Guy and Madeline on a Park Bench is a giddy, old-style avant-musical

A quasi-documentary portrait of young non-actors striking poses, walking around Boston, hanging out and playing or listening to music, Damien Chazelle’s Guy and Madeline on a Park Bench is a giddy and cannily frugal avant-musical. Beginning when Chazelle, now 25, was an undergraduate at Harvard, and evolving over a period…

Country Strong is legitimately unintentional camp

Kelly Canter is the Courtney Love of country stars. Spectacular meltdowns on stage have forced Kelly (an inconsistently twanging Gwyneth Paltrow) into rehab. There, her decolletage decked out in black lace and a bling cross, she jams in more than one sense with singer-songwriter-janitor Beau (Tron fox Garrett Hedlund) until…

J. Hoberman’s top ten of 2010…and beyond

Many of my favorite films of the year are still awaiting wider release, so although this top-ten list wraps up my 2010, it can also serve as a guide to your 2011. My number-one film, in fact, sneaks into New York just three days before the year ends: The Strange…

Films to watch for in 2011

Since we’re a heartbeat away from being sick to death of this month’s crop of Oscar-seeking masterpieces, we’ve decided to cast a quick glance forward to the ten 2011 films we’re excited to see. We’ve seen some of the below, and make no promises for the others, but, as ever,…

Made in Dagenham recalls the ’68 strike for equal pay

Wimmin power retrofitted as holiday heart-stirrer, Made in Dagenham recounts the real-life 1968 strike for equal pay by the 187 distaff machinists at the Ford plant twelve miles outside London. These unwitting soixante-huitards in Mary Quant hot pants and five-story bouffants are led by Rita O’Grady (Sally Hawkins), forced to…

The ten best movies of 2010

Sold — and bought — as the year’s most “intelligent” blockbuster while actually baldly insulting its audience’s intelligence, Inception both conquered the 2010 zeitgeist and helped define it. It was merely the biggest rendition of the year’s most prevalent movie theme: How do you know that what you think is…

Now Showing

Marc Brandenburg. The latest German artist to be introduced to local audiences by Denver Art Museum director Christoph Heinrich is Marc Brandenburg, a Berlin native. The artist is the subject of a handsome solo, Marc Brandenburg: Deutch-Amerikanishe Freundschaft, installed on level three of the Hamilton Building. Brandenburg came up with…

In the new True Grit, Jeff Bridges makes a better Rooster than John Wayne

Boldly reanimating the comic Western that secured John Wayne his Oscar 41 years ago, the Coen Brothers’ True Grit is well-wrought, if overly talkative, and seriously ambitious. Opening with a strategically abbreviated Old Testament proverb (“The wicked flee when none pursueth”), the film returns the Coens to the all-American sagebrush…

The King’s Speech humanizes and pokes fun at the House of Windsor

A picnic for Anglophiles, not to mention a prospective Oscar bonanza for the brothers Weinstein, The King’s Speech is a well-wrought, enjoyably amusing inspirational drama that successfully humanizes, even as it pokes fun at, the House of Windsor. The story — shy young prince helped by irascible wizard to break…

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Isca Greenfield-Sanders. An up-and-coming New York art star is the subject of a beautiful solo, Isca Greenfield-Sanders: Light Leaks, in the David & Laura Merage Foundation Gallery on the first floor of MCA Denver. The exhibit has been curated by Nora Burnett Abrams, who has also done an accompanying catalogue…

Flick Pick: Rare Exports: A Christmas Tale

Based on his own series of popular-on-the-Internet short films, Finnish writer-director Jalmari Helander’s Rare Exports: A Christmas Tale creates something of a new origin story for Santa Claus — or, rather, re-introduces with dark glee some of the original pagan myths that have long been glossed over by the market…

Tron: Legacy delights the eye, baffles the brain

Jeff Bridges is God and, as image-captured from the original 1982 Tron, also the devil in Disney’s mega-million-dollar reboot, Tron: Legacy. The notion of a tragically split persona might have been scripted to give the new movie a measure of emotional gravitas, but why bother with writing when Tron: Legacy…

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Ania Gola-Kumor and Andrew Speer. The tiny Sandra Phillips Gallery has shoehorned in two solos, both highlighting longtime Denver painters. The first is Abstraction 2010: Ania Gola-Kumor, featuring the recent work of a Polish-born artist who’s been exhibiting in Denver for decades. The paintings here display her signature style, in…

Jeff Malmberg’s Malwencol mystifies

Exactly the sort of mysterious and almost holy experience you hope to get from documentaries and rarely do, Jeff Malmberg’s Marwencol begins with context: In 2000, Mark Hogancamp, an upstate New York resident, was beaten outside a bar so badly by four men that he incurred a brain injury and…