All hail. America is the seat of democracy and the world’s most mobile society — the place where a printer’s apprentice named Samuel Clemens can take a new name and remake himself as the country’s greatest satirist, where a geeky college dropout can become a software billionaire and shoeless boys…
Since there is no way to talk about The Best Man without eventually invoking the phrase “Spike Lee’s cousin,” let’s just get it out of the way: The Best Man is the directorial debut of Malcolm D. Lee, who is Spike Lee’s cousin. Having worked on various S. Lee films,…
“That reminds me of the movies Marty made about New York,” stammered Lou Reed somewhere in the mid-’80s. “All those frank and brutal movies that are so brillyunt.” It was a clumsy, rhyme-impaired album track (“Doing the Things That We Want To,” from New Sensations), but as has often been…
Wes Craven — purveyor of fine horror movies, including A Nightmare on Elm Street, Wes Craven’s New Nightmare and the Scream trilogy — has apparently decided to go “legit.” And with Music of the Heart, he has done so with a vengeance. The film’s only death is the result of…
And now…a G-rated movie from David Lynch! No, Lynch hasn’t lost his mind. He hasn’t gone soft in the head. And he hasn’t sold out to the smiley-faced bean counters at Disney. While the notion of America’s King of Weird — the man who brought us Blue Velvet and Twin…
Steven Soderbergh may have had some rocky times after his 1989 breakthrough with sex, lies, & videotape, but these days he’s on a roll. Last year he produced Pleasantville and directed Out of Sight, two of the year’s most praised films. This year, he has The Limey, a complex, introspective…
David Fincher needs a hug, the poor bastard. Or possibly a diaper change. Ever since 1992, when he ruined the Alien series with the excrescence of his pointless, senseless third installment, he’s been making the same bratty, obnoxious movie over and over again: gloom, doom, indestructible protagonist, bureaucratic evil, quasi-religious…
According to The Story of Us, men and women have different responses to life, love and sex, and this can sometimes result in conflicts and tension in a marriage. And you thought American Beauty was daring. The “us” of the title are Ben (Bruce Willis) and Katie (Michelle Pfeiffer). He’s…
When I was growing up, Kurt Vonnegut Jr. was the closest thing I had to a paternal mentor, the only authoritative voice I consistently trusted. Novel after freakish, scattershot, infinitely humane novel, the man provided tools to identify and cope with the daily horrors of America — this vast sea…
Jesus, Mary and Joseph! The repressed Irish-Catholic schoolgirl Molly Shannon plays on Saturday Night Live is certainly not everyone’s cup of glee. But there’s no denying the tug she exerts on anyone whose past is littered with the dry husks of Latin verbs and memories of nuns swinging big rulers…
Insomniacs, rejoice! During the first several decades of Sydney Pollack’s bloated, interminable Random Hearts, your eyelids will droop, your pulse and respiration will slow, and you’ll get that $8 nap you’ve been craving. Once the credits roll and the lights come up, you’ll awaken refreshed, undisturbed by vague dreams about…
Am I a traitor to my gender because I didn’t find this unabashed film about female sexuality erotic, brave, or even — dare I say it — interesting? The ironically titled Romance, directed by the audacious French filmmaker Catherine Breillat (36 Fillette), has become something of a cause célèbre wherever…
There’s a long tradition of stories about mysterious drifters who arrive in a small town and either create trouble or catalyze an explosion of long-simmering problems. Mark Twain used that hook, as did Dashiell Hammett (Red Harvest), Akira Kurosawa (Yojimbo) and Sergio Leone (A Fistful of Dollars). Now Hampton Fancher…
The premise is preposterous, the final score inevitable and the record reading on the feelgood-o-meter totally predictable. But Mystery, Alaska comes furnished with some winning quirks and charms — including a very funny bit concerning premature ejaculation at twenty degrees below zero. So even if you don’t really believe that…
In general, period films are not what you would call a commercial sure shot in the current marketplace — unless, of course, the period in question is the 22nd century or some “long, long ago” that resembles the 22nd century. In Plunkett and Macleane, director Jake Scott — son of…
There is nothing gratifying about watching a bullet blast through a woman’s skull. Exploding helicopters and splattered cattle are utterly indefensible. And few would smile at the image of a little boy being obliterated by a flashy missile. So why is David O. Russell’s Three Kings such rousing entertainment? This…
Grownups, take heart. Even if you misspent your summer at the movies pigging out on reheated space adventure, slob humor and stubborn old ballplayers who won’t hang up their spikes, all is not lost. A powerful and intelligent film called American Beauty has volumes to say about the way people…
Trust Allison Anders and her old running mate Kurt Voss to come up with a piquant, carefully observed movie about tarnished hope, overfed vanity and half-baked scheming on the treacherous L.A. music scene. They know the territory. In 1988, the ex-UCLA Film School classmates wrote and directed Border Radio, one…
Have you heard? The only tools a nice fellow needs to repair the damaged psyches of an entire town are a guilty conscience and a dash of insight. That, at least, is the premise of Lawrence Kasdan’s silly new social parable, Mumford, in which the eponymous hero poses as a…
As American film has increasingly dominated the world’s cinemas and once-healthy European film industries have grown unable to sustain themselves, the idea of multi-national co-productions, with funds supplied by producers from a variety of countries, has become the norm. This trend was well-established in the ’80s, making it tough to…
Since his TV show ended, Martin Lawrence has gotten more ink for his off-camera life than for his movie career. There’s nothing about Blue Streak that is likely to change that. And it’s a shame, because the basic plot — which sounds like something from one of Donald E. Westlake’s…
Joan Chen, director and co-writer of Xiu Xiu the Sent Down Girl, is best known as an actress: American audiences probably identify her most readily as the doomed wife in Bernardo Bertolucci’s The Last Emperor or as Josie Packard, the alternately evil and innocent character in David Lynch’s weird-o-rama Twin…
