There are cheap thrills aplenty in Nick Broomfield’s scandal-enhanced, self-serving wreck of a documentary, Kurt and Courtney. For one thing, its out-of-the-picture protagonist is Kurt Cobain, the latest dead junkie rock star to be canonized as “the voice of his generation” before the body was even cold. For another, its…
John Duigan’s Lawn Dogs is the kind of arch, postmodern fairy tale in which the little girl who’s gone wandering in the dark forest winds up pointing an automatic pistol at her insufferable father’s head, and the mysterious boy who’s become her secret friend makes his getaway from demons in…
In the midst of the ludicrous national episode just past, it became clear that Americans were far more interested in the fictional fate of Jerry Seinfeld and his pals than in their actual friends and loved ones. You can also bet that the sexual politics of Ellen Degeneres, trumpeted on…
Members of the Norwegian tourist board won’t be flipping cartwheels over the dingy, smothering, rain-sodden views of the Oslo slums director Pal Sletaune employs in his new feature Junk Mail. And the film’s scruffy, rat-faced protagonist, Roy (Robert Skj3/4rstad), a furtive postman who takes revenge on his nasty bosses by…
When last we spied Sandra Bullock, the plucky action heroine was clinging to a sea-washed railing aboard Hollywood’s other doomed ocean liner–not the one that hit the major ice cube, but the one that plowed through a Caribbean resort town while audiences hooted with unintended laughter. Speed 2: Cruise Control…
Vyacheslav Krishtofovich’s A Friend of the Deceased provides another eye-opening glimpse of the former Soviet Union in this era of P.T. Barnum capitalism and spiritual confusion. Whatever else may be dense in the film, that’s worth our undivided attention. The place is Kiev, where the joyless hero, a translator named…
The Horse Whisperer, the latest film from Robert Redford and the first of his directorial efforts in which he also stars, could almost serve as a compendium of Redford’s best and worst tendencies. It features his eye for gorgeous, pictorial vistas, his straightforward narrative approach and, most important, his understanding…
The “Size Matters” marketing campaign for Godzilla is far more ingenious than the movie. It’s also highly annoying–and somewhat misleading. After all, as the ads for a new film called Plump Fiction remind us, “Width matters, too.” Perhaps the best thing about this week’s ballyhooed arrival of Godzilla is that…
Most disaster movies would be a lot better with more disaster and less “human drama.” In Deep Impact, the impending obliteration of much of Earth by a pair of comets is merely the sideshow. The main event is all that goopy human-interest stuff–the daughter who reunites with her estranged father,…
It’s the tail end of the 1996 California primary election, and incumbent Democratic senator Jay Bulworth (Warren Beatty) is having a nervous breakdown. Sleepless for days, famished, he channel-surfs aimlessly in the darkness of his office, where in a rare moment of lucidity he has an inspiration: He arranges to…
Not since the death of Diana has there been a pop phenomenon as cataclysmic as the demise of Seinfeld. The surrounding hoopla has reached such proportions that it has turned the series’ saturnine co-creator–balding, bespectacled Larry David–into a cult celebrity. The press has presented David as a mysterious demigod who…
Chinese Box arrives with one of the weirdest hybrid pedigrees in living memory. The writing credits include–in addition to the film’s director Wayne Wang–Jean-Claude Carriere, who worked on most of the best films of Luis Bunuel’s late period (Discreet Charm of the Bourgeoisie, Phantom of Liberty, Belle de Jour); classy…
One of the few seemingly spontaneous bursts of energy at the recent Oscars ceremony was provided by motor-mouthing Dutch director Mike van Diem, who seemed genuinely surprised to have won the award for best foreign film for his debut feature, Character. If the commercial popularity and Oscar sweep for Titanic…
Moviemakers have been making themselves miserable wrestling with Les Miserables for almost ninety years. The very first American feature film was a 1909 silent adaptation of Victor Hugo’s dark masterpiece, and it’s been reprised on the screen at least half a dozen times since then. Most memorable? The 1935 version,…
The focus of documentarian Barbara Kopple’s Wild Man Blues is Woody Allen the clarinet player. Not Woody Allen the comedian and filmmaker, not the cradle-robber, not even Woody the world-class worrywart. Kopple’s subject, plain and simple, is the Woody Allen who can knock out a passable version of “Down by…
From its very first frame, Neil Jordan’s The Butcher Boy whooshes us inside the rollicking, deranged world of twelve-year-old Francie Brady (Eamonn Owens). Francie is a redheaded roustabout who lives with his alcoholic “Da” (Stephen Rea) and screw-loose mother (Aisling O’Sullivan) in a small town in northern Ireland in the…
The single joke that has to power The Big Hit from start to finish is that the nice, polite suburban boy who wants everybody to like him and who meekly takes guff from the nerdy clerk at the video store is also a cold-blooded hitman who has whacked a hundred…
It was just a matter of time until hoops junkie and courtside loudmouth Spike Lee got around to making a basketball picture. It’s called He Got Game, and it means to be, in part, Lee’s antidote to his bluntly stated claim that “most sports movies suck.” It takes a talent…
Give all the folks who finally got The Object of My Affection to the multiplex credit for perseverance. In the course of its decade-long journey from page to screen, this much-troubled tale about the unrequited love affair of a heterosexual social worker and a gay first-grade teacher has gone through…
In writer-director James Toback’s quicksilver sex comedy Two Girls and a Guy, Robert Downey Jr. plays Blake Allen, a struggling New York actor who lives in a spacious loft in SoHo he probably can’t afford. He’s a pampered prince who has worked out for himself a cozy romantic subterfuge: He…
Peter Howitt’s Sliding Doors is a romantic fantasy blessed with such intelligence, charm and lethal wit that most viewers probably won’t notice that its hip and plucky heroine, an embattled London publicist named Helen, is played by an American actress affecting a clipped British accent. What they will notice is…
Moviegoers who’ve grown immune to Christopher Walken’s dark charms won’t be breaking the doors down to buy a ticket for Suicide Kings. Its centerpiece is an all-out, full-throttle dose of the Walken weirdness as he portrays a semi-retired New York mafioso who’s kidnapped by a quartet of privileged but street-stupid…
