Weerasethakul’s Cemetery of Splendor Finds Life in the Unconscious

The seemingly stark divide between sleep and wakefulness serves as the main motif in Apichatpong Weerasethakul’s Cemetery of Splendor, which allegorizes the history of Thailand as deepest REM slumber. Weerasethakul’s works are sensory delights, haunted, if obliquely, by Thailand’s violent political past and still fractious present. A film about the…

Malick Goes L.A. in the Sumptuous Knight of Cups

What if Terrence Malick directed an episode of Entourage? Well, we’re about to find out, sort of. In Knight of Cups, the director of Days of Heaven, The Thin Red Line and The Tree of Life turns his roaming camera and ruminating voiceovers toward Los Angeles and the movie business,…

The Ten Best Film Events in Denver in March 2016

Like a classic reel of 35mm click-clacking through a projector’s sprockets, film events keep unspooling across metro Denver. Even if the weather is great this month, you’ll want to head inside to catch the ten best film events in March, presented here in chronological order.  10. The Brakhage Center Symposium…

Disney’s Zootopia Paws at Segregated City Life

In Zootopia, animals do a lot of the things that animals in Disney movies usually do: They speak, to begin with; they walk upright and wear funny clothes; they exhibit attitudes that align or ironically misalign with their species’ appearance and reputation; they hold jobs; they experience outsize emotion and…

Whiskey Tango Foxtrot Confirms That the Movies Don’t Get Tina Fey

The title of Glenn Ficarra and John Requa’s strained dark comedy, in which the War in Afghanistan serves as the backdrop to an American woman’s self-actualizing journey, is the military phonetic-alphabet rendering of WTF. The mild Islamophobia and highly questionable casting choices in the film call to mind other texting…

As Terrible Movies Go, Gods of Egypt Is Pretty Grand

Let’s give Gods of Egypt this much: An hour in, a giant cobra crashes and explodes like a bad guy’s car in a dumb movie from the ’70s. That snake, one of two in Alex Proyas’ film, is wide as a locomotive and long as a parade. It’s also straddled…

Davey B. Gravey’s Tiny Cinema Will Debut Moonglow at Leon Gallery Saturday

One of the sweetest homegrown creations to emerge in the Colorado film community in recent years is Davey B. Gravey’s Tiny Cinema: a mobile, four-seat screening room for short, silent Super 8mm films, complete with live musical accompaniment by charming huckster Gravey himself. David Weaver, aka Gravey, the big brain behind this…

The Tender Anime Only Yesterday Hits U.S. Screens at Last

Since 2015’s When Marnie Was There looks to be its final new film for the foreseeable future, it makes sense that Studio Ghibli would circle back around to its beginnings. Isao Takahata’s 1991 Only Yesterday was not Ghibli’s first feature, however; it was preceded by Hayao Miyazaki’s 1986 Castle in…

Eddie the Eagle Is No Cool Runnings

In the Winter Olympics, ski jumping is one of those sports — bobsledding and luging are others — where Joe and Jane Satellite Dish cannot tell the difference between a great performance and a terrible one unless the athlete is carried away on a stretcher. No doubt there are crucial…