As unrepentantly grandiose and ludicrous as its title, Luca Guadagnino’s visually ravishing third feature suggests an epic that Visconti and Sirk might have made after they finished watching Vertigo and reading Madame Bovary while gorging themselves on aphrodisiacs. That it works so well — despite frequently risible dialogue (“Happy is…
You know and love Jason Bourne as an implacable killing machine. But what if he was a mouthy asshole instead? That’s the question posed by James Mangold’s Knight and Day, which casts Tom Cruise as a Bourne wannabe who seriously can’t shut up. As Roy Miller, an agent gone rogue…
Colorado & the West. This is the tenth summer in a row that David Cook Fine Art, the state’s premier purveyor of late-nineteenth and early-twentieth-century material, has presented a group show dedicated to historic Western art. This year’s version is anchored by more than two dozen oil paintings and watercolors…
Inspired by a drug ring that used Hasidic Jews to transport over one million pills of ecstasy to the United States in a six-month period between 1998 and 1999, Kevin Asch’s Holy Rollers stars Jesse Eisenberg as a good old Brooklyn boy turned mid-level dope importer. Driven by the sense…
Fifteen years after ushering in a new era of CGI animation, and eleven years after a colossally successful pre-millennial sequel, the Toy Story franchise returns to a changed world. Its irresistible conceit and snappy good humor remain largely intact, though now it also hauls a saltier and more anxious sensibility…
Opening with a close-up of the crow’s feet around its subject’s eyes and expanding to reveal her Botox-frozen upper lip, the documentary-portrait Joan Rivers: A Piece of Work celebrates Saint Joan the Resilient, Showbiz Survivor. Ricki Stern and Annie Sundberg dogged the indomitable standup comic throughout the course of her…
Colorado & the West. This is the tenth summer in a row that David Cook Fine Art, the state’s premier purveyor of late-nineteenth and early-twentieth-century material, has presented a group show dedicated to historic Western art. This year’s version is anchored by more than two dozen oil paintings and watercolors…
In the days of Cannes, Sundance and even the Starz Denver Film Festival, the Breckenridge Film Festival is an anomaly. The fest has managed to retain a truly indie vibe throughout its thirty years of existence; this year, you can catch 51 different independent dramas, comedies, documentaries, short films and…
Like its predecessor, 2010’s Harald Zwart-directed The Karate Kid begins with an uprooting. Young Dre Parker (Jaden Smith) and his mother (Taraji P. Henson) are introduced in the Detroit apartment that he grew up in, now packed into boxes. Ralph Macchio shipped off to the Valley; Dre is going to…
Colorado & the West. This is the tenth summer in a row that David Cook Fine Art, the state’s premier purveyor of late-nineteenth and early-twentieth-century material, has presented a group show dedicated to historic Western art. This year’s version is anchored by more than two dozen oil paintings and watercolors…
In gleefully ripping on both classic spy movies and T&A-obsessed Frenchmen, OSS 117: Lost in Rio reasserts the primary definition of “burlesque”: broad parody rather than broads in pasties. Seemingly derivative of both James Bond and his groovy flip side, Austin Powers, the titular agent (played by Jean Dujardin) most…
There are myriad moments during Get Him to the Greek — the roller-coaster spinoff of Forgetting Sarah Marshall — when it feels as if the thing will jump the rails and smash to the ground in a thousand pieces of what-in-the-fuck. It’s a complete and utter mess, from the big-loud-dumb start…
Watered-down Jungian analysis meets a GLAAD-approved weepie in Peter Bratt’s second feature, starring brother Benjamin (who also produces) as a swaggering, neck-tattooed macho who will finally realize the damage his rock-hard masculinity has caused during a funeral for a teenage gangbanger, his tears mixing with the rain as he flashes…
Colorado & the West. This is the tenth summer in a row that David Cook Fine Art, the state’s premier purveyor of late-nineteenth and early-twentieth-century material, has presented a group show dedicated to historic Western art. This year’s version is anchored by more than two dozen oil paintings and watercolors…
The sixth installment in George A. Romero’s long-running horror serial (est. 1967), Survival of the Dead follows Sarge Crockett (Alan Van Sprang) as he leads his gone-rogue unit of National Guardsmen from the zombie-pestilent mainland to “Plum Island, Delaware.” There the returned departed are feuded over by two family-armies led…
Say what you will, Michael Patrick King knows how to stage a fabulous gay nuptial. Sex and the City 2 begins with flair and good humor at the wedding of Stanford (Willie Garson) and Anthony (Mario Cantone), complete with a gay men’s chorus in white top-and-tails crooning a tastefully low-key…
Prince of Persia: The Sands of Time’s story hinges on a dagger that can rewind time, a narrative conceit that doubles as a taunt to those who endure this cacophonous, frivolous adaptation of Ubisoft’s Arabian Nights-themed video-game series. Bruckheimered to the hilt with the same rollicking period-piece cheesiness that typified…
Colorado & the West. This is the tenth summer in a row that David Cook Fine Art, the state’s premier purveyor of late-nineteenth and early-twentieth-century material, has presented a group show dedicated to historic Western art. This year’s version is anchored by more than two dozen oil paintings and watercolors…
The latest from popular Korean director Kim Ji-woon lands with a splat in the camp of decadent American blockbusters. Dubbed an “oriental Western” but really a travesty of Sergio Leone’s control of space, pacing and storytelling, The Good, the Bad, the Weird is a sloppy 130-minute scramble for treasure in…
Nicole Holofcener’s fourth feature, Please Give, is a notable rebound from the insufficiently examined self-absorption of her last, Friends With Money. Please Give is not quite Lovely & Amazing — Holofcener’s mordant, quasi-autobiographical “three sisters” spin — but it is, for the most part, witty and engrossing. Kate (Catherine Keener)…
MacGruber (Will Forte), a highly decorated soldier of fortune known for “making life-saving inventions out of household materials,” faked his death and went into hiding after his fiancée (Maya Rudolph) was killed at their wedding, likely by MacGruber’s arch enemy, wealthy industrialist Dieter Von Cunth (Val Kilmer). Years later, when…
Charlene Harlow and Linda Campbell. In the west gallery at Edge, co-op member Charlene Harlow has unveiled a suite of unusual abstract paintings in the exhibit New Work by Charlene Harlow. These paintings are bold in several ways: The colors are loud, and she’s used some difficult juxtapositions of tones…
