat meowing at your feet, looking up at you, is life smiling at you,” says one of the interviewees in Kedi, and who am I to argue? Ceyda Torun’s daydream-like documentary explores a subject near and dear to my heart: the street cats of Istanbul, those countless, fearless denizens…
In Staying Vertical, as in nearly all of French filmmaker Alain Guiraudie’s tonically unorthodox work, the emphasis is on the abundant possibility of pairings and practices when people get horizontal. Filled with quite literal chubby-chasing, Guiraudie’s sexually anarchic romp The King of Escape (2009), for example, centers on a middle-aged…
