Digging into the future of Colorado History

Very rarely is it possible to start out on the wrong foot and yet wind up hitting a successful stride. But somehow, in the case of the History Colorado Center, getting it wrong at first hasn’t precluded the possibility of getting it right later. In 2005, a state building committee…

James Dormer & Paul Flippen at Translations Gallery

The tight-looking duet James Dormer & Paul Flippen, at Translations Gallery (1743 Wazee Street, 303-629-0713, www.translationsgallery.com), features two artists on the faculty of Colorado State University. Though both work on paper, their approaches are quite different: Dormer is a classic modernist, while Flippen delves into postmodernism. Neither is particularly well…

Three photo shows remind us what art is

It’s hard to believe that twenty years ago, many people felt photography wasn’t an art form, especially since it would be easy to argue that today it’s the preeminent one. This naysaying of the past was partly the product of the medium’s mechanical aspect: Many people had the naïve view…

Burns Park sculpture to have work done

Surely one of the most interesting places in Denver for fans of modern art is Burns Park, a triangle of grass and trees at the western edge of Hilltop, bounded by Colorado Boulevard, Alameda Avenue and Leetsdale Drive. What makes the park a hot spot for art enthusiasts is the…

These three Denver solos set the scene

I love group shows, in particular those that are held together by a clearly defined organizational theme. At their best, these sorts of exhibits can lay out a broad-based historic, aesthetic or stylistic narrative — sometimes all three at once. But solos can also be superior because they give viewers…

Robischon Gallery goes hyper-local

During the many years I’ve been paying attention to art in Colorado, there’s one thing that’s always bugged me: people in positions of power or influence who dismiss it or degrade it. There are many reasons for this, but my favorite is when these detractors project their own low self-esteem…

Systemic at RedLine

Billing itself as an “urban laboratory,” RedLine (2350 Arapahoe Street, 303-296-4448, www.redlineart.org) is a place where artists are provided with free or partly subsidized studio space and where there are some pretty impressive facilities for exhibitions. The handsome, award-winning studio/gallery — in a converted industrial building — could one day…

Earth/Water at the Sandra Phillips Gallery

Despite its intimate — read “tiny” — space, the Sandra Phillips Gallery (744 Santa Fe Drive, 303-573-5969, www.thesandraphillipsgallery.com) has big ambitions. Owner Sandra Phillips has relentlessly filled the place with something worth seeing, often turning to established talents and zeroing in on those who only rarely exhibit their work. Such…

Steve Wilson at Emmanuel Gallery

The Auraria campus shifts into low gear during the summer, but that doesn’t mean the Emmanuel Gallery (Lawrence Street Mall, 303-556-8337, www.emmanuelgallery.org) shuts down. On the contrary, Emmanuel uses the summer to stretch its wings, mounting ambitious shows. A perfect example is the current offering, Steve Wilson. This handsome if…

MCA Denver gets inked with a print exhibit from Bud Shark

MCA Denver’s building was constructed with six small or mid-sized galleries (two on the first floor and four on the second), a decision that was dictated by the functional program developed by former director Cydney Payton. She laid out this idea of a multiplicity of discrete spaces instead of large…

Museo de las Americas hires Maruca Salazar

The board of directors of Denver’s Museo de las Américas (861 Santa Fe Drive, 303-571-4401, www.museo.org) has announced that Maruca Salazar (pictured), a well-known Colorado artist and arts educator, has been named as the institution’s new director. She’s only the third chief executive in the museum’s nearly twenty-year history. Salazar…

American Muscle revs up at Pirate

In the 1960s, the two biggest contemporary art movements, pop art and minimalism, were ideological opposites — well, except in certain works from Andy Warhol’s “Elvis” series. Pop was content-driven, riffing off everyday subject matter, while minimalism was purely about form. So it’s interesting that today’s post-pop and post-minimalism are…

The Denver Art Museum has a psychedelic flashback

In the 1960s, the oldest of the baby boomers were coming of age, and they collectively launched the counterculture across America. The unofficial capital of this youth movement was San Francisco, where thousands of hippies descended and turned American culture upside down. They embraced pre-industrial styles of dress, grew out…

Space Gallery hosts a trio of related shows

There’s a very handsome set of three interconnected shows at Space Gallery (765 Santa Fe Drive, 720-904-1088, www.spacegallery.com) that make up what is essentially a single group show, even if each of the artists involved is given solo status. All three work in variations of pure abstraction, where there is…

Roland Bernier at Walker Fine Art

For decades, Denver artist Roland Bernier has used words written out in printed letters as the principal forms in his paintings, works on paper, sculptures and installations. A workaholic, Bernier has relentlessly found new ways to employ words, such as in collages made from photocopied magazines and comic books, with…

Rex Ray and Matt O’Neill at T gallery

For a slide show of these exhibits, go to slideshow.westword.com. Nationally known San Francisco artist Rex Ray has had a long relationship with Colorado, where he spent part of his youth, and he still has many friends here. I’ve known him since I was in graduate school and have always…

Three shows take hold at Spark Gallery

I’ve long felt that Judith Cohn was one of the top ceramic artists in the region. Her specialty has been sculptural installations made up of components based on classic ceramic forms, mostly vessels. That’s why Thicket, at Spark Gallery (900 Santa Fe Drive, 720-889-2200, www.sparkgallery.com) was a surprise. It comprises…