Q&A With Porter Batiste Stoltz’s George Porter

George Porter is the bassist for Porter Batiste Stoltz, a three-piece whose mammoth grooves have made the players favorites among jam-band aficionados – but he’s also a whole lot more. As a founding member of the Meters, a classic New Orleans combo, he helped establish a Big Easy sound that’s…

Snob Talk: Nobody Really Likes Sonic Youth

Welcome to the first installment of Snob Talk, where we ask different writers to wax philosophic, and self-indulgent, about a new topic each week. This week, we had folks write about bands that they’re pretty sure people laud more than listen to. Every hipster—who’s as mysterious and obscure as the…

Daniel Johnston to Play Ogden Theatre

AEG announced yesterday that cult music hero and troubled troubadour Daniel Johnston will be playing the Ogden Theatre on Saturday, April 5. No word yet as to who might open for the man, whose life story is told in the brilliant documentary The Devil and Daniel Johnston, but with Denver’s…

Grammy Suckfest Celebrates Half Century of Lameness

On February 10, the Grammy Awards marked their fiftieth anniversary with a program so misguided and wrongheaded that it perfectly encapsulated all of the music industry’s current woes. Following a suitably embalmed duet with the thoroughly dead Frank Sinatra, appearing in stock footage, Alicia Keys declared, “We honor our past,…

Vintage TV on the Radio Q&A

And now, turn back the clock almost four years and dig into a conversation with Tunde Adebimpe and Kyp Malone from TV on the Radio. The chat, which served as the basis for an April 14, 2004 profile, took place around the time of the outfit’s debut long-player, Desperate Youth,…

Mile High Makeout: Doing It Together, Part Two

Doing It Together, Part One The memory of my first Lion’s Lair experience has grown fuzzy with time. Like one of those crappy, colorized classics that Ted Turner nearly ruined in the ’80s, the details won’t quite settle down, the flesh tones are way off and even the sound seems…

Class of 2008

I’ve always promised myself that I’ll quit this gig — or at least seriously re-evaluate things — the minute I feel myself becoming jaded. After nearly five years of covering the same beat and sorting through band after band, day after day, I figure it’s bound to happen at some…

Valentine’s Day Heartbreakers

The romantic mix CD: Every man has made at least one. It’s one of the most sure-fire ways to woo a woman or, if your goals are more base, get laid. With Valentine’s Day just a week away, as a public service, we present a list of songs that you…

Abracastabya’s Heart of Darkness

When Abracastabya first formed in 2004, guitarist Geoff Brent and vocalist/pianist Willow Welter never intended to perform live. Before long, though, the two realized that their collaboration had evolved, and they enlisted cellist Lauren Langley and drummer David Grimm to round out the lineup. Last year the band entered the…

Red Holloway Takes Center Stage

Red Holloway’s storied career had auspicious beginnings. While playing in DuSable High School’s big band in Chicago in the mid-1940s, Holloway and fellow saxophonist Johnny Griffin were sometimes visited by jazz royalty, such as Duke Ellington, Lionel Hampton and others, who would stop by the school and sit in with…

The Sugar Pop of the Jonas Brothers

If you’re a (really) nice girl between the ages of six and sixteen, you probably get twitterpated at the very thought of the Jonas Brothers, the latest commercial triumph from the marketing geniuses at the Walt Disney Company. Unfortunately, none of the journalists who participated in a January 29 teleconference…

Mini Reviews

Bassekou Kouyate & Ngoni ba, Segu Blue (Out Here). Taj Mahal calls Bassekou Kouyate — who plays the ancient West African lute seen here — a genius. And listening to Segu Blue, it’s clear that the statement has some validity. Kouyate, who’s collaborated with U2 and Carlos Santana, approaches African…

Aqua

Since it opened two years ago, Aqua (925 Lincoln Street) has gone through a few transformations — some inspired by the market (see “On Ice,” June 7, 2007, and Second Helping, August 9, 2007), and others by the neighbors, who complained about the booming bass radiating up from the back…

Roger, Roll

Even though a new wave of shoegaze has been coursing languidly through the musical landscape, with the exception of Radiohead, it has never quite taken hold with the stereotypical mall-crawling, moneyed suburbanite crowd. Roger, Roll comes close to bridging that gap with driftily hypnotic songs and gently lilting cadences that…

Jochem Paap

Like so many rock kids curious about “this techno thing,” one of my first introductions to the world of electronic music came via Warp’s incredible Artificial Intelligence compilation. Along with the early Orb and Orbital releases, it was my first taste of what became a lifelong love affair, and two…

Dojo

While today’s hip-hop is supposedly all about collaborations, a lot of performers who share tracks don’t even record their contributions at the same time or place, much less work together on a shared vision. In that sense, Dojo is a throwback — a collective in which artists truly combine forces…

Lynx

Mixing styles of music is a dubious proposition and often produces uneven results, especially when it comes to mixing hip-hop with any type of rock. Artists who do so run the risk of coming across as wanting to be all things to all people. On Grain of Sand, however, Lynx…

DJ Shadow and Cut Chemist

DJ Shadow and Cut Chemist influenced an entire generation of turntablists — Shadow with his critically acclaimed 1996 debut, …Endtroducing, built entirely from other records, and Cut by constructing beats for Jurassic 5. The two Californians joined forces in 1998 for Brainfreeze, an hour-long mix that served as a response…