CHIPS is the latest kitschy-yet-beloved cop show to get remodeled on the big screen as a bromantic buddy comedy. However, unlike the way the movie versions of Starsky & Hutch and 21 Jump Street played up those shows’ alleged homoeroticism for ironic, lighthearted laughs, CHIPS lets it be known from…
As Denver continues to grow into a newer, bigger and more expensive city, local artists press on, creating art about the changes being seen and felt.
Niki Caro has the rare ability to elevate what could be emotionally manipulative schlock to earnest art. To judge by the trailer, her low-budget breakthrough feature Whale Rider (2003) seemed a straightforward children’s drama about a girl overcoming the odds — tame, commercial Disney fare. But the film itself proved…
The Boss Baby might look, at first, like any other major studio animation release. Directed by DreamWorks vet Tom McGrath (Madagascar, Megamind), the movie hits all the expected notes: the enduring importance of family, the persistence of untrustworthy/clueless adults, and the inherent hilarity of shoehorning David Mamet dialogue into a…
Witherspoon is a marvel, hilarious and exasperating.
To Walk Invisible: The Brontë Sisters airs March 26, PBS Some of us can never have too much of the Brontës. But I understand if your response to another dose of costume drama on the moors is “Shoot me now.” Reader, be strong! If you were dead, you’d be deprived…
One of the sly jokes underpinning this striking indie apocalypse: If everyone on Earth vanished while you were vacationing in Iceland, how long before you would notice? Geoffrey Orthwein and Andrew Sullivan’s subtly comic drama, shot with a gliding camera and a pleasing minimalist style, proceeds from that premise, stranding…
The beginning marks the beginning of the end: A middle-aged man rouses from sleep, about to face another day of accosting and insulting strangers. He hates people but needs them, too. His voice-over kicks in, a peroration that opens with a bid for camaraderie (“Remember when we were kids and…
Don’t let the 70-degree weather fool you: winter isn’t over. Oh, enjoy your shorts-and-tank-top days while you can, for sure. Take the dog for a walk, check out all the shades of browns in the parks, put those boots away and break out the sneakers. But chances are good that there will come a night or a weekend when winter reminds us here in Denver that it’s not dead yet. And there will come a reckoning.Fortunately, all you need to do to survive that reckoning is to fire up the Netflix queue, and check out some of the stuff—all currently available to stream—that you’ve been missing while you were outside gallivanting in the weird Winter (and early Spring!) warmth.
In 1976’s The Devil Finds Work, James Baldwin makes a crucial verb distinction when discussing the screen legends, like Bette Davis, with whom he was transfixed (sometimes uneasily so) in his youth: “One does not go to see them act: one goes to watch them be.” When one goes to…
Gina Prince-Bythewood has directed two of the most devastatingly romantic films of this millennium — Love & Basketball (2000) and Beyond the Lights (2014) — so it might seem odd at first to see her at the helm of a TV show about police violence, unsolved murders, and race relations…
Alice Lowe’s baby Della whacks two knives on the table as Lowe describes for me the nightmare she had before she knew she was pregnant: A horde of shadow selves in ninja gear were trying to kill her, and she had to battle Lowe after Lowe to survive. Lowe looks…
Almost no one ever asks young women what they desire — in movies or reality. Feminine cravings are still seen as a dire threat, a grand disturbance to the power structure, and the few movie men who dare speak the words “What do you want?” — like Noah in The…
There’s more of a narrative in Song to Song than in Terrence Malick’s last two films, but that may not, at first, seem like a good thing. Pin Malick’s work down these days — tease a story or philosophy out of it – and you’re usually faced with something simple,…
Somehow, MTV2, the channel that was launched 21 years ago to show all the music videos MTV wasn’t, has essentially turned into BET — or TV One or Centric or whatever black programming-filled channel you know about. The evidence is all there — before it jumped back to its original…
Since every cell of you dies and sloughs away so many times in your life, can you be said to be the same you at 65 that you were at 20? Such questions power this frustrating doc about William Powell, the humanist adult who happens once to have been the…
Consider, before you consider anything else about the sequel to Trainspotting, that the director of both films is an artist whose signal trait had been a seeming repulsion at the thought of ever going back to the well. Between the original and the new T2 (cheeky title, innit), Danny Boyle…
To understand how Ritesh Batra’s The Sense of an Ending might disappoint you if you’ve read the suspenseful, tear-jerking Julian Barnes novel on which it’s based, you should think back to Batra’s much-lauded debut feature The Lunchbox (2013). In that humanistic film, a young woman trapped in her marriage falls…
Having now reached the age of its wayward protagonist, Donnie Darko is once again being tasked with forestalling the end of the world. Richard Kelly’s sleeper first opened almost two years after screening at Sundance, and a month after 9/11, becoming an early example of a trend that scarcely exists…
The antagonistic atheist Madalyn Murray O’Hair relished it when Life magazine called her “The Most Hated Woman in America” in the 1964 profile that only heightened her notoriety. That designation followed the 1963 Supreme Court ruling on Murray v. Curlett (and another lawsuit) that ended Bible-reading in public schools. Director…
Mainstream awareness of Breitbart, Infowars and other unsavory conservative “news” outlets has skyrocketed, as millions suddenly found themselves needing to know who Steve Bannon et al. were. For me, none of these outlets or talking points were news: I’m Texas born-and-raised — there, free-floating libertarian paranoia is a standard component…
Director George Mendeluk has stated that he wanted to make Bitter Harvest to bring wider attention to the Holodomor, the forced famine imposed by Joseph Stalin that killed between three and seven million ethnic Ukrainians in the early 1930s. That’s certainly a subject worthy of a film, but the question…
