It’s not that the members of Furious George and the Monster Groove are lazy. Anyone who’s seen a club gig by the combo (lead singer James Elias, bassist Luke Davis, drummer Scott Bruggeman, guitarist Jimmy Boardman, trombonists Abraham Martinez and Brian Mohr, trumpeter Tony Marino and saxophonist Brian Schilling) knows…
Various Artists Evita: The Complete Motion Picture Music Soundtrack (Warner Bros.) According to the tabloid press, Evita is the most anticipated new film of 1996–although the people who seem most eager to see this musical biography of the late Argentinian Eva Peron are those who assume it will be more…
It’s time for Feedback’s year-end clearance. All items must go. The closings of (america) and the Tivoli Brewery Restaurant–both located in the Tivoli complex, which serves as a student center for the Auraria campus–are embroiled in a mystery that doesn’t seem likely to be cleared up anytime soon. Rosemary Fetter,…
“Country music is like Spam,” claims disc jockey Rich Beall. “A lot of people don’t want to admit to it, but they sure do like it.” He pauses before adding, “Some people just don’t want to come out of the closet and say, ‘I like classic country.'” While Beall doesn’t…
“I’ve always hated the radio,” announces Ed Ruscha, leader of the Maids of Gravity, in a sunny, what-me-worry? voice. “Except for, like–well, I listen to oldies and stuff. But hit radio? So much of it is terrible. Basically I’m like, ‘Fuck, I can’t listen to that shit.'” Given Ruscha’s casually…
When veteran alto saxophonist Hank Crawford and Hammond B-3 wizard Jimmy McGriff formed a quartet in 1986, their record company, Milestone, documented the union with the release of Soul Survivors, a high-energy platter filled with R&B, blues and lots of the sort of soulful jazz with which they’ve long been…
Those local reviews just keep coming. Available on Denver’s Fahrenheit Records is Mirror Image, from Images, a four-piece that operates in the contemporary-jazz arena. That means that Bob Rebholz and his sidemen concentrate on soothing sounds that no one will confuse with the work of Ornette Coleman. The disc includes…
When it came time to categorize the more than thirty holiday releases I’ve received this year for our annual seasonal-CD roundup, I made an odd discovery: The discs fell into more different brackets than ever before. In general, this proved to be a good thing. But as usual, many of…
Tricky Pre-Millennium Tension (Island) In a music scene dominated by the safe, the threadbare and the predictable, Tricky comes on like a sonic anarchist–a ceaselessly creative sort who’s eager to abolish all rules, tear down those power structures that have outlived their usefulness and destroy anything trite that crosses his…
“I made up this little story that kind of describes what I do,” says Miguel Espinosa, the extraordinary flamenco guitarist who makes up half of Boulder’s Curandero. “I imagine a little boy who is walking on this road. So he sees a marble. He puts it in his pocket. Then…
When an independent radio station is swallowed up by a corporate behemoth, things generally change for the worse. But not always. A case in point is KTCL-FM/93.3, a station that’s essentially a property of Jacor, a communications giant based in Cincinnati. The folks at KTCL would likely give me an…
Social Distortion’s Mike Ness is pacing around an East Coast hotel room, his voice loud, his words tumbling out so quickly that he can’t quite keep track of what he’s saying from one minute to the next. It’s hours before showtime, but he’s already running on a toxic cocktail of…
“I think it’s okay to be angry,” says Jesse Malin, the loquacious vocalist and frontman for the New York-based punk band D Generation. “We live in this fairy-tale culture where everything is supposed to have a happy ending. People tell you to buy these clothes, marry this girl, send your…
Joshua Redman Freedom in the Groove (Warner Bros.) Somehow it doesn’t seem fair that previous generations of jazz buffs got an opportunity to experience the inventions of Duke Ellington, Charlie Parker, Miles Davis and Ornette Coleman when these artists were in their primes, while today’s jazz lovers are left with…
By most standards, the music industry has treated Todd Rundgren well. His recordings have been put out by major labels since the late Sixties, and while not all of them were hits, the sales of those that could be described as such have sustained him through the inevitable career downturns…
Listeners to KS-104 (aka KQKS-FM/104.3) can be forgiven for wondering if the station has been abandoned. Earlier this year, the entire KS-104 air staff was raided by KJMN-FM/92.1 (Jam’n), the station that rose from the ashes of the late, lamented 92X format. Rather than recruiting new jocks, however, the folks…
Back before long-form videos and CD-ROMs existed, musicians used the concept album to overextend their half-baked ideas. Not content with letting one song do its job, groups charged an entire collection with the mission of delivering a single dunderheaded message. What follows are the worst of a very bad lot…
When Denver’s Painstake was formed three years ago, its members adhered to straight-edge, a movement in which followers eschew drugs, drinks and other indulgences. Since then, however, the combo has gone through changes in lineup and philosophy. While some of today’s Painstakers (drummer Carl Kumpe, guitarists Jason Andrade and Sam…
As alluded to in Backbeat’s lead article (“Our Gangstas,” page 71), gangsta-rap artists who sell albums in the millions have been unable to cash in at arenas across the country. The primary reason remains security fears. Promoters are afraid that given the slightest provocation, gangsta fans will start shooting at…
Wesley Willis Feel the Power (American) If you’re wondering where opportunity ends and exploitation begins, the answer is…here. Willis, for the handful of you who have not yet been subjected to him, is a Chicagoan with a potpourri of mental problems who scribbles songs about whatever pops into his head–and…
At this writing, Rocket, the debut album by Primitive Radio Gods, is no longer among the 200 best-selling albums in the United States according to Billboard magazine. Nor does the publication list the hit tune “Standing Outside a Broken Phone Booth With Money in My Hand” among the country’s 100…
Gangsta rap isn’t dying easily. The lion’s share of critics have long since tired of its formulas, most major record companies (cowed by the Charlton Hestons of the world) are doing their best to distance themselves from lyricists deemed irresponsible by everybody from Christian rightists to radical feminists, and inventive…
