The Princess Bride: 20th Anniversary Edition(MGM)As far as anniversary-edition DVDs go, The Princess Bride is crushingly disappointing: no Rob Reiner commentary track, no outtakes, no making-of doc, no nothing, save for a lousy game and a few short interviews with Robin Wright Penn, Mandy Patinkin, Christopher Guest, and a few…
Artisans & Kings. For its first extravaganza of the season, the Denver Art Museum has unveiled a sprawling blockbuster in the Frederic C. Hamilton Building that focuses on the royal collections from the Louvre. You don’t have to know much about art to have heard of the Louvre, so Artisans…
Deserting his dreams, Daniel Gold packed up his family and left the Big Apple to forge ahead to a life of new frontiers in…Arvada, Colorado. What’s worse, he just turned 35. This is Suburban, a Mile High-produced feature-length film that follows Gold as he measures his merit and his manhood…
A doom-ridden pulp cabalist with a dark sense of purpose as well as humor, Richard Kelly shoots the moon with his rich, strange and very funny sci-fi social satire, Southland Tales. Kelly’s debut, Donnie Darko, was the first post-millennial cult hit; his second feature, Southland Tales, achieved film maudit status…
Less a war drama than a set of dueling position papers, Robert Redford’s Lions for Lambs may be the gabbiest movie ever made about American foreign policy — and it wasn’t even written by Aaron Sorkin. Hot young screenwriter Matthew Michael Carnahan is fresh off his alpha-male script for The…
Banking on the career choices of Vince Vaughn garners increasingly erratic returns, which is ironic, given that he has finally settled on (or surrendered to) a consistent on-screen persona: his own bad self. Uneasy from the beginning, Vaughn avoided the superstardom that seemed within reach after Swingers by trying on…
Sesame Street: Old School Volume 2(Genius)On the heels of the Electric Company boxed sets, which were at once educational and groovy as all get-out, comes the latest in greatest hits from Sesame Street before the neighborhood was gentrified for Elmo’s protection. Chief among the copious highlights in this triple-disc acid…
American Dreams. Vitaly Komar and Alexander Melamid were among the first artists to embrace conceptual realism in the 1960s. Although the two no longer collaborate, American Dreams, at the Singer Gallery, focuses on a body of work they did in the 1990s. The paintings and collages combine images of George…
Respected journalist David Halberstam is the next subject of Powell’s Books’ Out of the Book project, which makes short films about famous authors (award-winning writer Ian McEwan was the focal point of the first Powell’s offering). The 28-minute film showcases Halberstam’s work, focusing largely on the journalist’s final book, The…
American Gangster is a movie with obvious gravitas and a familiar argument: Organized crime is outsider capitalism. As archetypal as its title, Ridley Scott’s would-be epic aspires to enshrine Harlem dope king Frank Lucas in Hollywood heaven, heir to Scarface and the Godfather. Or, as suggested by the Mark Jacobson…
John Cusack, who more or less began his career sneaking a peek at Molly Ringwald’s panties in Sixteen Candles, has finally become an on-screen daddy — only took, what, 23 years? Except he’s not exactly the most fortunate family man on film: First, in Martian Child, he plays a widower…
Wristcutters: A Love Story, a well-wrought indie written and directed by Goran Dukic, has to be the kewpie doll of current zombie flicks: Its walking dead are a bunch of attractive slackers whose wounds are largely internal. They’ve got attitude. Before the opening credits end, the movie’s glum protagonist has…
Pity the fool hired to scribble the DVD-jacket copy for Kurt Cobain: About a Son: The film sounds horrific on paper. It’s a 92-minute experimental documentary about the endlessly lionized “alternative” icon that doesn’t include a guitar lick of his music, a testimonial from anyone personally acquainted with the man,…
Before he snagged the lead in Joseph L. Mankiewicz’s 1972 screen version of Anthony Shaffer’s 1970 stage play Sleuth, Laurence Olivier had, with his customary diplomatic finesse, dismissed the source material as “a piece of piss.” Two movie adaptations later, I’m inclined to agree with that assessment. Still, it’s not…
No End in Sight(Magnolia)Charles Ferguson’s debut doc, easily the most important in a year full of notable fact-gathering films, assembles some of the key players behind the invasion and occupation of Iraq and seems to ask them but one question: “What went wrong?” In short: everything. But Ferguson’s doc is…
American Dreams. Vitaly Komar and Alexander Melamid were among the first artists to embrace conceptual realism in the 1960s. Although the two no longer collaborate, American Dreams, at the Singer Gallery, focuses on a body of work they did in the 1990s. The paintings and collages combine images of George…
After making a mint off a series about nothing, Jerry Seinfeld apparently decided his first feature film ought to be about something — in the case of Bee Movie, the enslavement and torture of bees for the pleasure and profit of humans, which is, like, hilarious. It’s rather tempting to…
Dan in Real Life has this much going for it: It is not the worst Steve Carell film of 2007. That honor, of course, goes to Evan Almighty, which even the Lord walked out of during the second reel. Fact is, Dan in Real Life isn’t really much of a…
Named for the spot in Christian-fundamentalist hell where sinners are condemned to spend eternity, Tony Kaye’s Lake of Fire is a provocatively beautiful movie on the hottest hot-button issue in American life: a woman’s right to an abortion. The British-born Kaye, an enormously successful maker of deluxe TV commercials, relocated…
Rock films come in two forms. The first is the concert/documentary variety, the best of which dynamically pinpoint a band’s musical moment within the context of its era: the Maysles Brothers and Charlotte Zwerin chronicling the Stones in Gimme Shelter, Martin Scorsese celebrating the Band in The Last Waltz. Then…
I gave up after about 100 pages of John Burnham Schwartz’s 1998 novel Reservation Road, a typically overwritten and contrived slice of mass-market literary pablum that hopscotches between the points-of-view of three people — the grieving mom, the grieving dad and the perpetrator — involved in the hit-and-run death of…
It’s Halloween, and you want to go see a scary movie, but you’re less than thrilled with your available choices. The Denver Film Society feels your pain, which is why, on October 30 and 31, Starz FilmCenter in the Tivoli is screening a Gruesome Twosome, featuring the flicks Murder Party…
