Nasty, brutish and not short enough, Ben Wheatley’s Free Fire has a simple — and ultimately simpleminded — premise: to protract what would normally be a brief shoot-out scene to the majority of the movie’s 90-minute running time. On the surface, this reductio ad absurdum has a kind of pleasing…
HBO’s acid-bathed Beltway satire Veep didn’t exactly predict our absurd political reality. But it did come close enough that revisiting past seasons is like watching footage of a train wreck run backwards in slow motion. The episode called “C**tgate” brought a vaginal euphemism into a presidential election. “Election Night” saw…
It’s fitting that one of the great films about jazz centers on the re-creation of a moment. Kasper Collin’s exquisitely haunted meditation I Called Him Morgan, about the life and untimely death of hard bop trumpeter Lee Morgan, employs all the techniques you would expect from a documentary study of…
“Rob has this ridiculous beard and it’s such great, self-effacing, wonderful work he’s doing,” James Gray says about his film recounting the life of a British explorer who disappeared while pursuing his lifelong obsession with a mythical city in the Amazon.
“I’ve been trained for this.” Those words — or some variation — come up several times throughout James Gray’s The Lost City of Z, and they serve as one key to this strange, sprawling, majestic film. In adapting the 2009 nonfiction book about the search for a fabled city in…
First things first. The new Mystery Science Theater 3000, that basic-cable and UHF puppet show that was above all else a treatise about what it was like to grow up on basic cable and UHF, is a cheery, companionable continuation, an almost business-as-usual new season Kickstarted and Netflixed that Febreezes…
Too propulsively aimless to be anything other than life, but too fluid in its photography and precise in its compositions to be documentary, Michal Marczak’s pulsing youth-right-now dazzler whirls with two real-life friends (Krzysztof Baginski and Michal Huszcza, playing themselves) and their occasional lovers through a year and a half…
If civilization were to end tomorrow — and who the hell knows, it just might — we could learn a lot about building the next one from the films of Hirokazu Kore-eda. Back in 1998, the Japanese director had his U.S. breakthrough with the wildly acclaimed After Life. Since then,…
Holy motors! How will they top this one? This is perhaps the fastest and, if not, certainly the most furious of the Fast & Furious movies. The beauty of the Fast & Furious movies is that no car stunt is ever too nonsensical.
Over four features and countless shorts, Spanish director Nacho Vigalondo has cemented his status as a director who mixes genre elements with surprisingly personal stories and playful narrative trickery. His mind-bending first feature Timecrimes (2007) starts off as a horror movie, then turns into a time-travel tale and finally the…
Two seemingly incongruous categories — the small-scale romantic doodle and the rampaging-creature feature — are brought together in Nacho Vigalondo’s Colossal, a film that never really fulfills the potential of its adventurous premise. This monster mash-up argues the opposite of what Humphrey Bogart declared in Casablanca: The problems of two…
In Netflix’s new teen-suicide drama series 13 Reasons Why, pretty-boy Marcus (Steven Silver) tells good-guy Clay (Dylan Minnette) that whatever the kids did to Hannah Baker (Katherine Langford) to make her kill herself was no different than what happens to any other girl in any other high school everywhere. And…
It’s a good thing Jonathan Banks has such an interesting face. At the beginning of the third season of Better Call Saul, we spend a lot of quiet time with Banks’ surly, crooked-nosed cop-turned-criminal Mike Ehrmantraut of Breaking Bad fame, watching as he dismantles his own car and works out…
Ghost in the Shell looks great, sounds great and has a gaping hole at its center — where its emotional core should be. This big-budget adaptation of the Japanese manga and anime classic (Masamune Shirow’s comic premiered in the late 1980s, Mamoru Oshii’s highly influential first film version in 1995)…
Catch up on prior seasons of Vanderpump Rules on Hulu. Part one of the season five reunion airs Monday, April 3 on Bravo. Detractors of reality TV pooh-pooh the genre as a vacuous cesspool that celebrates crass idiocy and normalizes bad behavior that leads to societal horrors like our current…
April showers bring May flowers, but you don’t have to wait until next month for cinematic roses, because we’ve got a bouquet of the best film events in our city, right here.
Life is in the details, and the remarkable yet frustrating eight-part miniseries Feud: Bette and Joan, of which four episodes have aired so far, is at its best when it captures the quiet textures of a given day: Bette Davis (Susan Sarandon), waking up at 5 a.m. on the first…
This April, let us celebrate the glory of the flowers blossoming in vaginal fashion by only highlighting shows created by women. The list will be shorter than usual because Hollywood hates women, and we aren’t allowed to create magical stuff, and the world is worse off because of it. Anyways,…
Cutting ties with the MS-13 gang proved to be harder for Gerardo Lopez than leaving his home town of Los Angeles.
Unpromisingly, Five Came Back, a series that surveys the military service of Frank Capra, John Ford, John Huston, George Stevens and William Wyler — who cut off their Hollywood careers to serve in the Second World War and were thereafter irrevocably changed both in profession and in life — opens…
The premise for Charlie McDowell’s The Discovery is so simple and poetic that it’s hard to believe it hasn’t been done before: A scientist discovers definitive proof of an afterlife, and the world responds with mass suicides. McDowell, who scored a sleeper hit with The One I Love — which…
The Blackcoat’s Daughter is available on demand. I Am the Pretty Thing That Lives in the House streams on Netflix. When writer/director Osgood “Oz” Perkins asked his musician brother Elvis to score his first film — a demonic-possession horror pic starring Kiernan Shipka, Lucy Boynton and Emma Roberts called The…
