Grounded. This good-looking exhibit pairs recent landscape-based abstract paintings by Lui Ferreyra with photos recording roadside landmarks by Peter Brown. Ferreyra fractures the imagery in his distinctive work by reducing it to non-repeating patterns of geometric shapes. There are reverberations of cubism in this, as well as references to digitization…
I don’t have HBO, so I can’t say whether its version of In Treatment — a television series following a therapist as he conducts sessions with a range of patients, occasionally attending a therapy session himself — measures up to the original Israeli series, Betipul/In Treatment. But if HBO managed…
Color as Field. It’s no exaggeration to say that Color as Field: American Painting 1950-1975 is one of the best shows presented in Denver in a generation. Filled with a who’s who of American art — Still, Rothko, Frankenthaler, Stella — it’s like a brief vacation into a world where…
The King of Kong (New Line) Seth Gordon’s best-of-2007 documentary about the battle for Donkey Kong supremacy remains a work-in-progress: Billy Mitchell, the longtime titleholder dethroned by Steve Wiebe over the course of this hysterical, thrilling, and occasionally sad little film, recently reclaimed the throne — and Wiebe has vowed…
Morgan Spurlock makes us look bad, plus (separate!) films on baseball and steroids shine. Ryan Fleck and Anna Boden’s Sugar, which premiered in the U.S. Dramatic Competition at the 2008 Sundance Film Festival (and was inexplicably shut out at the closing-night awards ceremony), gets as much right about baseball as…
A fourth Rambo? The question isn’t why; it’s what took him so long. Was America’s avenging angel of meat just planning to sit out Fallujah and what we’re cooking up for Iran and Syria? (Oops — pretend that last part was redacted.) Sure, last time we saw John Rambo, twenty…
Persepolis
Persepolis is a small landmark in feature animation. Not because of technical innovation — though it moves fluidly enough, and its drawings have a handcrafted charm forgotten in the era of the cross-promoted-to-saturation CGI-‘toon juggernauts — but because it translates a sensitive, introspective, true-to-life “adult” comic story into moving pictures…
Youth Without Youth
Youth Without Youth, Francis Ford Coppola’s self-financed return to the fray, is a curious project — well-crafted, personal and movie-movie old-fashioned even in its vanguard aspirations. Simply put, it’s a Faustian romance about the reversal of time and transmigration of souls that, shot mainly in Romania, adds a soupçon of…
Untraceable
Regarding the irrelevance of Untraceable: First of all, torture is so 2007, and just because this drab little thriller with a flashy love of pain imagines itself a “critique of violence” doesn’t make it any less superfluous. Second of all, untraceable? Ha! You wish. While it’s true that the villain…
Confessions of a Superhero (Arts Alliance) As one of those quoted on the package (“A more beautiful documentary you’re unlikely to find”), I can only reiterate my earlier praise: Matt Ogens’ doc, about mortals dressed as superheroes trolling Hollywood Boulevard for tourists’ loose change, is stunning to look at —…
Clyfford Still Unveiled. A master and pioneer of mid-twentieth-century abstract expressionism, painter Clyfford Still was something of an eccentric in the artist-as-egomaniac stripe. His antisocial behavior led to a situation where 94 percent of his artworks remained together after he died — a staggeringly complete chronicle of his oeuvre that…
If Diane Keaton were a comer in 2007, she’d likely be stuck in romantic comedies cooked up in movie-studio test kitchens. No Godfather for her. No Annie Hall, no Shoot the Moon, no Reds. Filmmakers who now use Katherine Heigl as their go-to girl would be flummoxed by the willowy…
I do think the writing is pessimistic — all that stuff about life being a tragic experience,” says Angela Stark (played by newcomer Hayley Atwell) early in Woody Allen’s Cassandra’s Dream. An actress talking about the play she’s appearing in at a small London theater, Stark could just as well…
Family Guy Presents: Blue Harvest(Fox)As someone with no use for Seth MacFarlane’s potty-mouthed Simpsons rip, I’ll admit to choking out a few giggles during his Star Wars send-up — though, truth be told, it’s slightly less daring than Spaceballs and, sure, Porn Wars. Stunningly faithful to the 30-year-old franchise, MacFarlane’s…
Clyfford Still Unveiled. A master and pioneer of mid-twentieth-century abstract expressionism, painter Clyfford Still was something of an eccentric in the artist-as-egomaniac stripe. His antisocial behavior led to a situation where 94 percent of his artworks remained together after he died — a staggeringly complete chronicle of his oeuvre that…
According to filmmaker and actor Ash Christian, I am a fat girl. So is he. As explained in Christian’s debut film, Fat Girls, anyone can be a fat girl, regardless of gender or body mass index. A fat girl is anyone who doesn’t fit in, who’s too quirky for the…
It took nine years for Godzilla to rise up out of the ashes of Hiroshima and wreak his destruction on the good people of Tokyo in 1954. Here in America, it’s taken just over six years for the idea of an escapist disaster movie set on the streets of New…
Having a child destroys your immune system to horror, real or imagined. Before the blessed event, you could laugh off The Exorcist, The Omen, or any of a thousand gory shockers with some wide-eyed tyke as either the prey or the spawn of Beelzebub. Afterward, you can’t even see the…
Since promising Armageddon in the leadoff bars of Straight Outta Compton, star-producer Ice Cube has been one canny career man. In recent years, he’s pulled up stakes in the foundering rap game and doesn’t seem to think twice about the cred damage that could come from pratfalling through PG family…
Joshua (Fox)George Ratliff’s movie, a sort of satirical take on Rosemary’s Baby, came and went upon its release; seems no one got the joke about how parents (Sam Rockwell and Vera Farmiga, in this case) are scared shitless of their own children — especially the titular Joshua, played by Jacob…
Color as Field. It’s no exaggeration to say that Color as Field: American Painting 1950-1975 is one of the best shows presented in Denver in a generation. Filled with a who’s who of American art — Still, Rothko, Frankenthaler, Stella — it’s like a brief vacation into a world where…
Jane Austen is an anomaly. No other author aside from Shakespeare has sustained such modern acclaim and interest. The evidence is abundant: Austen’s success on the big screen includes classic versions, such as the 1996 Gwyneth Paltrow vehicle, Emma, as well as modern takes on Austen’s stories, such as 1995’s…
