Of all the hundreds of pedophile priests to be flushed out of the woodwork in recent Catholic Church history, Father Oliver O’Grady has to be one of the most harmless-looking — and the most sinister. Wispy, unremarkable and accommodating, with an ingratiating half-smile playing permanently about his thin lips, Father…
They say youse can never go home again. Nevertheless, Queens-bred big-timer Dito Montiel revisits his old Astoria stamping grounds in A Guide to Recognizing Your Saints, a Sundance-sanctioned testosterone indie loosely based on the thirty-something writer-director and occasional fashion model’s neo-Beat semi-autobiography of the same name. Montiel may be a…
Manufactured history guarantees a manufactured controversy: Gabriel Range’s Death of a President, which docu-dramatizes the 2007 assassination of George W. Bush, has been preceded by long, raucous fanfare. Excoriated on talk radio, damned as a snuff film, banned by two theater chains, the British production has also garnered celebrity dis-endorsements…
There’s a scene about halfway through Catch a Fire during which freedom fighters — men and women, each boasting such nicknames as “Pete My Baby” and “Hot Stuff” — are being trained at an African National Congress safehouse in Mozambique. Their ranks consist of South Africans who’ve been politicized by…
Artland: USA is a twelve-part television series that explores art and architecture across America from behind the wheel of an RV — and in the third episode, which screens tonight, hosts Charles Luxton and Mame McCutchin motor from tiny Marfa, Texas, to the Mile High City. Along the way, Luxton…
Emilio Lobato and Martha Daniels. The solos that open the season at William Havu Gallery combine the disparate work of two of the area’s best-known and well-regarded artists. On the walls is Emilio Lobato: Desde Siempre (Since Forever), which comprises the artist’s signature abstractions. The title refers to Lobato’s self-exploration…
Reservoir Dogs: 15th Anniversary(Lions Gate) Quentin Tarantino’s first film shows its age these days, mostly because we’ve seen all its tricks done far better by now. From the nonlinear storytelling to the pop-culture gabfests to the shameless cribbing from obscure films, everything that once seemed so shockingly fresh has since…
A single photograph, we’re told early on in Clint Eastwood’s Flags of Our Fathers, can win or lose a war. But sometimes, that photo shows us only part of the story, whether it’s the part we don’t want to see — slaughtered villagers at My Lai, tortured prisoners at Abu…
Drop-dead hip or cluelessly clueless? Sofia Coppola’s Marie Antoinette, a candy-colored portrait of France’s infamous teen queen, is a graceful, charming and sometimes witty confection — at least in its first hour. The famously shy Coppola may be an inscrutable personality, but her bold exposé of backstage royalty opens with…
If the greatest magicians never reveal their tricks, then Christopher Nolan wouldn’t make it past the children’s birthday-party circuit. It’s not that Nolan has anything against the old hocus-pocus, but it’s the practical side of magic that appeals to him most — the nuts-and-bolts explanation behind the seemingly “impossible” feat…
The Queen is more fun than any movie about the violent death of a 36-year-old woman has a right to be. It’s also as exotic an English-language picture as the season is likely to bring. Directed by Stephen Frears from Peter Morgan’s script, The Queen is set in the peculiar…
Emilio Lobato and Martha Daniels. The solos that open the season at William Havu Gallery combine the disparate work of two of the area’s best-known and well-regarded artists. On the walls is Emilio Lobato: Desde Siempre (Since Forever), which comprises the artist’s signature abstractions. The title refers to Lobato’s self-exploration…
American Dreamz (Universal) Till this, Paul Weitz had a stellar filmography, a career in ascension: American Pie (good), About a Boy (great), In Good Company (absolutely perfect). But this, er, satire about a dumb American president (Dennis Quaid, channeling whassisname) trying to get smart, a cynical wannabe singer trying to…
There is no way of sidestepping the issue, so why not jump right into it: Infamous, this year’s retelling of how Truman Capote wound up in Kansas writing his non-fiction novel In Cold Blood, never comes close to approaching the quiet, devastating brilliance of Capote, last year’s retelling of how…
The sex is real in John Cameron Mitchell’s Shortbus; only the setting — an animated New York cityscape, benignly overseen by a fluorescent Statue of Liberty — is fake. To an extent, that describes the movie: a sexually daring, dramatically timid roundelay that employs unsimulated twosomes, threesomes and even solos…
Barry Levinson hasn’t made a movie of note in almost a decade — since 1997’s Wag the Dog, to be precise, and even that was less a work of substantial relevance than a bit of lucky timing based on someone else’s better novel. Granted, it had its moments — at…
“This is a curated program of the best of the best — lefty video nonsense, fun and frolic,” says Scott Beibin (right), host of the Lost Film Fest, which makes three local stops this week. Philadelphia-based Beibin, who also runs Bloodlink Records, co-founded the fest in 1999 and began taking…
Emilio Lobato and Martha Daniels. The solos that open the season at William Havu Gallery combine the disparate work of two of the area’s best-known and well-regarded artists. On the walls is Emilio Lobato: Desde Siempre (Since Forever), which comprises the artist’s signature abstractions. The title refers to Lobato’s self-exploration…
No studio director was a greater hero to the Hong Kong new wave than Martin Scorsese. John Woo dedicated The Killer to him; Wong Kar-wai modeled his first feature, As Tears Go By, after Mean Streets; and Taxi Driver’s rain-slicked slo-mo urban stylistics worked their way into countless lesser HK…
Among documentary muckrakers, Kirby Dick may not be as righteously indignant as Michael Moore or as brilliantly droll as Nick Broomfield, but say this for the maker and star of This Film Is Not Yet Rated: He’s not afraid to soil his hands to get the story. Rummaging through the…
Moving and ambitious in scale like nothing else in cinema, Michael Apted’s Up films began in 1964 as a BBC news program exploring an old Jesuit maxim: “Give me the child until he is seven, and I will show you the man.” Using interviews of fourteen randomly selected schoolchildren, Seven…
The animated feature has become the most tiresome dish available in the googolplex buffet line — more so than even the mopey art-house offering in which bad things happen to good people while string sections and Elliott Smith sound-alikes douse the soundtrack with dollops of calamity and sorrow. You can’t…
