Arts & Culture

As they leap through the years, West and Cohen give us a compelling account of Ginsburg’s key cases, starting from her days as a lawyer with the ACLU’s Women’s Rights Project.

In the most pivotal, unforgettable scene, Jen holes up in a cave to engage in a ritual you know from almost every movie ever made about violent heroism: She has to patch herself up

If the original cut was a couple of Desplechin distinct movies loaded into a woodchipper and then splatted all out on the screen, this new, longer Ismael’s Ghosts at least can be said to beef up the splats

Schoenaerts and Exarchopoulos exhibit the kind of empathetic, in-sync performances that legitimize onscreen romances, almost selling why Bibi would throw her life away to be with a man who incessantly lies to her

Tiny Shoulders starts to feel like a publicity exercise for the brand — an attempt to humanize the company by showing us the real women behind all that plastic

Here’s a woman who has spent her entire life helping others and not being a piece of shit, and unless she or the club touched you personally, you probably didn’t know she existed until you read this or saw the film

{Lucrecia Martel) transforms Benedetto’s epic into a dizzying, sensory head trip about a man’s gradual psychological decay, allowing larger historical and political themes to emerge organically from her meticulous formal compositions

At their core, both Overboards are traditional rich-person-learns-how-to-be-a-real-person farces, the kind of films Frank Capra and Preston Sturges used to direct in their sleep