Now Showing

Robert Mangold. The dean of Colorado sculpture, who’s been working for more than half a century, is the subject of this strong solo with the epic title Colorado Gold: The Many Facets of Robert Mangold at Z Art Department. The show represents something of a chaser to the major Mangold…

The Perks of Being a Wallflower revisits pre-Internet adolescence

As someone who was in college when Napster happened, I’d love to see a period piece re-creating teen life during the last moments before technology began to change media consumption, communication, and the whole of social ritual. I wish The Perks of Being a Wallflower, written and directed by Stephen…

There’s no shame in Looper‘s human scale

Early on in Rian Johnson’s time-travel thriller Looper, Joe (Joseph Gordon-Levitt) sits at a diner and chats with his self from thirty years in the future (Bruce Willis). When the younger Joe asks the older one about the specifics of temporal displacement, the latter dismisses the question, telling his interlocutor…

In Hotel Transylvania, Dracula fights xenophobia

Casting a tapered, vase-slender silhouette and speaking in a Transylvanian accent with a touch of Borscht Belt, Hotel Transylvania’s de-fanged Count Dracula is introduced in an 1895-set prologue while serenading his infant daughter. No menacing carnivore, this Nosferatu has sworn off fatty human blood, is more scared of humans than…

Now Showing: A Westword guide to the arts in Denver

The aspen aren’t the only things that turn golden in the fall. The cultural scene also glitters, as arts groups large and small, high-brow and low-, celebrated and secret, start their new seasons. To get straight to the art of the most exciting events in the months ahead, we went…

David France examines the history and survival of ACT UP

“Death wasn’t being responded to as a public health problem,” David France says. “It was dealt with with sniggers. It was left to religious leaders to explain or respond to the epidemic. And they responded by calling it the wrath of God.” He adds: “That’s the hostility we all saw…

Animator Genndy Tartakovsky still goes it alone

“I hate realism,” director Genndy Tartakovsky said last week over the phone. “In America, especially, we’re very narrow-minded as far as animation goes. There is only one kind of movie, and that’s that big, family-oriented, four-quadrant, please-everyone kind of film. But if I wanted realism, I’d watch a live-action movie…

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Clyfford Still. For the opening of the Clyfford Still Museum, director Dean Sobel has installed a career survey of the great artist that starts with the artist’s realist self-portrait and features his remarkable post-impressionist works from the 1920s. Next are Still’s works from the ’30s, with some odd takes on…

The Master rises and falls on the magnetic pull of its stars

There’s something startlingly noncommittal about many of the initial reviews of The Master that leaked out following the impromptu screenings that writer/director Paul Thomas Anderson organized in 70mm-equipped houses across the country, and later in response to the film’s official bow at the Venice Film Festival. This is perhaps the…

About Cherry reveals why we like porn

The new, semi-gritty indie About Cherry is all about a semi-reluctant slide into the porn industry, and it’s also the first mainstream feature co-written by a busy porn actress, Lorelei Lee, otherwise famous for double penetrations and clothespin bondage. This shouldn’t strike us as very strange. Every screenwriter needs a…

Karina Longworth tells all about TIFF

A critic’s report from a film festival like Toronto, where something like 300 features were unveiled from September 6 through 16, can be something like a Rorschach test — or, at least, it can be something like the Rorschach test depicted in Paul Thomas Anderson’s TIFF entry, The Master, in…

Now Showing

Clyfford Still. For the opening of the Clyfford Still Museum, director Dean Sobel has installed a career survey of the great artist that starts with the artist’s realist self-portrait and features his remarkable post-impressionist works from the 1920s. Next are Still’s works from the ’30s, with some odd takes on…

An amoral Richard Gere explores extreme privilege in Arbitrage

Slick and grown-up as Richard Gere himself, this intricate fiscal thriller gets a dead bead on extreme privilege, with Gere’s Madoff-like billionaire fund-runner scrambling to keep his personal empire from crumbling like crackers. He has everything — including a loving family, a hot French girlfriend (Laetitia Casta) and that warm…

Sleepwalk With Me tells more than it shows

It’s pretty Pollyannaish to complain when companies that are in the business of making money on movies make certain movies solely to make money. And yet it seems to be widely acceptable to be cynical about big-budget movies that are made, marketed and released in order to sate an appetite…

By going undercover, The Ambassador earns its suspension of disbelief

The blitzkrieg of award season is right around the corner, and with it, we can expect an onslaught of stunt performances designed to wow Academy voters and feature editors (and also viewers?) with their evident degrees of difficulty and demonstrable totality of transformation. With Daniel Day-Lewis having strapped on the…

Paul W. S. Anderson, game boy

The big movie event of September will be the anticipated latest from a certain filmmaker who signs his films with the surname Anderson and a pair of initials, a prodigious talent who burst onto the scene with a stylish entry in the mid-’90s crime-thriller wave and never left. The master…