The childish, funny, 3-D delights of Despicable Me

As the lights were dimming before a preview screening of Despicable Me, the six-year-old who lives in my house leaned over and said, “I hope this is funny — not like Toy Story 3.” Now, don’t misunderstand: He adored that movie. It’s just that whenever the subject comes up, the…

The Killer Inside Me’s tormented self gets simplified for the screen

Implicit in its title, the premise of The Killer Inside Me — directed by Michael Winterbottom from Jim Thompson’s 1952 crime novel — could be summed up in a classified ad: Texas cop with pleasant boyish demeanor seeks compliant dames for sadistic sex games culminating in murder. What complicates this tale is…

The City of Your Final Destination finds the cracks in an aristocratic life

James Ivory and cast make every scene flutter with feeling in this adaptation of Peter Cameron’s 2002 novel, The City of Your Final Destination, written for the screen by Ivory’s collaborator-of-fifty-years, Ruth Prawer Jhabvala. Omar (Omar Metwally), an American Ph.D. student, shows up unannounced at a secluded Uruguayan country estate…

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Exposure. Eric Paddock is the Denver Art Museum’s first full-fledged photo curator to head up his own new department. To unveil the permanent gallery for photography in the Ponti tower, he’s put together Exposure: Photos From the Vault, highlighting a range of gems from the DAM’s collection. Collected in fits…

Freud and Oedipus underscore the dark humor of Cyrus

In Cyrus, a freakishly engrossing black comedy about excessively mothered men and the women who enable them, the excellent John C. Reilly plays John, a middle-aged editor who lives like a stalled graduate student in his cluttered Los Angeles cottage. That’s where his former wife and close friend, Jamie (Catherine…

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Exposure. Eric Paddock is the Denver Art Museum’s first full-fledged photo curator to head up his own new department. To unveil the permanent gallery for photography in the Ponti tower, he’s put together Exposure: Photos From the Vault, highlighting a range of gems from the DAM’s collection. Collected in fits…

Looking for truth in the harsh Winter’s Bone

“Never ask for what ought to be offered,” seventeen-year-old Ree Dolly (Jennifer Lawrence) tells her brother in Winter’s Bone, Debra Granik’s dark and flinty Ozark fairy tale. Those are words to live by for Ree and her people, scattered across the hardscrabble southern Missouri woods. But in Winter’s Bone, a…

Tilda Swinton’s got to be free in I Am Love

As unrepentantly grandiose and ludicrous as its title, Luca Guadagnino’s visually ravishing third feature suggests an epic that Visconti and Sirk might have made after they finished watching Vertigo and reading Madame Bovary while gorging themselves on aphrodisiacs. That it works so well — despite frequently risible dialogue (“Happy is…

Tom Cruise won’t stop talking in Knight and Day

You know and love Jason Bourne as an implacable killing machine. But what if he was a mouthy asshole instead? That’s the question posed by James Mangold’s Knight and Day, which casts Tom Cruise as a Bourne wannabe who seriously can’t shut up. As Roy Miller, an agent gone rogue…

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Colorado & the West. This is the tenth summer in a row that David Cook Fine Art, the state’s premier purveyor of late-nineteenth and early-twentieth-century material, has presented a group show dedicated to historic Western art. This year’s version is anchored by more than two dozen oil paintings and watercolors…

Holy Roller

Inspired by a drug ring that used Hasidic Jews to transport over one million pills of ecstasy to the United States in a six-month period between 1998 and 1999, Kevin Asch’s Holy Rollers stars Jesse Eisenberg as a good old Brooklyn boy turned mid-level dope importer. Driven by the sense…

In its third installment, Pixar’s Toy Story juggernaut turns morose

Fifteen years after ushering in a new era of CGI animation, and eleven years after a colossally successful pre-millennial sequel, the Toy Story franchise returns to a changed world. Its irresistible conceit and snappy good humor remain largely intact, though now it also hauls a saltier and more anxious sensibility…

Sure, she’s a piece of work. But there’s got to be more to Joan Rivers.

Opening with a close-up of the crow’s feet around its subject’s eyes and expanding to reveal her Botox-frozen upper lip, the documentary-portrait Joan Rivers: A Piece of Work celebrates Saint Joan the Resilient, Showbiz Survivor. Ricki Stern and Annie Sundberg dogged the indomitable standup comic throughout the course of her…

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Colorado & the West. This is the tenth summer in a row that David Cook Fine Art, the state’s premier purveyor of late-nineteenth and early-twentieth-century material, has presented a group show dedicated to historic Western art. This year’s version is anchored by more than two dozen oil paintings and watercolors…

Breckenridge Film Festival

In the days of Cannes, Sundance and even the Starz Denver Film Festival, the Breckenridge Film Festival is an anomaly. The fest has managed to retain a truly indie vibe throughout its thirty years of existence; this year, you can catch 51 different independent dramas, comedies, documentaries, short films and…

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Colorado & the West. This is the tenth summer in a row that David Cook Fine Art, the state’s premier purveyor of late-nineteenth and early-twentieth-century material, has presented a group show dedicated to historic Western art. This year’s version is anchored by more than two dozen oil paintings and watercolors…

OSS 117: Lost in Rio

In gleefully ripping on both classic spy movies and T&A-obsessed Frenchmen, OSS 117: Lost in Rio reasserts the primary definition of “burlesque”: broad parody rather than broads in pasties. Seemingly derivative of both James Bond and his groovy flip side, Austin Powers, the titular agent (played by Jean Dujardin) most…

Crude on the outside, sweet in the middle, Get Him to the Greek

There are myriad moments during Get Him to the Greek — the roller-coaster spinoff of Forgetting Sarah Marshall — when it feels as if the thing will jump the rails and smash to the ground in a thousand pieces of what-in-the-fuck. It’s a complete and utter mess, from the big-loud-dumb start…

Macho meets homo in the laudable but terrible La Mission

Watered-down Jungian analysis meets a GLAAD-approved weepie in Peter Bratt’s second feature, starring brother Benjamin (who also produces) as a swaggering, neck-tattooed macho who will finally realize the damage his rock-hard masculinity has caused during a funeral for a teenage gangbanger, his tears mixing with the rain as he flashes…

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Colorado & the West. This is the tenth summer in a row that David Cook Fine Art, the state’s premier purveyor of late-nineteenth and early-twentieth-century material, has presented a group show dedicated to historic Western art. This year’s version is anchored by more than two dozen oil paintings and watercolors…

Very little survives in George A. Romero’s Survival of the Dead

The sixth installment in George A. Romero’s long-running horror serial (est. 1967), Survival of the Dead follows Sarge Crockett (Alan Van Sprang) as he leads his gone-rogue unit of National Guardsmen from the zombie-pestilent mainland to “Plum Island, Delaware.” There the returned departed are feuded over by two family-armies led…