Steve Coogan is at a fancy dinner, but he’s not doing any Michael Caine impressions. Instead, he’s brooding with resentment of his workaholic congressman brother, Stan (Richard Gere), and grappling with the realization that his son might be a psychopath. It’s all supposed to be harrowing, and the British comedian…
It’s May, and we’re all still standing! Thank you, television! I was gonna add that May is looking up, but then I noticed there’s a three-hour long Carpool Karaoke special, so instead I’ll just say that May has some growing up to do, and leave it at that. Let us…
Ever wonder how New York City was able to escape L.A.’s expressway-choked fate? Thank Jane Jacobs, the journalist, author and community activist who continually predicted — and fought to stave off — the public-planning policies that would kill the American city. In Citizen Jane: Battle for the City, documentarian Matt…
In the world of cinema, May brings us the official slide-into-summer movie season where the big ticket blockbusters come rolling in to share screen space with little art-house flicks and classic greats to keep every theater, whether it be a multiplex or a twin cinematheque, poppin’ like the corn at the concession stand.
After The Fate of the Furious premiered, talk of that franchise’s ever slicker, more over-the-top future turned to the promise (and hope) of F&F jumping the shark right into space. But what if … it was already there? And it was named, instead, Guardians of the Galaxy Vol. 2? In…
It’s easy to giggle at The Circle, the movie, just as it’s easy giggle sometimes at Dave Eggers, whose novel is the film’s source. James Ponsoldt’s adaptation (co-written with Eggers) is, like Eggers’ books, nakedly earnest, engaged with nothing less but The State of Things Now, more smart than its…
Dear White People streams on Netflix For the past half-century, college campuses have served as a primary theater of the culture wars. So it’s fitting that one of the year’s most provocative, timely, searching, intellectually prickly, and ultimately satisfying series takes place at a university. Netflix’s Dear White People, which…
Mira Nair’s Queen of Katwe is a true-life tale transformed into an inspirational fable. That’s not novel for the movies, but in this director’s hands, the results are mostly enchanting. The film follows Phiona Mutesi (Madina Nalwanga), an impoverished Ugandan girl who became a chess champion at the age of…
The Leftovers airs Sundays on HBO If you don’t have religion, you should at least have The Leftovers. HBO’s rapturous drama hasn’t found much of an audience during its brief time on Earth, but those who listen to its sermon long enough tend to convert — nothing else on television…
Twice I’ve described Kitty Green’s curious, alienating docu-whatzit Casting JonBenet to friends, and twice I’ve been asked, with surprising heat, “Why?” and “What’s the point?” So, this time, before we get into the specifics of what this documentary actually documents, let’s take a moment to consider what the film isn’t…
“These are the images that have marked me and leave me wondering still.” That’s how Kirsten Johnson prefaces Cameraperson, made up of footage she has collected over 25 years of working as a camera operator, cinematographer and director on dozens of different documentaries — films like Laura Poitras’ The Oath…
It’s April 1992, and ABC commentator Judith Miller’s voice has an exasperated tinge as she reports to her audience that not one of the officers who beat Rodney King on that infamous videotape has been found guilty of any charges. Soon, riots break out in Los Angeles. Thousands of stores…
Don’t resist the temptation to take off your 3D glasses while watching the Nick Cave concert doc One More Time With Feeling. Without them, as you watch the images projected atop each other, you can see Cave as something like he envisions himself in this film made after the death…
Here’s a great example of how not to open your documentary. “After releasing my film in 2012 about marriage equality, I was at a loss of what topic to explore next,” says Cassie Jaye in the halting tones of a hostage reading her captors’ statement to the world. That comes…
How do you document in a film the crack-up of something as complex as a city a quarter-century past? A pair of new documentaries about the Los Angeles riots of April, 1992 take wildly different approaches — and produce wildly different results. In the vigorous and illuminating Let It Fall:…
Romanian director Cristian Mungiu’s Graduation is one of the best films I’ve ever seen about corruption. That’s true despite the fact that Mungiu underplays the typical elements found in tales about this subject: You won’t find many fast-talking crooks, sinister cops or elaborate sting operations here. Or a looming sense…
The Handmaid’s Tale premieres April 26 on Hulu In the first episode of The Handmaid’s Tale, Margaret Atwood herself shows up to slap our heroine in the face. The grande dame of dystopian fiction plays an aunt, one of the abbesses in charge of a new order of so-called handmaids:…
In the opening of director Ben Lear’s heartbreaking and illuminating documentary They Call Us Monsters, screenwriter Gabriel Cowan sits at a table with four boys in a juvenile detention facility. For the next several weeks, Cowan will visit the boys and write a short screenplay with them that he’ll then…
“Ludwig, you are the favorite of the Lord because more than any other man, you are exposed to sin.” A compassionate priest says this to the mad king of Bavaria about halfway through Ludwig, Luchino Visconti’s sprawling 1972 film, now finally available, in all its uncut glory, in a gorgeous…
Terry George’s The Promise has the rare good fortune of turning up in theaters just weeks after another film showed how necessary a movie like this is. The second star-driven war-adventure film of 2017 to set a cross-cultural love triangle against the horror of the Armenian Genocide, The Promise would…
As Red Rocks Amphitheatre kicks off its concert season, the Denver Film Society announces the lineup for the eighteenth season of Film on the Rocks.
The comforting analog clack of typewriter keys is a leitmotif in Their Finest, Lone Scherfig’s slight but appealing adaptation of Lissa Evans’ novel Their Finest Hour and a Half (who knows why the subject of the original title was confusingly cast aside). In this tale of British filmmaking during World…
