Through the stories of how these teens ended up at God’s Promise, Cameron Post suggests the rigid hegemony of American life, the all-too-common story of religious belief perverted in the service of fitting in
The plot concerns skinny dreamer Davey, a fanatic for the Bigfoot creatures and aliens of supermarket tabloids, suddenly convinced that the loner cop (Rich Sommer) who lives across the street must be a serial killer responsible for a spate of missing kids
An assemblage of TV clips sets the stage: Ninety percent of all children have died within the space of a month, with the survivors gaining a variety of superpowers that the government catalogs in a color-coded chart ripped right from the Bush administration
… It’s a hero-dude adventure movie based on a Michael Crichton-esque paperback techno-thriller, which means we hear more science talk than is strictly necessary, get a tour of a gleaming research facility and meet a billionaire finder (Rainn Wilson) who just might have ulterior motives
Miriam (Léa Drucker) has quit her job and absconded with the family’s two kids — 11-year-old Julien (Thomas Gioria) and almost-18 Josephine (Mathilde Auneveux) — after, she explains, experiences of spousal and child abuse
Based on a crazy true story (or, as an opening title puts it, “some fo’ real, fo’ real shit”), BlacKkKlansman follows the efforts of Ron Stallworth (John David Washington), an African-American detective in the Colorado Springs police force
The case turns, at first, on a tricky legal question: Did this man commit a robbery and then a murder, or did he murder his victim and then happen to take his wallet?
… Like Father, it turns out, is an emotional, heartfelt depiction of what it’s really like to reconnect with a loved one after they’ve hurt you irreparably, but with some solid laugh lines and none of the melodramatic sap
Greenfield searches for commonalities between her subjects, linking the tacky and Trumpy nouveau riche to the strippers and pornographic performers who embody her conviction that for American women the body itself is a commodity
McKinnon has for a couple of years now been on a collision course with just this sort of role, one that, in order to fulfill the dictates of programmatic movie plotting, demands she surrender much of what audiences love about Kate McKinnon
Hunter Emery of Orange Is the New Black talks green chile, pie, Law and Order: SVU and his Batman aspirations.
Much of the series comes down to scenes of men digging up dogs or dogs digging up men, and then veteran actors — Sissy Spacek — talking around what it all means
The film, which premieres on Netflix on July 27, traverses the spectrum of medical devices but opens and closes on one particular item, Essure, a metal coil that’s inserted into the fallopian tubes for sterilization purposes
A cinematic centrifuge of acrobatic stunt work, breakneck chases and immersive action, Mission: Impossible – Fallout is a perfectly calibrated piece of filmmaking that plays the viewer like a drum right from the start
The film, like Oakland itself, is forever evolving, always becoming some new thing just when it at last seems to have revealed its full self
Like 2004’s The Raspberry Reich, a satire of what LaBruce has called “terrorist chic,” The Misandrists soaks audiences in the doings (and I do mean doings) of a radical cell of sexual dissenters
Part of Eighth Grade’s charm comes from a refusal to go for easy confrontations or humiliations; it keeps threatening to become a cringe-fest, but pulls back, as Burnham opts instead for something more human and realistic
All that lashing wind and rain, and Fuqua’s sometimes haphazard storytelling, deny us the grim pleasures of Denzel’s methodical slayings, which often take clever advantage of whatever tools happen to be handy
The film’s half-baked story about a girl trying to live out her slutty, wonderful, deceased mother’s dream of operating a hotel on a Greek island (all set to the music of ABBA) is so thoroughly entertaining and ridiculous that the cast members can’t help but crack into dumb grins at what they’re doing
In Season 2, that tension gathers over Sam and Ruth (Alison Brie), a GLOW wrestler/cast member and veteran of discouraging, often humiliating Hollywood casting calls
As with most horror films, the cast gets whittled down one by one by the killer, in this case, a cabal of folks in black hoods capable of showing up at the characters’ homes at a moment’s notice — they’re maniacally smart, always 10 steps ahead of the gang
… It’s as scattered and disorienting as the infamous LP Having Fun With Elvis On Stage, an official cheapie that consisted of nothing but the King’s between-songs ‘70s stage banter
