For its production of David Rabe’s Hurlyburly, Roundfish Theatre Company has taken over an art gallery set in the middle of a desolate Denver block, with painted brick walls, odd found objects dangling from the ceiling, and scribbly artworks. The place smells faintly of mouse droppings, and every so often…
What is there to say about the organization that reinvented the circus, losing the kitsch and keeping the razzle-dazzle, removing tormented performing animals and substituting the extraordinary potential of the human body, giving us clowns with intellect and soul instead of rubber-nosed horn honkers in tiny cars? If you’ve seen…
As you enter Germinal Stage Denver, you’re greeted in the lobby by Bill and Betty — you know they’re Bill and Betty because their name tags say so. Once you’re comfortably seated, they take the stage to welcome you. They explain with great excitement that Jason and Medea are about…
When Pigs Fly harks back to the days when gay theater was mostly an unabashed celebration of the gay lifestyle and the joys of being out. In the 1960s, Robert Patrick — who later wrote the acclaimed Kennedy’s Children — was putting on exuberant skits, shows and revues in tiny…
I have been hugely resistant to Margaret Edson’s Pulitzer-winning play, Wit. I sat dry-eyed during the last moments of the Denver Center production last year as sniffling, Kleenex fumbling and stifled sobs broke out all around me. I was mildly seduced by the recent HBO version starring Emma Thompson, but…
Promethean Theatre deserves a lot of credit for tackling Cymbeline. Despite moments of humor, insight and beauty, it is, in terms of plot, one of Shakespeare’s most difficult plays. It’s as if he’d taken bits and pieces of action from half his other works — Othello’s jealousy, the parent-doomed love…
From the moment you enter the LIDA Project’s theater space, your attention is focused on the set: a large square of earth that dwarfs the seats surrounding it on all four sides. Clearly representing a city lot, it reminded me of the bomb sites found all over London when I…
As we streamed out of the theater at the end of Pierre, I overheard a fellow audience member trying to analyze what he’d seen. “Perhaps Shakespeare run amok,” he mused. It’s as good a description as any. Especially if you add Dickens run amok, the pastoral impulse run amok, Hogarth…well,…
Measured Ends takes us on a playful feminist romp through several Shakespeare plays. In the playwright’s All’s Well That Ends Well, the heroine, Helena, wins her reluctant husband, Bertram, by using an old folk-tale standby, the “bed trick.” Already married to Bertram — though the marriage remains unconsummated — Helena…
Oh, what can ail thee, knight at arms,Alone and palely loitering The sedge is withered from the lake And no birds sing… I met a lady in the meads. Full beautiful–a faery’s child, Her hair was long, her foot was light, And her eyes were wild. — from “La Belle…
You’re not just going out for an evening’s amusement when you attend Dearly Departed at the Avenue Theater; you’re participating in a prolonged goodbye to a Denver institution. John Ashton, the impresario who kept things hopping at the Avenue through twelve successful years, is closing up shop. The owners of…
Alan Bennett is the most English of English playwrights. Despite a steady output of quietly brilliant scripts and plays, he was for many years the least-known member of the original 1960s Beyond the Fringe group, which included Jonathan Miller, Peter Cook and Dudley Moore. In the early ’90s, Bennett gained…
If Rattlebrain is a fair example, Denver-area comedy clubs have come a long way since the days when shows consisted of a succession of middle-aged guys wearing large turquoise jewelry and performing sexist monologues. The Rattlebrain Theater Company has taken over the basement of the venerable D&F clock tower on…
The best part of The Lion King is the first five or ten minutes. A solitary singer stands on stage: a brightly patched, wise-woman/jester figure. She turns out to be Rafiki, the baboon. Her song is full-throated and joyous, and it’s soon joined by other voices and rhythmic drumming. Animals…
Ruth Steiner, an author so renowned that she gets called on to testify in front of congressional committees that discuss funding for the National Endowment for the Arts, is yelling from the window of her Greenwich Village apartment to someone on the sidewalk below. We know from her muttering and…
The Taffetas are four singing sisters from Muncie, Indiana, beginning to experience their small level of fame: bus journeys to nearby towns, store openings, an award for “This Year’s Best Copy of a Copy” of a song. When we meet them, they’re in the New York studio of a show…
There’s a lot right about Bourbon at the Border, and it’s given a first-rate production by the Shadow Theatre Company, but ultimately the play is betrayed by didacticism and a weak ending. The evening is introduced by a young girl with a terrifying smile and an even more terrifying message:…
It’s hard to imagine Harold Pinter’s Betrayal being given a better production than the one currently at the Denver Center — an elegant set, excellent actors — but somehow, though I enjoyed the experience of watching it, in the final analysis, the play left me cold. Perhaps this was because…
The Rise and Fall of Little Voice began its life in London’s West End, as a play written by Jim Cartwright to showcase the amazing vocal talents of actress Jane Horrocks. Horrocks — best known to American audiences as the daffy Bubble in Absolutely Fabulous — has a knack for…
August Wilson’s Jitney is a capacious, large-minded, wordy, generous, emotional grab bag of a play that continues working on you for some time after you’ve seen it. In fact, more than one viewing would be required to plumb all of the work’s riches. The action takes place in a storefront…
The three plays that constitute the Morrison Theatre Company’s evening of one-acts, High Crimes and Misdemeanors, are based on a short-story collection of the same name by Evergreen resident Joanne Greenberg. Greenberg is the author of several works of fiction; her most famous novel, I Never Promised You a Rose…
There are two observations I can make about the Curious Theatre Company’s dark-themed farce, Fuddy Meers: I laughed out loud several times during the performance, but afterward, I couldn’t figure out the point. Claire (Ethelyn Friend), the play’s preternaturally chipper protagonist, wakes every morning to a world washed clean. She…
