The good news about Nicky Silver’s Raised in Captivity is that actual social issues are raised. The bad news is that, apart from a few good lines and an impressive opening scene, Silver doesn’t seem to know what to do with those issues–or how to create characters who make us…
The Ballad of Baby Doe.The best acting of the Central City Opera’s season can be found in this, the company’s signature piece. The sordid love story about Baby Doe and Horace Tabor may make for a tragic bit of history, but it’s the stuff of grand melodrama–and all the more…
For the first few sets, it’s tempting to feel sorry for the four singers in Broadway Brunch, a musical review of Broadway hits playing at the Westin Hotel on Sunday mornings. But the sympathy pangs soon subside; these performers are having too much fun rising to the occasion in what…
Ah, the troubled young–how to deal with them in the theater? This past year we had the intense and frightening Saved, by British playwright Edward Bond, which indicted English society for its cruel, callous working-class teens. Then we had Eric Bogosian’s intelligent take on American youth in subUrbia. Both these…
The great thing about My Fair Lady is Pygmalion–the smash hit from 1914 that established George Bernard Shaw as England’s premier playwright of the era. Lerner and Loewe’s musical adaptation of that stageplay, while not quite hardcore Shaw, is saucy and intelligent, and the Boulder Dinner Theatre’s bright production treats…
Grand opera, like crime movies and modern tragedy, is largely peopled by sluts and scalawags. Big, blustery sins are committed and paid for, and the spectacle is thrilling. Often the innocent get mowed down in the process (usually as part of the naughty protagonist’s punishment), but in the end, the…
A Funny Thing Happened on the Way to the Forum. The Physically Handicapped Amateur Musical Actors League (PHAMALy) takes on Stephen Sondheim’s bawdy musical with energetic glee. Some of director Don Bill’s choices may offend–he goes a bit too far over the top for “family” entertainment. But sometimes Bill’s experiments…
The Physically Handicapped Amateur Musical Actors League (PHAMALy) has launched another hit–a lively production of Stephen Sondheim’s bawdy musical A Funny Thing Happened on the Way to the Forum. This time, director Don Bill’s experiments get outrageous. Some of his choices are tasteless–a bit too far over the top for…
Roundfish Theatre Company is off to a fast start. The new group’s taut, smart production of David Mamet’s scathing indictment of American salesmanship gone awry, Glengarry Glen Ross, proves the new producers have guts–and taste. In this Pulitzer Prize-winning play, Mamet’s use of profanity is almost poetic. He stealthily reveals…
The Denver Center Theatre Company’s production of Bertolt Brecht’s Galileo earlier this year was terrific, but it wasn’t really Brecht. Much truer to the spirit of the radical German playwright is CityStage Ensemble’s testy, uneven production of The Good Person of Szechwan. Too long, sometimes annoying and certainly abrasive, this…
Richard Rodgers and Oscar Hammerstein II wrote their first show together in 1943, and Oklahoma! has proven to be one of the most influential musicals in the history of American theater. With Hammerstein’s sentimental yet memorable lyrics and Rodgers’s lavishly melodic tunes (nearly impossible to refrain from humming), they built…
We don’t really understand our world. Flailing about in unsuitable relationships, many people really want a perfect blend of community and independence and just can’t find it anywhere–except maybe at a place like Stanton’s Garage, where life unexpectedly solves its own riddles and strangers help each other through emotional distress…
Extended families can be such a blessing–sometimes a mixed blessing, as two local theater productions remind us. American playwright Paul Osborn’s charming, poignant comedy Morning’s at Seven and Irish playwright Brian Friel’s dismal drama Wonderful Tennessee both step gingerly on the minefield of sibling tensions. But while the first is…
One of the great things about a show like Ain’t Misbehavin’ is its interactive dimension: The performers play directly to the audience members, who get to clap their hands and tap their feet in time with the boisterous, life-affirming music of Thomas “Fats” Waller. And the fabulous Pointer Sisters production…
A troubled mind struggling for decency, the neighborly hand held out to a wretched man–these are the elements of Tennessee Williams’s The Night of the Iguana, for my money the most meaningful of all the great American playwright’s works. Other Williams plays may be more poetic or tragic or psychologically…
Gospel, the musical form that arose at the turn of the century with Pentecostal revivalism in African-American churches, has had a lasting and profound effect on American music during its century-long evolution. While rhythm and blues and soul took off from gospel roots, gospel itself has retained its identity and…
Musicals seem to be the one theatrical form in which outright silliness is not only acceptable but desirable. A farce has to have some underlying intelligence, some razor-sharp insight into manners and mores, in order to satisfy. But a musical needs only vivid tunes, lively dancing, sympathetic characters and perhaps…
Much of what makes us laugh in comedy arises out of pain. And Dale Stewart’s subversive, poignant comedy Harvey’s Boy is sore all over. However, there’s nothing morbid or crass about this one-man show. Stewart’s reminiscences about his childhood and young adulthood add up in the end to a warm…
The archetypal story of Beauty and the Beast has taken many, many forms in practically every culture of the world. The most common of these involves a beautiful woman falling in love with a prince who has been hexed into ugliness. In other forms of the story, the Beast figure…
Part myth-making, part absurdist exercise, part political allegory and part youthful hell-raising, The Eclipse of Lawry, by Gwylym Cano, is fun, stimulating theater. It’s hard to follow some of the dialogue, since the repartee rips rather fast and is complicated by a Texas drawl meant to underscore the cowboy theme…
Anthony Zerbe is one terrific character actor. He has appeared in dozens of movies and TV shows, as villains or good guys, disappearing into his roles and yet always remaining distinctly himself. I remember seeing his remarkable Richard III at the Old Globe Theatre in San Diego, and it has…
A whole section of seats has been removed at the Theatre at Jack’s to make way for the Civil War as only American journalist and author Ambrose Bierce could envision it–and as only CityStage Ensemble would stage it. Bitten by a Snake is creator/director Laura Cuetara’s compilation of five Bierce…
