During the intermission of A Lovely Sunday for Creve Coeur, I overheard some people talking in the lobby. They were trying to fit the play’s characters into the familiar Tennessee Williams oeuvre. Dorothea was like the self-deluded, fragile, alcoholic Blanche in A Streetcar Named Desire, they agreed. But who in…
Last year, director Israel Hicks commissioned Charles F. (OyamO) Gordon, a professor at the University of Michigan, to write a play based on Henrik Ibsen’s A Doll’s House. Hicks wanted it set in a contemporary milieu, with Torvald transformed into the Nigerian ambassador to the United Nations. OmayO obliged. The…
Always…Patsy Cline. Always Patsy Cline is a light, mildly entertaining evening. You get an efficiently evocative set that’s divided into three parts: a down-home apartment; an old-fashioned country bar, complete with jukebox; and, in the center, the stage of the Grand Ole Opry. There are two skilled singer-performers, one of…
Going to the theater alone is depressing, so part of my job as a reviewer involves coaxing, bribing and seducing friends and family members into accompanying me. Over the years, I’ve come to rely on these companions — wise and perspicacious people all — even when their opinions clash with…
Michael Frayn’s Copenhagen is a play of ideas; I see them as white balls zigzagging through a bright white sky in a constant and dizzying display. The protagonists are Niels Bohr and his onetime student Werner Heisenberg — leaders among the group of scientists who transformed the world’s concept of…
Always…Patsy Cline. Always Patsy Cline is a light, mildly entertaining evening. You get an efficiently evocative set that’s divided into three parts: a down-home apartment; an old-fashioned country bar, complete with jukebox; and, in the center, the stage of the Grand Ole Opry. There are two skilled singer-performers, one of…
The Hunger Artists have made something of a tradition of staging a reading of James Joyce’s The Dead in the historic Byers-Evans House at the beginning of each new year, and it’s a good tradition. The story, subtle and beautifully multi-layered, filled with references to snow, memory and, as the…
Who is Silvia? What is she, That all our swains commend her? Holy, fair and wise is she; The heaven such grace did lend her, That she might admired be. Is she kind as she is fair? For beauty lives with kindness. Love doth to her eyes repair, To help…
Always…Patsy Cline. Always Patsy Cline is a light, mildly entertaining evening. You get an efficiently evocative set that’s divided into three parts: a down-home apartment; an old-fashioned country bar, complete with jukebox; and, in the center, the stage of the Grand Ole Opry. There are two skilled singer-performers, one of…
Always…Patsy Cline. Always “Patsy Cline is a light, mildly entertaining evening. You get an efficiently evocative set that’s divided into three parts: a down-home apartment; an old-fashioned country bar, complete with jukebox; and, in the center, the stage of the Grand Ole Opry. There are two skilled singer-performers, one of…
ENCORE Always…Patsy Cline. Always…Patsy Cline is a light, mildly entertaining evening. You get an efficiently evocative set that’s divided into three parts: a down-home apartment; an old-fashioned country bar, complete with jukebox; and, in the center, the stage of the Grand Ole Opry. There are two skilled singer-performers, one of…
Always…Patsy Cline. AlwaysPatsy Cline is a light, mildly entertaining evening. You get an efficiently evocative set that’s divided into three parts: a down-home apartment; an old-fashioned country bar, complete with jukebox; and, in the center, the stage of the Grand Ole Opry. There are two skilled singer-performers, one of them…
Stop Kiss is about a slowly developing love affair between two women who don’t, at first, know they’re gay. Sara, an idealistic young teacher, has arrived in New York to take a job at an impoverished school in the Bronx. She comes to Callie’s apartment because the latter has offered…
The Country Dinner Playhouse confuses me. Just when I’ve got the place written off as old-fashioned and out of it, its operators come up with a really good show. Not just pretty good for dinner theater or “Well, at least the leads are talented, even if the supporting cast isn’t,”…
Always…Patsy Cline. Always Patsy Cline is a light, mildly entertaining evening. You get an efficiently evocative set that’s divided into three parts: a down-home apartment; an old-fashioned country bar, complete with jukebox; and, in the center, the stage of the Grand Ole Opry. There are two skilled singer-performers, one of…
The conversion of Scrooge at the end of Charles Dickens’s A Christmas Carol always delights, whether you’re reading about it or seeing it on a stage. I remember Alistair Sim in the iconic 1951 movie, capering around the room in his nightgown, startling the maid on the stairs by insisting…
Always…Patsy Cline is a light, mildly entertaining evening. You get an efficiently evocative set that’s divided into three parts: a down-home apartment; an old-fashioned country bar, complete with jukebox; and, in the center, the stage of the Grand Ole Opry. There are two skilled singer-performers, one of them also a…
At the end of last month, Brian Freeland, whose LIDA Project has been a vital presence on the Denver theater scene for the past ten years, sent out a press release announcing that the group is leaving town. They had intended, he said, “to reinvent theatre as a vehicle for…
Boston Marriage. For the entire first act, Boston Marriage is pure enjoyment. It’s light and fast, and the language is dizzyingly clever and cleverly self-punctuating. The plot concerns two nineteenth-century women who live together in an arrangement termed a “Boston marriage.” One of them, Anna, has snared a rich lover…
You’re familiar, of course, with the old theatrical plot line in which the lead gets sick, the understudy is forced to go on in her place, and, after a hesitant start, the young woman wows the audience and becomes a star overnight. Something like that happened on the evening I…
The Shakers were a utopian, egalitarian religious group, originally an offshoot of the Quaker community in eighteenth-century England, whose adherents dedicated themselves to God by separating themselves from the world and giving up all worldly pleasures — including sex. Shakerism was brought to the United States by a young woman…
Beirut. In Alan Browne’s play, Beirut is the name given to New York’s East Village, where, in a futuristic dystopia, HIV-positive people are quarantined (the play doesn’t use the terms “AIDS” or “HIV,” but the references are clear). Outside of this area, the world has changed. Sex is forbidden on…
