Colorado filmmakers clean up at Chamonix Adventure Festival

A trio of filmmakers from Carbondale won three of the four festival awards at the Chamonix Adventure Festival over the weekend in Chamonix-Mont-Blanc, France: Tyler Stableford won the Jury Prize for Shattered, his portrait of alpinist Steve House (see it in full after the jump); Skip Armstrong and Forge Motion…

Marjane Satrapi on culture, family and her new film

“I have always been against this idea of the ‘clash of cultures,'” Marjane Satrapi says. “It’s the biggest piece of bullshit I’ve ever heard.” That’s apparent from her films and graphic novels, which bridge worlds. Born in Iran, Satrapi emigrated to Europe with her family when she was a teenager…

Today’s action movies are on a whole different kick

Remember how action movies used to be? The good old-fashioned American (but often European-accented) ones from the ’80s and ’90s, the type paid tribute to (but not necessarily re-created) in the Expendables movies? No offense to your Iron Men and your Jason Bournes, but I miss movies like Die Hard,…

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Clyfford Still. For the opening of the Clyfford Still Museum, director Dean Sobel has installed a career survey of the great artist that starts with the artist’s realist self-portrait and features his remarkable post-impressionist works from the 1920s. Next are Still’s works from the ’30s, with some odd takes on…

In Unforgivable, anti-romanticism is romantic

It might be true that we hurt the ones we love the most, but André Téchiné’s epic neo-family drama depicts offenses—attempted murder, mid-funeral beat downs, sex videos for Daddy—that no relation should have to countenance. Alain Resnais mainstay André Dussollier plays Francis, a best-selling mystery writer who travels to Venice…

The meta-text of Cosmopolis runs out of steam early

Boyishly lean, with a brooding angularity that suggests both high maintenance and nefarious vacancy, Robert Pattinson has managed to fill the role of a grade-A male sex symbol without ever evincing anything like carnal energy, and to top the Hollywood A-list as a representative of the undead. Pattinson’s casting in…

Mouths and motors both run in Hit & Run

Hit & Run, a new action comedy engineered by faintly Muppety co-director/writer/star Dax Shepard, is as much about running mouths as running motors, and injects estrogen into the few remaining enclaves of American testosterone, muscle cars and FM cock rock. Shepard plays Charlie Bronson, a 35-year old in Nowheresville whose…

David Koepp on New York City, George Romero and bad script notes

David Koepp writes, and now directs, superior B-movies. This is an admirable and tough-to-master skill given how few major movie studios are willing to take chances on films with lower budgets that don’t employ a found-footage gimmick or generally look like they were made on an aglet-less shoestring budget. So…

See PeaceJam film The Mayan Renaissance on the big screen

At tonight’s installment of the Denver Film Society’s Women + Film series, PeaceJam’s Dawn Engle will be the woman, and The Mayan Renaissance will be the film. This fastidious and lovely history of Mayan civilization and culture fast-forwards into the present, as it is seen by Nobel laureate (and PeaceJam…

The thoughtful Searching for Sugar Man will surprise you

Fluid, open-ended documentaries that demand more of an audience than foregone assent or fleeting bouts of passive outrage are rare these days, which is what makes Malik Bendjelloul’s Searching for Sugar Man such a gift. In telling the tale of Sixto Rodriguez, a Mexican-American balladeer from Detroit who cut a…

The Odd Life of Timothy Green is as odd as its title character

It’s a hard world to be different in,” says Cindy Green (Jennifer Garner) to her Pinterest/vision-board child Timothy (CJ Adams) while trying to explain why he must cover up the leaves that sprout on his legs. “Lots of people hate anything that’s different.” That hammer-to-nail, nutshelled life lesson is one…

Now Showing

Clyfford Still. For the opening of the Clyfford Still Museum, director Dean Sobel has installed a career survey of the great artist that starts with the artist’s realist self-portrait and features his remarkable post-impressionist works from the 1920s. Next are Still’s works from the ’30s, with some odd takes on…

Five 48 Hour Film Project Denver films

Last weekend, more than fifty teams of local filmmakers wrote, shot and edited entire film in 48 hours. Oh, and in case that wasn’t enough of a challenge, the film they made had to be in a genre selected at random, and incorporate a line of dialogue and prop that…

In The Imposter, the truth about a serial faker is revealed

This deft, atmospheric Errol Morris-style tour through the phenomenon that is “serial imposter” Frédéric Bourdin homes in on one brief episode from the man’s berserk career: the period in 1997 when the 23-year-old Frenchman convinced a Texas family that he was their disappeared teenage son. This is already well-trod territory,…

The Campaign is toothless but amusing

The Campaign begins with an on-screen quote attributed to Ross Perot: “War has rules. Mud-wrestling has rules. Politics has no rules.” The Texas billionaire/private-campaign-financing pioneer dropped this truism not during his historic third-party run for the presidency in 1992, but in the midst of his far less successful 1996 campaign…

A cinematic history of Mars

In mid-August, the most ambitious mission to Mars thus far landed on the red planet. The Curiosity Rover is on a two-year mission to look for signs of life, study its climate and geology, and collect data that might help future manned missions. To get in the spirit, we’ve combed…

The mainstreaming of Madea

For many, especially black people who see in her a mockery of our own grandmothers, Tyler Perry’s Madea is little more than a mammy — an insult to the matriarchal community figure that Perry claims to celebrate. And unforgivably, when compared to Flip Wilson’s Geraldine or even Martin Lawrence’s Big…