Jennifer Jason Leigh, who’s played everything from an acid-tongued Jazz Age sophisticate in Mrs. Parker and the Vicious Circle to a drug-addled Nineties narc in Rush, has a lot to live up to as the heroine in the new adaptation of Henry James’s classic Washington Square. First there’s the literary…
Seven Years in Tibet feels more like Seven Days in the Movie Theater. It refuses to come to life–not even when Brad Pitt, as hirsute as a yak, wanders the frozen Himalayas with an Austrian accent that probably gave his dialogue coach the hives. It’s an epic about how an…
Now that Oliver Stone has explained to us (at some length) that the CIA killed JFK, that Nixon was a paranoid loser, but not quite the paranoid loser his enemies have always imagined, and that violence in America is really a conspiracy between the celebrity-hungry public and the cynical mass…
Luc and Jean-Pierre Dardenne’s La Promesse is that rare thing, a coming-of-age drama that carries real moral weight without seeming ponderous and transforms a hot political topic into flesh-and-bone drama. The story introduces us to Igor (Jeremie Renier), a fifteen-year-old Belgian boy who’s forced to live a double life in…
The fact that director Gary Fleder imposed the dismal Things to Do in Denver When You’re Dead on Denver and the world is no good reason to kick his next movie in the butt. There are plenty of other reasons. For one, Kiss the Girls is a movie about a…
The adventurous moviegoer who doesn’t mind wrestling with a little bafflement will probably find many things to admire in Wim Wenders’s The End of Violence–not least its coolly ironic title, the Germanic vigor with which it seeks to whip the causes, effects and flagrant merchandising of violence into a heady…
Kevin Corrigan doesn’t act so much as he seems to stumble from scene to scene, like a guy who doesn’t follow a script as much as his own internal stage directions. He’s got skin so pale it’s almost translucent, and he wears the face of someone who’s always this far…
Small world, Hollywood. So damnably small (if not downright small-minded) that producers half-crazed by designer-brand seltzer and rampant profit motive are now starting to lift concepts for entire movies from the acceptance speeches of Academy Award winners. Case in point: The moment Scott Rudin, who’s downloaded truckloads of cash from…
Okay. Drop a billionaire know-it-all, a cocky fashion photographer and a slavering Kodiak bear into the Alaskan wilderness and tell ’em to fight it out. The smart money would be on the bear (he knows the territory), but because the perpetrators of The Edge profess to be more interested in…
The Peacemaker is the first feature from DreamWorks, the studio headed by Steven Spielberg, Jeffrey Katzenberg and David Geffen. It stars George Clooney and Nicole Kidman, and it’s about terrorists who steal Russian nukes. As an intelligence officer with the U.S. Army’s Special Forces, Clooney gets to model his jutting…
The 1950s-era Los Angeles of L.A. Confidential is Noir Central. Its denizens are tattooed in shadow; the play of light and dark in the streets, the police stations and the morgues, is fetishistic. The post-war L.A. touted in the travelogues and billboards is a boomtown, but what we actually see…
Every film adaptation of a pre-existing work has its own unique set of problems; in the case of Jocelyn Moorhouse’s A Thousand Acres, the problem is compounded. Not only was Jane Smiley’s 1991 novel a Pulitzer Prize-winning best-seller with a large number of (presumably) devoted fans, but the book was…
In Jonathan Nossiter’s brooding Sunday, the oft-maligned borough of Queens is seen as a snowy wasteland of crumbling warehouses and lonely subway stations through which the lame and the halt wander like zombies. Just the place, Nossiter reasons, to set a psychological mystery about loss of identity and the power…
This has been a rough year at the movies for British working stiffs, but a great year for feel-good stories of their redemption. In the art-house hit Brassed Off!, coal miners cut loose from their jobs by Thatcherite economics found solace and self-respect in the endurance of the company’s brass…
The Disappearance of Garcia Lorca aims to cover a great deal of ground. It renders, with picturesque splendor, Spain just before its civil war and the dramatic fate of impassioned, iconoclastic Spanish poet Federico Garcia Lorca during the rise of Spanish fascism. Still, no matter how earnestly it attempts to…
The Game is a puzzle picture, and beyond its premise, there isn’t much you can divulge without giving the show away. I’m not one of those critics who like to write Stop reading now if you plan to see this movie, so I’m tempted to wrap things up right now…
On the basis of having played a lovably meddlesome Beverly Hills teenager in Clueless and Batgirl in the latest McSequel of the dismal Batman series, young Alicia Silverstone hasn’t quite hit full stride. There may not be much time, but she’s trying. Excess Baggage looks very much like an attempt…
For a movie so enamored of its own peculiar charms (see also: Gump, Forrest), Alan Wade’s Julian Po can exert quite a tug on the audience. It’s self-consciously “literary” and shamelessly derivative, but the germ of mystery inside it pulls you along. It’s full of ersatz gravity and precious philosophizing,…
Director Bill Duke’s valentine to Ellsworth “Bumpy” Johnson, the king of the Harlem numbers racket back in the 1930s, is called Hoodlum. But that hardly seems appropriate. If Duke and his backers at United Artists Pictures wanted to remain true to the spirit of the piece, they would have titled…
The low-budget phenom of the month is a 28-year-old Los Angeleno named Miguel Arteta, whose first feature, Star Maps, comes decorated with the usual indie-hero stories about borrowed cars, unauthorized location shots and crew lunches catered by Mom. It’s also encrusted with enough tortured metaphor to sink a sophomore lit…
If you’re nostalgic for the cockeyed let-it-all-out gabfests of the late John Cassavetes, She’s So Lovely will seem like dejà vu all over again. Cassavetes wrote the script more than a decade ago, and now his son Nick–whose first feature, Unhook the Stars, starred his mother, Gena Rowlands–has directed it…
Time has a way of slipping by when you’re not looking, but don’t worry. While you’re distracted, studio executives are keeping their usual keen eyes on the calendar, tabulating the simple economic arithmetic of boomer nostalgia. Hmmm…1997 minus 1957 equals 40 years. Forty years of nostalgic forgetfulness multiplied by the…
