A cinematic centrifuge of acrobatic stunt work, breakneck chases and immersive action, Mission: Impossible – Fallout is a perfectly calibrated piece of filmmaking that plays the viewer like a drum right from the start
The film, like Oakland itself, is forever evolving, always becoming some new thing just when it at last seems to have revealed its full self
Like 2004’s The Raspberry Reich, a satire of what LaBruce has called “terrorist chic,” The Misandrists soaks audiences in the doings (and I do mean doings) of a radical cell of sexual dissenters
Part of Eighth Grade’s charm comes from a refusal to go for easy confrontations or humiliations; it keeps threatening to become a cringe-fest, but pulls back, as Burnham opts instead for something more human and realistic
All that lashing wind and rain, and Fuqua’s sometimes haphazard storytelling, deny us the grim pleasures of Denzel’s methodical slayings, which often take clever advantage of whatever tools happen to be handy
The film’s half-baked story about a girl trying to live out her slutty, wonderful, deceased mother’s dream of operating a hotel on a Greek island (all set to the music of ABBA) is so thoroughly entertaining and ridiculous that the cast members can’t help but crack into dumb grins at what they’re doing
In Season 2, that tension gathers over Sam and Ruth (Alison Brie), a GLOW wrestler/cast member and veteran of discouraging, often humiliating Hollywood casting calls
As with most horror films, the cast gets whittled down one by one by the killer, in this case, a cabal of folks in black hoods capable of showing up at the characters’ homes at a moment’s notice — they’re maniacally smart, always 10 steps ahead of the gang
… It’s as scattered and disorienting as the infamous LP Having Fun With Elvis On Stage, an official cheapie that consisted of nothing but the King’s between-songs ‘70s stage banter
Despite some distracting narrative choices and sketchy character development (especially with Mara’s character, who, of course, turns into a love interest), the film does eventually find its footing
Van Helsing is a distant memory by the time we reach Dracula (aka Drac) in the present day, feeling lonely at Hotel Transylvania, his secret resort run by and for monsters, where demonic creatures and other surreal abominations of nature are allowed to vacation free of human meddling
Skyscraper is a family-bonding adventure film starring Dwayne Johnson, Neve Campbell and two elementary-aged children who are as good at appearing darling (in the early scenes) as they are at playacting the role of traumatized hostages (in the later scenes)
Shock and Awe is a 90-minute liberal told-you-so, a polemic that, like a long Rachel Maddow segment, is more cheery than thunderous, even as it names the names that must be named
… The plot’s developments at times could seem tenuous, but I found them totally daring and confident, as though Riley knew the rules of every screenwriting guide and the demand for “realism,” and he said, “Nah, I’m good,” because he had bigger points to make …
The film even confronts its own audience in some ways, as it goes from a tale of three people learning more about their identities, to one about the very nature of human identity itself …
… There’s an urgency and an anger this time around that helps paper over some of the story’s messiness, as well as some of the awkward drama of trying to explain where this whole crazy Purge idea actually came from
The writers, who include Flynn as well as series creator Marti Noxon (Mad Men, UnREAL, Dietland), don’t exactly hit viewers over the head with the retrograde gender politics of small-town America, but those dynamics are firmly on display
Reed and Rudd deliver plenty of the goofy antics we’ve now come to expect from Ant-Man: size-change cock-ups, charming incompetence on the macho bluster front, etc.
At first, Whitney gives off the unpleasant whiff of dirty laundry being aired, as the members of Houston’s inner circle, speaking alone in front of the camera, dish on the family’s secrets
Sorry to Bother You sings in a voice all its own, thanks to the righteous vision of Riley, known for his 1990s hip-hop group the Coup and his vocal support for labor rights
Nancy’s life starts to look like it might change when her mom dies, and then, not long after, she sees a news report on TV about a couple whose 5-year-old daughter disappeared mysteriously 30 years ago
… As we see the propane tanks and apple boxes and tarps that father and daughter have gathered, we don’t need to be told that these two are not just out camping; they live in the woods
