The riveting Blue Ruin is a nail-biter of a revenge drama

Everything in the opening scenes of Jeremy Saulnier’s nerve-racking revenge drama Blue Ruin is the color of a bruise, from the ocean to the bullet-hole-pocked Pontiac Bonneville that homeless near-mute Dwight (Macon Blair) calls home. Dwight has never overcome the pain of his parents’ murder when he was a boy…

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1959. Dean Sobel, director of the Clyfford Still Museum, is the host curator for Modern Masters at the Denver Art Museum, and he’s done a companion exhibit at his own stamping grounds called 1959: The Albright-Knox Art Gallery Exhibition Recreated. (Special tickets allow visitors to see both.) The backstory for…

Stanley Film Fest programming director’s picks for the fest

Tonight at the world-famous Stanley Hotel, the Stanley Film Festival will kick off its second year with Alexandre O. Philippe’s look at zombie culture, Doc of the Dead. [Disclosure: I appear in Doc of the Dead.] Sunday, the fest closes with the horror comedy What We Do in the Shadows,…

The Railway Man tracks the aftermath of war

Has it ever occurred to contemporary commercial filmmakers that maybe audiences could take a movie’s word for it that a character has been tortured? That perhaps implication and skilled acting could communicate the idea with sufficient power, and that we might all be spared the screaming and limb-breaking and slow-motion…

The absorbing Galapagos Affair plays like a true-crime tale

At first, before the murders, the story might sound like some nihilistic last-century tropical sitcom. In 1929, German physician Friedrich Ritter, brain aflame with the promise of the superman, convinced his lover, Dore Strauch, to abandon Berlin in favor of a life of solitude, labor, and the triumphing of their…

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1959. Dean Sobel, director of the Clyfford Still Museum, is the host curator for Modern Masters at the Denver Art Museum, and he’s done a companion exhibit at his own stamping grounds called 1959: The Albright-Knox Art Gallery Exhibition Recreated. (Special tickets allow visitors to see both.) The backstory for…

Kristen Wiig shows another side in Hateship Loveship

Liza Johnson’s proudly frustrating Hateship Loveship is a film you’ll long to like. As middle-aged virgin Johanna, buttoned-up, buttoned-lipped Kristen Wiig seems to have landed in the Midwest from Mars — she could be The Maid Who Fell to Earth. In real life, Johanna would be wearing mom jeans and…

Now Showing

1959. Dean Sobel, director of the Clyfford Still Museum, is the host curator for Modern Masters at the Denver Art Museum, and he’s done a companion exhibit at his own stamping grounds called 1959: The Albright-Knox Art Gallery Exhibition Recreated. (Special tickets allow visitors to see both.) The backstory for…

Jude Law’s Dom Hemingway is all highs and lows

Going bald is the best thing that ever happened to Jude Law. Britain’s prettiest export did the best he could with his burden of good looks. He played a genetic ideal in Gattaca and a robotic ideal in A.I. Artificial Intelligence, and in The Talented Mr. Ripley, his golden-god perfection…

Transcendence is a tepid sermon on technology’s power over humans

Sometimes it’s helpful to know certain details about how a film has come together. And sometimes it’s just so much information. Transcendence, the directorial debut of Christopher Nolan’s go-to cinematographer, Wally Pfister, was shot on film rather than digitally, as most big Hollywood movies are today. Is that going to…

Davy Rothbart on basketball, the Midwest and Medora

As editor of Found Magazine and a contributor to This American Life, Davy Rothbart has devoted himself to mining humor and pathos from the lives of strangers. When he learned about the Medora Hornets, a high school basketball team suffering through a nasty losing streak in a factory-gutted Heartland community,…

Under the Skin‘s secrets unspool in beautiful ribbons

The promise of seeing Scarlett Johansson fully nude is probably enough to lure lots of people into Jonathan Glazer’s alien-among-us fantasy Under the Skin, and the vision doesn’t disappoint: Her figure, seen in long shot, is a grand and glowing thing; she has one of those butts shaped, adorably, like…