Clearly Krzysztof Kieslowski has plenty to say. Maybe he’s even got the faintest touch of serial killer in him. In any case, the extraordinary Polish director now makes his movies in bunches. The Decalogue was a relatively obscure series of ten films exploring each of the Commandments, and his “Three…
In recent years, visiting moviemakers have recast Ireland as a kind of cultural theme park packed with nostalgic folk wisdom exhibits, ongoing political tragedy rides and postcard views of verdant countryside. In this fantasyland, picturesque locals loose torrents of reheated Yeats in lilting brogues. At night everyone settles in at…
Penny Marshall probably won’t win the Nobel Prize anytime soon, but the TV-star-turned-director has a minor gift for detective work. After discovering the little boy inside the man (Big) and the ballplayer within the woman (A League of Their Own), Marshall has now unearthed the deep thinker in the dumb…
Has Bernardo Bertolucci flipped out? The man who once explored the frontiers of carnal obsession (in Last Tango in Paris) and the fervid intrigues of Italian politics (The Conformist, 1900) began gazing eastward last decade, coming up with a gauzy Chinese head trip called The Last Emperor. That’s the one:…
Amid the clatter of summer blockbusters, Red Rock West is the kind of terrific sleeper that could get lost. That would be a shame. Here is a taut little thriller that depends on such classic virtues as the well-timed double-cross, clever plotting and vivid low-life characters, rather than on high-octane…
This is what things have come to. Hollywood has spent $60 million on a Western movie derived from an old TV show that borrowed heavily from earlier Westerns, which were in turn based on dime novels that glamorized beyond recognition what actually happened on the American frontier. Naturally, the star…
Like his earlier films, Pedro Almodovar’s Kika is the kind of outdated bedroom farce that could only come from post-Fascist Spain, where artistic freedom is still a novelty. As in Tie Me Up! Tie Me Down! and High Heels, this tale of a garrulous Madrid makeup artist’s sexual misadventures flaunts…
Can a quarter-century really have passed since Ratso Rizzo first sneered “I’m walkin’ heaahh!” and Joe Buck grinned at himself in the mirror, straightening the Stetson on that golden Texas rube’s head? Midnight Cowboy returns to the big screen this Friday for a one-week run at the Mayan, and its…
Yuppies hit the bottle, too. That’s the lesson of When a Man Loves a Woman, in which pretty Meg Ryan falls through a glass shower door, sweats out detox and fights to reclaim alienated husband Andy Garcia–all without messing up her hair or smudging her makeup. This is another gooey…
In Spike Lee’s sunny re-creation of Bedford-Stuyvesant circa 1974, laughing kids jump rope and play stoopball on spotless sidewalks. There’s always a parking place for the family car in front of the tidy brownstone. The neighbors may beef at each other about a little misplaced trash, but there’s not a…
Ray Liotta does not bullshit, and he has zero tolerance for those who do. As a result, if you persist in asking him bullshit questions, you will be rattled. Not because of the 38-year-old’s spectacularly intense gaze (the dominant image of such diverse films as Something Wild and Dominick &…
It’s no surprise that Cyril Collard’s Savage Nights became an instant cult hit when it was released in France in October 1992. This blunt autobiographical portrait of youthful narcissism and recklessness in the age of sexual peril was the first European film to confront the AIDS epidemic head-on. Not only…
Glenn Gould, the eccentric Canadian pianist and celebrated hermit, would be a tough nut for any filmmaker to crack. As a child prodigy who could play Bach before he could read, Gould sat next to the radio, transfixed by Toscanini. But later he announced: “I just don’t like the sound…
Because of dazzling special effects and a funny, bloodcurdling villain called the Trickster (he looks like a Mohawk warrior freaked out on acid but talks like a Phi Beta Kappa), the witty techno-fantasy Brainscan could be the teen hit of the spring. But there’s something else here, too–a distinction between…
At first glimpse, Iain Softley’s Backbeat looks like a gritty trifle aimed at nostalgic Beatles buffs. It dusts off the old story of Stu Sutcliffe, John Lennon’s best friend in Liverpool, who played bass with the group from 1959 to 1961. A halfhearted musician, Sutcliffe found his head turned by…
John Waters may have grown up, but he hasn’t gone straight. In his days as an enfant terrible, the most notorious moviemaker in Baltimore served up raw sensation, black comedy and low camp to fringe audiences who prided themselves on all manner of deviance. Those raucous midnight screenings of Pink…
If the Manson Family hadn’t stumbled across Sharon Tate, maybe Roman Polanski would be making movies for the Disney Channel. As it is, this once-fascinating artiste of the cinema has turned his personal life into a trashy novel and his mercifully infrequent movies into guided tours of his own sour…
The ironically titled Belle Epoque (“Beautiful Age”), winner of the most recent Oscar for Best Foreign Film, is a playful Spanish sex farce that unfolds during the brief honeymoon between the bloodless overthrow of the Spanish monarchy in 1931 and the rise of the Fascists five years later in the…
The first installment of Krzysztof Kieslowski’s “Three Colors Trilogy” is called Blue, and the Polish filmmaker says it represents the French ideal of liberty. But before we get to any kind of liberty, we get a powerful dose of imprisonment–the self-imposed, emotional imprisonment of a young woman who has seen…
This is a strange time for Hollywood to revive newspaper movies. Despite their obvious saintliness, reporters rank just north of lawyers and child molesters on the nation’s current list of heroes–and I’m not talking here only of the “Elvis Shot JFK” brand of journalism. These days, the public–and the White…
Paolo and Vittorio Taviani, the Italian brothers who co-directed flinty, passionate films like Padre Padrone and The Night of Shooting Stars in the late Seventies and early Eighties, probably haven’t gone soft in the head. But Fiorile, which traces the legend of a family curse through two centuries of domestic…
The idea for Twenty Bucks probably came from Max Ophuls’s sparkling 1950 comedy La Ronde, but its prickly sensibility is pure 1990s. Rather than chase the flame of love, as Ophuls did, first-time director Keva Rosenfeld follows a pivotal twenty-dollar bill from person to person to person, with amusing results…
