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2005 Biennial BLOW OUT. This is the third in a series of biennials presented at Denver’s Museum of Contemporary Art. In the past, participation in these biennials was limited to artists from around here; for the 2005 version, it’s been expanded to include artists working in most of the western…

Send in the Clones

It should come as no surprise that the hero and heroine of the new Michael Bay action extravaganza are clones. Exact copies of other people. You don’t get to be a Hollywood hit-meister like Bay — 200 Zillion Tickets Sold! — without indulging in formulas, and the characters that Star…

Free at Last

The questing hero of Hans Petter Moland’s The Beautiful Country is a slender, big-eyed young man named Binh (California-educated Damien Nguyen), who has little going for him but his obsession. Ostracized in his homeland because he’s the offspring of a Vietnamese mother and an American G.I. father — bui doi,…

Boyz N the Studio

MTV Films made a wise purchase in picking up Hustle & Flow at Sundance: The soundtrack is killer. Rapping over music composed by Three 6 Mafia and Al Kapone, star Terrence Howard has the skills. The rest of the songs heard on screen — most of which fall into the…

Bad News

Going to the theater this summer has been like stepping into a time machine where your fondest childhood memories are retooled by cynics and sadists. Bewitched, Herbie: Fully Loaded, last week’s Charlie and the Chocolate Factory, and now Bad News Bears are meant to be gobbled like comfort food by…

The Devil & Mr. Zombie

When rocker-turned-director Rob Zombie’s House of 1,000 Corpses was released in 2003, after years of bouncing around between studios afraid to put their name on a movie about a cartoonishly murderous family, it was anticipated as a hardcore gorefest. Instead, it was a plotless mess, with decent violence but nothing…

Flick Pick

For those who like to keep their minds (and their Brunswicks) in the gutter, a screening of The Big Lebowski and a few lines of play at a downtown bowling alley should be just the thing this week. The 1998 movie by Ethan and Joel Coen (of Fargo fame) is,…

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Chihuly. Michael De Marsche, president of the Colorado Springs Fine Arts Center, has orchestrated the extravaganza Chihuly, a sprawling survey of the career of glass master Dale Chihuly. Working near Seattle, Chihuly is among the best-known glass artists of all time, right up there with Louis Comfort Tiffany and Paolo…

Chocolate Kisses

Roald Dahl’s inner child was evidently a contrary lad — precocious, dark-minded, contemptuous of adult supervision and fueled by a sense of justice that often proceeded via cruel whim. In Dahl’s twisty children’s stories, villains throw kids out of windows, beautiful women turn out to be hideous witches in disguise…

G’Dead, Mate

Since George Romero’s long-awaited Land of the Dead turned out to be a letdown, we’ll have to find our zombie-movie solace elsewhere. Thankfully, Romero’s been making movies for so long that not only has he inspired others to follow in his footsteps, but those others have begotten others still. Sam…

Always a Bridesmaid

If Vince Vaughn puts any effort into what he’s doing, it doesn’t show, which is perhaps one of the benefits of always appearing to be hung over. The man probably has to check the bags under his eyes at the airport, and he’s about as in shape as a toddler’s…

Could Be Verse

British indie filmmaker Sally Potter, a former dancer, lyricist, and performance artist, clearly has a taste for adventure. In 1992 that led her to Orlando, a screen adaptation of the experimental Virginia Woolf novel about an Elizabethan nobleman who hangs around for 400 years, eventually morphing into a hip 20th-century…

Happy Surprise

If for no other reason, Happy Endings deserves its soft spot in our collective hearts for rescuing Tom Arnold from the why-are-they-now? scrap heap. The former Mr. Roseanne Barr plays Frank, a widower who falls for and sleeps with his son’s conniving would-be girlfriend Jude, played by Maggie Gyllenhaal. And…

Mostly Miranda

Me and You and Everyone We Know, the new film from writer/director/performance artist Miranda July, walked off with prizes at both the Sundance and Cannes film festivals. An audience and critical favorite, it follows an ensemble cast of characters, each of whom is longing to connect with another human being…

Flick Pick

Before its release in 1933, the bluenoses over at the Hays Office had their way with the Barbara Stanwyck vehicle Baby Face, clipping more than five minutes of what was then thought to be steamy carnality from the original print. Happily (for most of us, anyway), the censored scenes remained…

Now Showing

Chihuly. Michael De Marsche, president of the Colorado Springs Fine Arts Center, has orchestrated the extravaganza Chihuly, a sprawling survey of the career of glass master Dale Chihuly. Working near Seattle, Chihuly is among the best-known glass artists of all time, right up there with Louis Comfort Tiffany and Paolo…

Comic Relief

Movies based on comic books have become dime-a-dozen events — appropriate given that the cover price of these titles was 10 cents when they debuted decades ago. It wasn’t so long ago Warner Bros. teased the release of Richard Donner’s Superman by insisting, “You’ll believe a man can fly”; now,…

Dark Alleys

About two-thirds of the way through A League of Ordinary Gentlemen, Chris Browne’s weirdly engaging documentary about professional bowling, the bad boy of the game, Pete Weber, looks straight into the camera and assures us: “I’m not an asshole.” Whether to believe Weber is an open question, given what we’ve…

Mighty Aphrodite

Eros is not a single film but three, each roughly a half hour, joined in a common goal. The first segment was made by Wong Kar Wai (In the Mood for Love) and the second by Steven Soderbergh (Traffic, Erin Brockovich). The final piece, by any measure the climax, was…

Miracle on Ice

If you’re short on reasons to be grateful these days, look no further than March of the Penguins, the astonishing, if imperfect, nature documentary from first-time director Luc Jacquet. Hard times may have befallen you, but at least you are not a penguin, an animal destined to repeat a devastating…

Flick Pick

The popular Boulder Outdoor Cinema series got under way last month and continues through August 27. And a pair of immensely popular recent movies will be on view this week as BOC patrons loll before the screen on assorted couches, bean bags and yoga mats. On Friday, July 8, it’s…

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Alden Mason, Kimberlee Sullivan and Lorey Hobbs. The changing of the seasons from spring to summer is what inspired William Biety, director of the Sandy Carson Gallery, to put together three solos, each comprising nature-based abstractions. Alden Mason marks the debut of the Washington artist, who is represented in this…