The sophistication and cynicism of the typical film-goer these days means that cinematic simplicity is damnably hard to pull off — but Iranian director Majid Majidi manages to do so anyhow with The Song of Sparrows, which opens on Friday, April 24. The tale revolves around Karim (Reza Naji), a…
The Soloist opens with newspapers thudding onto lawns, a quaint sight that makes the movie practically a period piece, even though the events that inspired it took place within the last four years. An old-fashioned tale for a newfangled world, the movie turns on a series of columns begun in…
Collective Nouns. Metropolitan State College isn’t just one of the city’s major institutions of higher learning; it’s also the state’s largest art school. The most obvious evidence of this is the college’s Center for Visual Art in LoDo, a mini-museum. A more subtle indication of the importance of art at…
The inaugural Scandinavian Film Festival is a modest affair in terms of numbers — just four films, only one of which is feature length. But it makes up in freshness what it lacks in width and breadth. The centerpiece flick, You, the Living (pictured), from director Roy Andersson, was described…
Kevin Macdonald’s Washington thriller is a bellows designed to puff up the most beaten-down reporter’s chest. Compressed from the highly regarded BBC miniseries first telecast in 2003, State of Play is an effectively involving journalism-cum-conspiracy yarn with a bang-bang opening and a frantic closer. There are more than a few…
This much is for sure about the makers of the new Zac Efron picture 17 Again: They know their audience. Scientifically engineered for maximum shriek-and-squeal value among Efron’s legion of distaff tween fans (and no small number of lonelyheart cougars and gay men), the movie opens on His Zackness’s sweaty,…
Damien Hirst. You’d have to be living under a rock — or have absolutely no interest in contemporary art — not to know that Damien Hirst is a superstar, and that everything he makes is worth millions of dollars apiece. The tight solo at MCA Denver (formerly known as the…
Even the finest documentarians need great material — and filmmaker Kevin Rafferty’s got plenty of it in Harvard Beats Yale 29-29, which begins a week-long run on Friday, April 10, at Starz. Both teams were unbeaten going into this 1968 game, which took place against the backdrop of campus unrest…
Observe and Report writer-director Jody Hill makes mean-spirited tragedies that studios market as inane comedies because otherwise no one would pay a cent to see them. That’s more or less what happened to Hill’s The Foot Fist Way in 2008, two years after its Sundance twirl first caught the attention…
Emilio Lobato, David Mazza and Dale Chisman. The main attraction at Havu is Emilio Lobato: De Veras, featuring an eye-dazzling display of paintings that rely on the horizontal line for their visual interest. Lobato’s distinguished career dates back several decades; some of the amazing attributes associated with him are his…
Skills Like This, which makes its Boulder debut on Wednesday, April 8, prior to a run at Starz FilmCenter that begins April 17, is a funky, if minor, valentine to the Mile High City. The story, about a talent-free playwright turned one-man crime spree (Spencer Berger, who also wrote the…
Set a mere two decades ago, Greg Mottola’s Adventureland seems as if it could be taking place on a distant planet, less for its leg warmers and knee socks than for the legions of pre-Internet Luddites who gather to participate in those analog rituals known as Skee-Ball and Whac-A-Mole. Drawn…
Damien Hirst. You’d have to be living under a rock — or have absolutely no interest in contemporary art — not to know that Damien Hirst is a superstar, and that everything he makes is worth millions of dollars apiece. The tight solo at MCA Denver (formerly known as the…
Ballerina, a documentary that premieres at Starz FilmCenter on Friday, March 27, may not be an especially daring piece of work, but its subject matter is so fascinating that the results are regularly compelling anyway. Director Bertrand Normand’s look at Russia’s Kirov Ballet is primarily a celebration, and the five…
Just when we thought the “bromantic comedy” had overstayed its welcome, the genre reaches its high point with I Love You, Man. The subtext is finally the text; it’s right there in the title. The movie delivers an absolutely complete, fully realized, delightfully novel redo of the hoariest of forms:…
Whether it’s the amnesiac super spy of the Bourne franchise or the weary law-firm fixer of Michael Clayton, Tony Gilroy specializes in characters who wear so many masks that, memory loss or no, they scarcely know who they are anymore. Guided by instinct, his soldiers of fortune patrol a ruthless…
Damien Hirst. You’d have to be living under a rock — or have absolutely no interest in contemporary art — not to know that Damien Hirst is a superstar, and that everything he makes is worth millions of dollars apiece. The tight solo at MCA Denver (formerly known as the…
Obviously, movies are an important part of Munchkins, Movies & Music, a biweekly event whose third edition takes place on Friday morning at the Oriental Theater. After all, the word itself gets second billing in the title. But specific films aren’t part of the draw, according to Scott LaBarbera, a…
That was the most offensive display of sexualized violence I have ever seen,” one wilting fellow in need of a camphor hankie was overheard saying in the elevator. Such blanching is the reaction Last House on the Left is trolling for, but I doubt it will be typical. Permissibility has…
Martin Scorsese may be presenting Matteo Garrone’s Gomorrah, but this corrosive, slapdash, grimly exciting exposé of organized crime in and around Naples comes on like Mean Streets cubed. Detailing daily life inside a criminal state, it’s a new sort of gangster film for America to ponder. Gomorrah takes its punning…
Throughout his career, director Akira Kurosawa regularly brought his distinctively Eastern vision to Western cinematic elements, with fascinating results. But whereas Kurosawa’s best-known films, including 1950’s Rashomon and 1961’s Yojimbo, tend to be set in a medieval Japan strode by samurai, 1963’s High and Low is a contemporary crime tale,…
The most eagerly anticipated (as well as the most beleaguered) movie of the year, Watchmen is neither desecratory disaster nor total triumph. In filming David Hayter and Alex Tse’s adaptation of the most ambitious superhero comic book ever written, director Zack Snyder has managed to address the cult while pandering…
