It’s thematically fitting that Henry Phillips’ slight, prickling Punching Henry hits theaters just weeks after The Comedian, a bloated Robert De Niro exercise also about a difficult stand-up comic grinding through bad gigs and insulting meetings with TV suits — and accidentally starring in viral videos. The Comedian was about…
The one thing I know for sure is that most Oscar voters don’t care that a film as seemingly pleasant as Damien Chazelle’s modern musical La La Land has proven so divisive. Even as lyrics from “City of Stars” have become inspirational memes, artists like songwriter Elon Rutberg are calling…
How do you sell an international comedy-action superstar to an American audience? Sony Pictures, the distributors of charming Hong Kong action-fantasy Journey to the West: The Demons Strike Back, still haven’t figured out how to pitch comedian-turned-filmmaker Stephen Chow outside of Asia, especially since Chow has stopped starring in his…
If you’ve grown weary of the Don Drapers and Walter Whites of the world, don’t expect James Keziah Delaney to make a strong first impression. Taboo’s antihero, played with signature laconicism by Tom Hardy, is another difficult man for this golden age of TV — and, as fate would have…
In director Amma Asante’s epic political romance A United Kingdom, David Oyelowo and Rosamund Pike star as Seretse and Ruth Khama, the interracial royal couple who stunned the world when they fought to rule the country that would become the Republic of Botswana. The story’s a wildly interesting history lesson…
Delving into microeconomics and macroaggressions, Toni Erdmann, the dynamite, superbly acted third feature by writer/director Maren Ade, is social studies at its finest. This quicksilver, emotionally astute comedy operates on many different registers and moods: Whoopee cushions and gag teeth are part of the fun, but so too is a…
Jordan Peele’s Get Out is the most trenchant studio release in years, a slow-building, often hilarious horror thriller built upon a dead-serious idea: that a black man walking alone through white suburbs is in as much danger as any slasher-flick teenager. Peele opens with that image, showing us, in a…
No, I Don’t Feel at Home in This World Anymore is not a documentary about all the things going through your head right now, but in his directing debut, actor Macon Blair (Blue Ruin, Green Room) certainly captures something of the spirit of the times. As this stylized, deliriously violent,…
It was interesting, and more than a little inspiring, to watch the public outcry against the nomination of Betsy DeVos as Secretary of Education over the past couple of weeks — especially the online campaign in which, in response to DeVos’ ill-informed attacks on America’s supposedly failing public education system,…
Maybe this’ll teach us not to judge a movie by its marketing campaign. Thanks to posters and trailers focused solely on its American star, Matt Damon, Zhang Yimou’s The Great Wall has been pilloried as an example of a Chinese myth being given the Hollywood white-savior treatment. In fact, the…
Television’s smartest network drama went out last year with a slap. The Good Wife, the hour-long CBS procedural about savvy lawyers and sexy investigators, looked as if it was going to end where it began, with Alicia Florrick (Julianna Margulies) standing by her politician husband Peter (Chris Noth) at a…
Romantic comedies seem to have soured more than most movie genres. It could be due to their insistence on happy endings, or perhaps it’s the rigid structure that demands easily avoidable conflict followed by the protagonist breathlessly chasing down his or her true love just in time for the end…
In recent months, there have been serious calls for liberal city dwellers to reach beyond their “bubble” to better understand their rural counterparts. What’s rarely brought into the conversation: that large swathes of the so-called liberal elite have roots in rural places. These people, myself included, came of age among…
Even zombies need sensible snacks. In Sheila Hammond’s case, that means a baggie of severed fingers, which she munches like baby carrots while stalking her next victim in a parking garage, her pink “kill poncho” pulled tightly around her shoulders. In Santa Clarita Diet, the new 10-episode Netflix original series,…
In 1902, Dr. John Kellogg changed two letters in the word “sanatorium” — defined as a resting spot for disabled soldiers — and changed the world. “Sanitariums” became the health resort of choice for the wealthy and weary, instilling in the privileged a sense that they were perpetually ill, and…
The movies never get the Midwest right. When, onscreen, have you seen white people at the grocery store mouth that shy, apologetic “oop” noise every time someone walks close enough that they feel they must shift out of the way? Or a father lecturing his children about the greatness of…
Like just about everyone else, MUBI has gotten into the distribution business — in a way. The streaming service, a favorite among cinephiles, has been offering a curated selection of arthouse titles for years: 30 movies at a time, each available for 30 days. Its new Discoveries platform, which seeks…
Legion, the much-anticipated new FX series created by Fargo showrunner Noah Hawley, wastes no time plunging us into the murky depths of its lead’s unraveling mind, from blissful youth to harrowing adulthood plagued by a failed suicide attempt. Every scene is a dense visual and sonic cornucopia. Even quiet moments…
George Miller’s sci-fi series began in 1979 with the low-budget, practically DIY gearhead grindhouse flick Mad Max, and it was revived in 2015 with the delirious action masterpiece Mad Max: Fury Road. All along the way, these pictures have captured something about their times that has allowed them to break…
Boundaries are violated repeatedly in Fifty Shades Darker, a film that demands even more submission of its audience than its predecessor, 2015’s Fifty Shades of Grey. No safeword can protect you from the sequel’s depleting incoherence, its punishing pileup of plot and its inability to successfully stage, even once, the…
Denver’s date with actor Cary Elwes and The Princess Bride: An Inconceivable Evening on April 21 was announced just ten days ago, but demand for tickets has been so strong that a second show has been added at the Paramount Theatre on April 20.
Iranian director Asghar Farhadi’s The Salesman is a tense, visceral drama of wounded masculinity — and therein lies part of its problem. Farhadi, whose About Elly and A Separation are two of the greatest movies of the past decade, can find tension in the most mundane of exchanges, and he…
