Patriots Day Finds Mark Wahlberg Caught Between Fiction and Real Disaster

For better and for worse, Peter Berg has found his genre. After oscillating between sports (Friday Night Lights), superheroes (Hancock) and even board games (Battleship) without much distinction, the writer, director, producer and actor has made a loose trilogy in which Mark Wahlberg reenacts recent tales of American heroism. Lone…

Ben Affleck’s Crime Epic Live by Night Is a Pile of Parts

Somewhere inside the 128-minute Live by Night is a reasonably solid 168-minute movie struggling to get out. No, that’s not a typo: You can sense the contours of an absorbing story as writer/director/star Ben Affleck’s slapdash and fragmented assemblage limps along. Most of the pieces are there, but they remain…

Jim Jarmusch’s Paterson Shakes the Everyday for All Its Beauty

Walking out of Jim Jarmusch’s Paterson last May at Cannes, I felt like it was the closest the director had come to making an artistic manifesto. Having seen it again, I’m even more convinced. Jarmusch first arrived in New York back in the 1970s with dreams of becoming a poet,…

The State of Action Filmmaking, 2017

In the ’80s and ’90s, there were action movies. They starred muscly guys like Arnold Schwarzenegger or Sylvester Stallone, or martial artists from Jean-Claude Van Damme to Cynthia Rothrock, or actors who were dedicated to the physical demands of the genre, like Bruce Willis or Wesley Snipes. They mostly told…

Your January TV Watch List: The Six Shows We’re Counting On

New year, new us! JK, new year, same ol’ us: watching TV and hiding in a hole from the bitter January cold and impending doom. The only solution? Watching all the television! You can take the day of the inauguration off to protest, but I expect you back under the…

Molly Haskell Follows Spielberg From Boyhood to Responsibility

Almost all of the history of American movies flows into Steven Spielberg, and the movies that have come since can’t help but be in response. As a storyteller and as a cultural figure, his closest precedent isn’t John Ford or David Lean, but Dickens, another age’s popular titan, beloved more…

Martin Scorsese’s Priests Persevere in the Searching Silence

Martin Scorsese opens his foreword to the latest edition of Shusaku Endo’s Silence with a simple, impossible question: “How do you tell the story of Christian faith?” The director isn’t presumptuous enough to present his adaptation of that beloved novel as a definitive answer, but his film does read as…

Our Critics’ Picks for the Best Films of 2016

Complicated subjects dominated cinema in 2016. Take The Lobster, a strange story about finding love (or not finding love) in the modern world, or Moonlight, in which director Barry Jenkins inspected the psyche of a gay black man growing up in poverty in south Florida. Our critics reviewed them all…

Five International TV Series That Deserve Your Couch Time

Once upon a time, in the dark ages of not-that-long-ago, foreign television was a mysterious land beyond our reach. Aside from the occasional British import, the wonders of international series were limited to those equipped with multi-region DVD players. Scandinavian gloom mostly stayed in Scandinavia. Thanks to streaming, it’s now…

Hepburn and O’Toole Roar Again in The Lion in Winter

“Henry was 18 when we met, and I was Queen of France. He came down from the north to Paris with a mind like Aristotle and a form like mortal sin. We shattered the commandments on the spot.” So declares Eleanor of Aquitaine (Katharine Hepburn) about her estranged husband, England’s…

Seven Films We Look Forward to Distracting Us in Early 2017

2017 looks like it won’t be an improvement over 2016, so here are some promising films — either reviewed or previewed — to distract you in the next three months. In keeping with the pessimism most of the country is feeling, we’re also considering “what could be bad” in the…