Girls Only. The trouble with Girls Only, a two-woman evening of conversation, skits, singing, improvisation and audience participation, is that it’s so relentlessly nice. Presented by Denver Center Attractions through November 1, Garner Galleria Theatre in the Denver Performing Arts Complex, 303-893-4100, www.denvercenter.org. Reviewed September 18, 2008. Microworld(s), Part 1…
A middle-aged man is alone on stage, reciting a paragraph of prose. The stage behind him has an unused, dusty appearance — chairs, a few other bits of furniture. We realize we’re in a deserted theater. The man mumbles and hesitates, and then there’s an interruption from the audience. A…
A Raisin in the Sun. This fifty-year-old play remains astonishingly relevant. The Younger family — grandmother Lena, son Walter Lee and twenty-year-old daughter Beneatha, as well as Walter Lee’s wife, Ruth, and young son Travis — live in a roach-infested Chicago apartment with a down-the-hall bathroom. Travis sleeps on the…
Thaddeus Phillips is a magician of the stage. He likes putting disparate things together — objects, images, ideas — in service of a new and transformative vision. He is also an internationalist to the core. His characters are often bewildered travelers, and maps, boundaries and foreign languages play a large…
Ma Rainey’s Black Bottom. First produced in 1984, Ma Rainey’s Black Bottom is the play that propelled August Wilson to fame, and it has everything that makes the playwright great: eruptions of humor, rage, pettiness and affection, all given resonance by a broadly humanistic sense of history and context. The…
A Raisin in the Sun was written over fifty years ago, but it remains vivid and relevant today. Though the final act is weakened by a sequence of preachy, 1950s-style dramatic speeches, in which each character in turn bares his or her soul, in every other respect these people are…
Die! Mommie Die! It’s been forever since we’ve had really good, outrageous, dirty-minded, over-the-top camp in Denver, so Die! Mommie Die! is a particular delight. Charles Busch’s play is a spoof of such 1960s Gothic horror movies as Whatever Happened to Baby Jane? and Hush…Hush, Sweet Charlotte. There’s no important…
I knew that René Marie was a tremendous jazz artist — but I had no idea that she was also an amazing writer and an astonishingly powerful actress. Not until I saw Slut Energy Theory. Marie’s one-woman play has been promoted as a work about incest and abuse; performances are…
When he wrote The Voysey Inheritance over a hundred years ago, Harley Granville-Barker intended to show the rot beneath the politely conventional exterior of Edwardian society. The plot concerns a solicitor who uses his clients’ funds to enrich himself and his family while managing to keep up with interest payments…
For the children who compete in them, spelling bees are a very big deal. They represent an arena where poor kids, rural kids and the kids of immigrants can find identity and pride. Indian-Americans, like the winner of this year’s Scripps National Spelling Bee, Kavya Shivashankar, seem to do particularly…
Die! Mommie Die! It’s been forever since we’ve had really good, outrageous, dirty-minded, over-the-top camp in Denver, so Die! Mommie Die! is a particular delight. Charles Busch’s play is a spoof of such 1960s Gothic horror movies as Whatever Happened to Baby Jane? and Hush…Hush, Sweet Charlotte. There’s no important…
Yankee Tavern introduces us to Adam, a young man working in what used to be his father’s bar. He’s arguing with his fiancée, Janet, because the names he provided for her save-the-date notices were fictitious, and she’s furious. Adam’s father committed suicide here — or rather, we think it was…
Dial ‘M’ for Murder. Frederick Knott’s Dial ‘M’ for Murder is one of those stylish, intricately plotted murder plays, though not a whodunit. We know early on that the villain is onetime tennis pro Tony, who wants his wife, Margot, murdered; we watch as he hires the man to do…
Every now and then, the Buntport troupe decides to remind audiences that they’re not just clever, funny, creative and entertaining; they’re also artists. And that’s just what they do with Indiana, Indiana, a production based on a novel by Laird Hunt of the University of Denver. The story isn’t complicated…
Jeffrey Nickelson, who passed away last week, made a huge contribution to the theater scene in Denver, both as an actor and a director. He created Shadow Theatre on a $500 donation, and — against all organizational and financial odds — kept the company alive and artistically kicking for a…
Dial ‘M’ for Murder. Frederick Knott’s Dial ‘M’ for Murder is one of those stylish, intricately plotted murder plays, though not a whodunit. We know early on that the villain is onetime tennis pro Tony, who wants his wife, Margot, murdered; we watch as he hires the man to do…
Shadow Theatre’s last celebratory opening took place over a year ago, when then-artistic director Jeffrey Nickelson unveiled the company’s comfortable, brand-new theater to a throng of elegantly dressed well-wishers. The show was Dinah Was, and though it featured the magnificent René Marie in the title role, both script and production…
Annie. Boulder’s Dinner Theatre is at the top of its form; it has to be. How else could the company make Annie — its mandatory summer family show — anything but a smirking sentimental bore? As everyone knows by now, the story of Annie concerns a little red-haired girl’s rough…
Frederick Knott’s Dial ‘M’ for Murder started in the early 1950s as a ninety-minute BBC production, enjoyed successful West End and Broadway runs, and eventually became a celebrated Alfred Hitchcock movie. It’s one of those stylish, intricately plotted murder plays, though not a whodunit. We know early on that the…
Annie. Boulder’s Dinner Theatre is at the top of its form; it has to be. How else could the company make Annie — its mandatory summer family show — anything but a smirking sentimental bore? As everyone knows by now, the story of Annie concerns a little red-haired girl’s rough…
Annie. Boulder’s Dinner Theatre is at the top of its form; it has to be. How else could the company make Annie — its mandatory summer family show — anything but a smirking sentimental bore? As everyone knows by now, the story of Annie concerns a little red-haired girl’s rough…
I don’t understand quantum mechanics. I tried after seeing Michael Frayn’s Copenhagen, a play about a meeting between Niels Bohr and Werner Heisenberg during World War II, and long before that, when I was seventeen, I read Erwin Schrodinger’s What Is Life for a physics class and found myself as…
