Ana Lily Amirpour’s Bad Batch Offers a Timely, Inventive Apocalypse

Ana Lily Amirpour’s comic post-apocalyptic action-drama offers little explanation of what exactly its “bad batch” is, or how the members of its motley, unfortunate tribe of humans wound up banished to a desert wasteland. Instead, Amirpour lets her camera linger on a sign warning that everything beyond a 10-foot-high metal…

Blade, aka Wesley Snipes, Coming to Alamo Drafthouse

You know him as a good vampire trying to protect humans from bad vampires in the Blade film series. But Wesley Snipes is also an author, and on Thursday, July 27, he’ll be at the Alamo Drafthouse in Sloan’s Lake to celebrate his debut novel, Talon of God. Co-authored by…

Friends (and This Cast) Deserve Better Than the Sour Rough Night

At least Rough Night, Lucia Aniello’s dutifully raucous new bachelorette-party comedy, achieves verisimilitude. It’s a rough watch and an evening killer, this film about friends who seem not to love, like or even really know one another. If you enjoy strained fun with people who have grown apart from you,…

Rough Night Director Lucia Aniello on Finding the Light Heart of Darkness

Lucia Aniello’s ensemble comedy Rough Night might look, from its marketing, like a gender-flipped Very Bad Things. Both comedies feature a pre-wedding party that goes off the  rails when a stripper accidentally gets killed by the rowdiest member of the crew. But Aniello’s film — which stars Scarlett Johansson, Zoë…

Seriously, the Third Cars Movie Finishes in First Place

Here’s something I never guessed I would say: It might be worth going into the new Cars movie spoiler-free. Without giving anything away, I can tell you that, at its climax, this latest installment in a springtime of sequels the world doesn’t need eases into a surprising new gear and…

Salma Hayek Commandeers Beatriz at Dinner‘s Nimble Class Comedy

A film often smartly attuned to language, Beatriz at Dinner — a sober comedy about class clash and soft-to-hard racism directed by Miguel Arteta and written by Mike White — operates in several different idioms. English and Spanish (sometimes unsubtitled) are spoken, as are the lexicons of healing and affluence…

Why Is Tom Cruise Even in The Mummy?

Over the years, Tom Cruise has been many things, but he’s almost never been marginalized — not in one of his own movies. Oh, he’s played supporting parts and done cameos here and there, but even in those smaller roles (in films like Tropic Thunder or Rock of Ages), he…

In a Sprawling New Season, Orange Is the New Black Betrays Itself

Since last November, we’ve been asked to understand, if not necessarily sympathize with, the furious resentments of the racists, misogynists, homophobes and plutocrats who have brought us to this point of political calamity. The fifth season of Orange Is the New Black (Netflix) appears to be its own kind of…

Neorealist Jewel I, Daniel Blake Slices the Systems That Crush Us

Sure, we’ve all gotten desensitized to screen violence, but that doesn’t mean we can’t be shocked. Ken Loach’s quietly furious I, Daniel Blake will likely jolt you with its depiction of a different kind of killing: the paperwork, on-hold music and long-wait rigmarole a widowed English woodworker endures while trying…

The Chilling My Cousin Rachel Harrows a Dopey 19th-Century Misogynist

The trailer for Henry Koster’s 1952 adaptation of My Cousin Rachel channels hysteria as the voiceover asks, “Was she woman or witch? Madonna or murderess?” Unfortunately, the film itself proved far tamer than the marketing suggested. The novel’s author, Daphne du Maurier, who also penned The Birds and the psychological…

Trey Edward Shults’s It Comes at Night Is a Horror Triumph

A red door is, biblically speaking, a sign of protection, an echo of the blood rubbed on posts and lintels during Passover to keep God from smiting you and your home. But like most things that the Bible insists are positive, the red door also comes with an undercurrent of…

The 12 Best Movies From the 2017 Cannes Film Festival

The 2017 Cannes Film Festival wrapped up last Sunday with a slate of generally predictable (and perfectly worthwhile) awards. And while it may have been a somewhat lackluster year for the festival’s main competition, there were plenty of cinematic treasures to be found on the Croisette – even a couple…

Here’s All the TV Not to Miss in June Before the World Ends

It’s summer! Time to stay inside and watch TV! Duh! I’m Dying Up Here (Showtime), June 4 Peak TV giveth, and Peak TV taketh away. And sometimes Peak TV confuses the shit outta ye. Case in point: this new drama about LA’s stand-up comedy scene in the 70s. I mean,…

Again With the Sad Clowns: The Missed Opportunities of I’m Dying Up Here

I’m Dying Up Here premieres June 4 on Showtime Mythologies are built on pain. It’s why nations remember the invasions they’ve suffered better than the ones they’ve perpetrated, why religions celebrate their martyrs, and why Disney princesses — among the most privileged individuals in their respective kingdoms — sing about…