Until now, the landmark creature feature Godzilla (1954) has never been shown on this side of the Pacific in all its high-budget (but still cheesy) glory. The uncut version, in a new 35-millimeter print straight from the lab in Japan, restores forty minutes of previously unseen footage just in time…
Dots, Blobs and Angels. Denver’s Museum of Contemporary Art is presenting an enormous solo that is dedicated to the late David Rigsby, an artist who played a big part in the local art scene in the ’70s and ’80s. The exhibit was organized by director Cydney Payton, who installed it…
A good friend likes to say that there’s only one kind of great pop song: the song that someone had to create, as though the writer and performer had no choice. The song can be corny or cynical, upbeat or downhearted — it doesn’t matter. All that counts is that…
The return to the screen of the ravishing Chinese actress Gong Li, who may have the most expressive face in film, should be cause for rejoicing among her millions of admirers around the world. After starring in a series of memorable and politically controversial films directed by her former paramour,…
Say hello to a pop-cinema masterpiece. This new Japanese import opens with a massive thud not unlike Godzilla’s footfall, and its cinematic legacy stretches back almost as far. It’s got crafty Samurai action, hilarious bits of business, insightful observations into the human condition and geysers of kitschy computer-generated blood. Oh,…
The final installment of the gory trilogy that launched, then buoyed up, horrormeister Sam Raimi’s directorial career, 1993’s Army of Darkness, goes for broke in the outrageous plotting department. The innocent hero, played by a wisecracking Bruce Campbell, is transported back to the fourteenth-century stamping grounds of King Arthur –…
Emerson Woelffer, et al. The Colorado Springs Fine Arts Center has a rich assortment of attractions this summer. An Exhibition by Dale Chihuly showcases the artist’s ’70s-era glass work, which was inspired by American Indian art. One of his chandeliers has been installed in the lobby, and the solo also…
In the 1950s, pneumatic Hollywood glamour girls like Marilyn Monroe and Jane Russell made it their business to ensnare unsuspecting men with a combination of cunning, raw charm and decolletage. So it is in Gentlemen Prefer Blondes, a splendid 1953 trifle in which the sassy seductresses hunt their prey on…
Sheathed in a custom-tailored gray suit and sporting expensively barbered silver hair, Tom Cruise looks like an older, harder version of the self-absorbed L.A. sharpie he played sixteen years ago in Rain Man. But in Collateral, a frenetic Michael Mann action thriller that runs up a Baghdad-level body count, the…
There is nothing mysterious or subdued about Stacy Peralta’s enthusiasms. A product of Southern California’s vivid beach scene, Peralta’s been a surfer since boyhood and was a professional skateboarder in the Œ70s before he started making documentaries about the defining moments of those sports. The phenomenally successful Dogtown and Z-Boys…
Dots, Blobs and Angels. Denver’s Museum of Contemporary Art is presenting an enormous solo that is dedicated to the late David Rigsby, an artist who played a big part in the local art scene in the ’70s and ’80s. The exhibit was organized by director Cydney Payton, who installed it…
Jonathan Demme’s gutsy The Manchurian Candidate, which dares to rear its head just as the Democratic National Convention convenes in Boston, is the anti-Bush-administration movie for those who refuse to see Michael Moore’s Fahrenheit 9/11 or Robert Greenwald’s Outfoxed because, well, they just ain’t Right. It’s less a remake of…
Near the beginning of The Corporation, a damning documentary designed to expose everything that is irresponsible, immoral, inhumane and lethal about corporations, the narrator posits the film’s thesis: “We present the corporation as a paradox,” she says, “an institution that creates great wealth but causes enormous and often hidden harm.”…
If you’re, oh, eleven years old and you’ve had it up to here with Spider-Man’s current case of existential angst, it’s time to blow your weekly allowance on Thunderbirds. This special-effects-crammed action blockbuster aims a bit lower, age-wise, which is to say its hyperactive young hero wears a retainer on…
Dots, Blobs and Angels. Denver’s Museum of Contemporary Art is presenting an enormous solo that is dedicated to the late David Rigsby, an artist who played a big part in the local art scene in the ’70s and ’80s. The exhibit was organized by director Cydney Payton, who installed it…
Without risking much critical credibility, it can be said that Catwoman succeeds on its own feline terms. Much like a cat, the movie is a superfluous gob of fluff with an attitude ranging from idiotic to nasty. It’s a sleek and self-absorbed animal, adoring itself so ardently that those of…
Is this one of those avant-garde things?” a dying Cole Porter (Kevin Kline) warily asks Gabe (Jonathan Pryce), a sort of Ghost of Musicals Past who appears out of the ether to shepherd the composer through the this-was-your-life montage that makes up Irvin Winkler’s biopic De-Lovely. “It’s a musical –…
Long before he made masterpieces like Stagecoach, The Grapes of Wrath and The Searchers, Sean Aloysius O’Feeney — better known to us as John Ford — directed a silent movie called The Iron Horse (1924). It’s an archetypal early Western, in which a man seeking revenge for his father’s murder…
Dots, Blobs and Angels. Denver’s Museum of Contemporary Art is presenting an enormous solo that is dedicated to the late David Rigsby, an artist who played a big part in the local art scene in the ’70s and ’80s. The exhibit was organized by director Cydney Payton, who installed it…
If you’re wondering how Hollywood could possibly adapt Isaac Asimov’s I, Robot, a collection of similarly themed short stories bound together by the most slender of common threads, the answer is that it didn’t. The credits for I, Robot read “suggested by Isaac Asimov’s book,” but the canny sci-fi fan…
Fair warning: If the behavior of camels in the Gobi Desert during the spring birthing season is not high on your things-to-learn-about list and you don’t hunger to know everything about southern Mongolian herdsmen, then The Story of the Weeping Camel probably isn’t your kind of movie. Saying they were…
Those in the mood for a bit of authentic swordplay (sans Tom Cruise, that is) would do well to catch Zatoichi #4: The Fugitive this Saturday night. In this 1963 episode of the renowned Japanese film series, the legendary blind samurai Zatoichi arrives in the village of Shimonita (in America,…
