Set in the bucolic suburbs of early nineteenth-century London, as fresh and dewy as a newly mowed lawn, Jane Campion’s Bright Star recounts the love affair between a tubercular young poet and the fashionable teenager next door. It’s more conventionally romantic than wildly Romantic — but no less touching for…
Currents. Traditional American Indian art is a well-established genre, and many Native American artists still practice the old forms of weaving, pottery-making, metalwork and basket-making. But there are also contemporary artists among the tribes, and this latter group is the focus of Currents: Native American Forces in Contemporary Art. The…
The title of 1950’s Rashomon is invoked whenever a filmmaker depicts the same event from multiple, often contradictory points of view. But despite having contributed a term to the cinematic lexicon, the movie itself is far from an academic exercise. Many of director Akira Kurosawa’s pictures boast epic running times:…
As evidenced by The Informant!, it’s a hell of a tricky thing turning real-life pulp into floss sugar. The story of Archer Daniels Midland biochemist-exec-turned-crooked-federal-snitch Mark Whitacre is a tragicomedy. Journalist Kurt Eichenwald spent five years trailing the bipolar fuckup, and his 2000 book, The Informant, is so densely, richly…
Currents. Traditional American Indian art is a well-established genre, and many Native American artists still practice the old forms of weaving, pottery-making, metalwork and basket-making. But there are also contemporary artists among the tribes, and this latter group is the focus of Currents: Native American Forces in Contemporary Art. The…
When, in the early ’00s, I worked as a freelancer for a publication two floors below Vogue — this was pre-Devil Wears Prada — each sighting of Anna Wintour, from no matter how great a distance, was terrifying enough to immobilize me for a few seconds, leading to a sweaty…
Sophie Barthes’s clever metaphysical comedy Cold Souls has been dubbed “Being Paul Giamatti” more than once since its Sundance 2009 debut. But if comparisons to the films of Charlie Kaufman are inevitable, the similarities go only so far. Sure, Paul Giamatti plays “Paul Giamatti,” another “real” actor unwittingly embroiled in…
Fort Collins’s three-day TriMedia Film Festival showcases a handful of movies featuring recognizable faces, including Trucker, co-starring Michelle Monaghan and Nathan Fillion, and Broken Hill, with Timothy Hutton. But the curators also serve up a potpourri of more obscure offerings that encourage, and frequently reward, cinematic spelunking. Documentaries include Blue…
Big-Lots. This show comprises some very big abstract paintings by Wendi Harford that are strong and artistically ambitious. Harford earned a BFA at the University of Denver in the 1970s, where she studied with the late Beverly Rosen, and there are subtle references to her mentor’s influences throughout the show,…
Early in The Windmill Movie, filmmaker Richard P. Rogers, whose never-completed autobiographical project was knitted together by former student Alexander Olch after his 2001 death, wonders if chronicling his life using footage shot over decades qualifies as “a kind of jerking off.” Attendees are likely to be divided over this…
Mike Judge began writing the screenplay for Extract not long after Office Space opened and closed in a matter of weeks in the late winter of 1999. The two movies were always intended as bookends, with Extract countering the earlier film’s woe-is-me tale of the put-upon prole with its fucked-am-I…
Big-Lots.This show comprises some very big abstract paintings by Wendi Harford that are strong and artistically ambitious. Harford earned a BFA at the University of Denver in the 1970s, where she studied with the late Beverly Rosen, and there are subtle references to her mentor’s influences throughout the show, but…
Ghosted, opening this week, is a collection of potentially intriguing elements — emphasis on “potentially.” The action moves between Germany, the home of artist Sophie (Inga Busch), and Taiwan, the birthplace of her lover, Ai-Ling (Huan-Ru Ke), whose death prior to the start of the film leaves Sophie vulnerable to…
If you remember Woodstock, you probably weren’t there,” the expression goes. And if you were, can you please stop gassing on about it? Aquarian Nostalgia™ is the most oppressively sanctimonious and dull stripe of reminiscing. Sure, the three free days of peace and music at Max Yasgur’s farm passed without…
Finally, there’s a vampire movie worthy of the title The Hunger — even if it arrives under the more potable name Thirst. Carnal appetite, not a parched palate, is the accelerant that fuels this perverse, prankish and merrily anti-clerical exercise in bloodletting from Park Chan-wook, the South Korean director whose…
Big-Lots. This show comprises some very big abstract paintings by Wendi Harford that are strong and artistically ambitious. Harford earned a BFA at the University of Denver in the 1970s, where she studied with the late Beverly Rosen, and there are subtle references to her mentor’s influences throughout the show,…
Early in Betty Blue, aspiring novelist Zorg (Jean-Hugues Anglade) declares, “She was like a flower with translucent antennae and a mauve plastic heart” in so solemn a tone that it practically dares the viewer to laugh. And so it goes throughout this divisively fleshy 1986 opus. Betty (Béatrice Dalle), who…
Energetic, inventive, swaggering fun, Quentin Tarantino’s Inglourious Basterds is a consummate Hollywood entertainment — rich in fantasy and blithely amoral. It’s also quintessential Tarantino — even more drenched in film references than gore, with a proudly misspelled title (lifted from Italian genre-meister Enzo Castellari’s 1978 Dirty Dozen knockoff) to underscore…
Denver Artists Guild Founders. The history of the Denver Artists Guild — an early 20th-century group —- is little known, but it’s been documented in this show. The exhibit was organized by collectors Deborah Wadsworth and Cynthia Jennings, with a design by Steve Savageau. Wadsworth and Jennings identified 52 artists…
At first glance, Somers Town seems gritty and realistic, what with its handheld, black-and-white shots of working-class London and a cast dominated by actors who wouldn’t look glamorous even after a twelve-hour session with Paul Mitchell. But the film is shot through with a deep streak of whimsy that infuses…
The aliens have been with us for twenty years already at the start of South African director Neill Blomkamp’s fast and furiously inventive District 9, their huddled masses long ago extracted from their broken-down mothership and deposited in the titular housing slum on the outskirts of Johannesburg. Unlike the space…
In the same week that the South African import District 9 gives us a Johannesburg beset by alien invaders, the latest film by animation legend Hayao Miyazaki envisions a small Japanese port town turned upside-down by visitors from the bottom of the sea. Loosely based on Hans Christian Andersen’s The…
