Audio By Carbonatix
It wasn’t a big damn crowd, but Reverend Peyton played like it was (photos by Jon Solomon).
The Reverend Peyton’s Big Damn Band Friday, July 4, 2008 Fox Theatre Better than: Fireworks and barbecues.
The Reverend Peyton knew it was going to be tough when he agreed to play a gig on July 4th. The band was originally going to take the day off, but decided to go ahead and give it shot and go up against fireworks, parties and barbecues. It was a sparse crowd at the beginning, but the folks started trickling in and making their way to the front of the stage.
But Peyton, his wife Washboard Breezy and his brother Jayme didn’t let a small crowd get in the way of a good time. Early on in the set, the trio got things fired up and inspired some foot stomping with “My Old Man Boogie.” When the outfit launched into rowdy “DTs or the Devil,” it kicked up the energy level a few notches, with Peyton yelling, “Is it the DTs or the devil that makes you shake like that?” That song will appear on the band’s new album, The Whole Fam Damnily, due out in August.
When news happens, Westword is there —
Your support strengthens our coverage.
We’re aiming to raise $50,000 by December 31, so we can continue covering what matters most to this community. If Westword matters to you, please take action and contribute today, so when news happens, our reporters can be there.
The band also delivered a few other cuts from its forthcoming album like, “Can’t Pay the Bills,” which Peyton thumped out a bass line with his thumb, “The Creeks Are All Bad,” “Mama’s Fried Potatoes” and “Your Cousin’s on COPS,” which the Rev played slide guitar with his harmonica.
In addition to the new material, the band dipped into songs from the Big Damn Nation like “Plainfield Blues,” which the Rev played for a few transplant Hoosiers in the crowd, and a few cuts from The Gospel Album, including stellar versions of and “Let Your Light Shine” and “Glory Glory Hallelujah,” that featured Jayme banging out a solo on his bucket. The group also played “Two Bottles of Wine,” which Peyton wrote with Jason Webley.
Whatever the three were playing, they kept the energy pumping and played liked they were playing to a full house. The enthusiastic crowd shot that energy right back at the band, and before he played “Sugar Man” (a song Peyton said he only plays about twice a year), he thanked the folks and said, “Ya’all made us feel like the place was sold out.”
–Jon Solomon
Personal Bias: