Concerts

Lovedrug

It's a given these days: Major labels are filled with worse decision-makers than the Bush administration. Columbia Records, however, looks dumber than most for dropping Lovedrug before the release of its sophomore album. Everything Starts Where It Ends — picked up by the Militia imprint, which released the act's debut...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Keep Westword Free

We’re $1,500 away from our spring campaign goal!
We’re aiming to raise $20,000. Your support ensures Westword can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.

$20,000

It’s a given these days: Major labels are filled with worse decision-makers than the Bush administration. Columbia Records, however, looks dumber than most for dropping Lovedrug before the release of its sophomore album. Everything Starts Where It Ends — picked up by the Militia imprint, which released the act’s debut — is the type of mass-appeal rock record that major labels used to kill for. From the opener, “Happy Apple Poison,” Lovedrug blasts off with indelible hooks and stadium-sized choruses, enhanced by such progressive flourishes as layered vocals, strings and piano. When the band tones it down for straightforward melodic rock on “Bleed Together” and “Ghost by Your Side,” the results are equally impressive, while ballads like “Thieving” showcase singer Michael Shepard’s lovelorn croon. Everything Starts Where It Ends proves that Lovedrug is not just coming into its own, but taking the first steps toward greatness.

Loading latest posts...