Podcast: Is Pitch Perfect 2 Racist? And Mad Max Rules

Pitch Perfect 2 hit a few wrong notes for the Village Voice’s Alan Scherstuhl and special guest Monica Castillo, but LA Weekly film critic Amy Nicholson interpreted the film’s humor a little differently. We circle back to Sofia Vergara’s performance in Hot Pursuit, before arriving in the desert for Mad Max:…

Tom Hardy Is Mad Max in the Wild Fury Road

This feels like a film that shouldn’t exist. How is George Miller’s bonkers, exhausting, no-future smash-’em-up Mad Max: Fury Road not one of those almost-was boondoggles mourned and dreamed of by fans, a revered director’s impossible vision that, thanks to the un-stout hearts of studio bean counters, never actually vaulted…

Albert Maysles Goes Out in Style With Iris

Iris Apfel isn’t exactly a household name, unless we’re talking about very stylish households. From 1950 to 1992 Apfel ran Old World Weavers, the business she co-founded with her husband, Carl, which faithfully re-created antique textiles for use in home decorating: From grand Park Avenue drapes to demure White House…

An Iranian Master Crafts Humane Suspense in About Elly

It’s tempting to suggest that if you have any interest in Iranian film in general, or in particular Asghar Farhadi — the director and writer of that shred-your-heart masterpiece A Separation — you should simply get yourself to Farhadi’s About Elly without knowing a thing about it besides its title…

Hot Pursuit‘s Silliness Is a Plus, Not a Liability

Sofía Vergara is built like an amphora, a living testament to the form ceramicists throughout the centuries have adored. In the fleet and gloriously ridiculous comedy Hot Pursuit, Vergara plays Daniella Riva, a mobster’s wife who needs to be escorted from San Antonio to Dallas, where she’ll testify against the…

Podcast: Avengers 2 Is Better Than Avengers 1

Avengers: Age of Ultron director and screenwriter Joss Whedon wants to give us everything in his movie, and that he fits it all in is its own kind of feat, writes LA Weekly film critic Amy Nicholson in her review of the film, which opens May 1. Joining her on…

Kurt Cobain Is Honored in the Stunning Montage of Heck

A post-Wikipedia biographical documentary, Kurt Cobain: Montage of Heck finds Brett Morgen constructing a feature-length collage of notebook entries, demo tapes, rehearsal footage, home movies, archival photos, and drawings and artwork by the late Nirvana frontman. It’s an impressive, comprehensive assemblage, designed to impart not a point-by-point historical account but,…

Avengers: Age of Ultron Is a Movie Monolith for the Devout

Avengers: Age of Ultron is a complicated, ticking machine — a cuckoo clock under attack. Returning helmer Joss Whedon is earnestly trying to make a movie out of a bag of bolts: six stars, nine cameos, three enemies, and at least ten films to go before the climactic Avengers: Infinity…

Stanley Film Fest Paranormal Programmer Scares Up His Top Picks

The third chapter of the Stanley Film Festival rolls into Estes Park this week, like a spirit-soaked fog hovering over the spooky Stanley Hotel, filling the place with the best horror films and festivities for a celebration of cinematic goosebumps. On the fright frontline is Matthew Campbell, a programmer who spends…

Adult Beginners Crams Kroll Into a Played-Out Arc

I dread explaining man-child dramedies to the ghosts of the dead. “You see, Grandpa, after your time, a generation paralyzed by the economy and indecision stopped growing up, and started churning out indie movies justifying why.” In the ’40s, men fought wars at eighteen. In 1967, Benjamin Braddock faced accusations…

In Little Boy, Faith Trumps Everything — Even Rationality

Did you know that there’s a new family-audience feature film that implies that God nuked Japan because one plucky American moppet dared to dream? That’s no exaggeration. In the summer of 1945, the kid stands on a California dock, points his fingers magician-style out at the Pacific horizon and screams…