Now Showing

Art of the State. This juried effort at the Arvada Center has been attracting crowds, to say the least. The two-person jury comprised Collin Parson, Arvada’s exhibition manager and curator, and Dean Sobel, who, as director of the Clyfford Still Museum, is an art-world celebrity. Because of the curators’ stature,…

No examines the fate of Chile through the lens of a single election

In 1988, the fate of Chile and its dictator came down to a ballot as simple as a middle-schooler’s Do-you-like-me? note. A referendum, demanded by international pressure, offered citizens a simple choice: a “yes” for allowing President Augusto Pinochet to return to office for another eight years, or a “no”…

The truth (maybe) behind The Shining

Like the blood that gushes forth from the elevators of the Overlook Hotel, brilliant/ridiculous theories of what Stanley Kubrick’s The Shining is really about have for years surged madly and memorably — especially online, where the Internet’s dead-ends, blind links and back-where-you-started arguments just might be another part of the…

In On the Road, Kerouac’s classic becomes a fraud

Two sacred texts of the ’50s proto-counterculture have escaped the rapacious machine of cinema adaptation for a half-century. One is J.D. Salinger’s Catcher in the Rye, which probably only would have worked starring Salinger himself, and Jack Kerouac’s On the Road, that ecstatic recount of crossings and recrossings of North…

Girls Gone Godard

“All you need to make a movie is a girl and a gun” goes Jean-Luc Godard’s quip. Add to that a few more girls and their bikinis, and you have the rough formula for Harmony Korine’s Spring Breakers, which looks like the most expensive Girls Gone Wild video ever made…

Believe it: Netflix does TV right

Luther (Netflix Link) Golden Globe winner and impossible-handsomeness standard-bearer Idris Elba is Detective Chief Inspector John Luther, a brilliant investigator with a complete inability to detach from the darkness of his work. In the pilot, he investigates chilling psychopath Alice Morgan, played by Ruth Wilson — he knows, but cannot…

Was Heaven’s Gate a masterpiece all along?

“This is the West, sir. When the legend becomes fact, print the legend.” So goes the adage from John Ford’s 1962 classic The Man Who Shot Liberty Valance, and so it has gone for Heaven’s Gate, the class-war Western written and directed by one of Ford’s truest disciples among contemporary…

Former detective Pat Kennedy on The Jeffrey Dahmer Files

More than twenty years after the story broke, America’s fascination with cannibal sex killer Jeffrey Dahmer lingers on. In The Jeffrey Dahmer Files, a new documentary on the case playing tonight and tomorrow at the Sie FilmCenter for the Denver Film Society’s Watching Hour, three of the people closest to…

Horror films from A to Z: part five

At The ABCs of Death, in its final night at the Sie FilmCenter, you’re going to get the equivalent of horror tapas — one short, punchy tale for each letter of the alphabet, each delivered by a current or rising star in the genre. It’s a tasty appetizer that can…

Now Showing

Art of the State. This juried effort at the Arvada Center has been attracting crowds, to say the least. The two-person jury comprised Collin Parson, Arvada’s exhibition manager and curator, and Dean Sobel, who, as director of the Clyfford Still Museum, is an art-world celebrity. Because of the curators’ stature,…

In Upside Down, Kirsten Dunst is no average dream girl

It doesn’t matter how many droopy sweaters you put Kirsten Dunst in — and in Upside Down, she wears quite a few — she always looks luminous, as if she’s just slid down to Earth on a sunbeam. Actually, that’s an image writer-director Juan Solanas could have run with in…

The Incredible Burt Wonderstone has charm but no comedy magic

Steve Carell’s gift is for men who might drown in their own obliviousness. Like his Daily Show reporter, or The Office’s Michael Scott, his forty-year-old virgin lived in terror that someone might catch on to the fact that he knows nothing about subjects he purports to have mastered. When his…

Stoker‘s cracked love triangle soaks in sin and sadism

Puberty is sex and sex is murder in Stoker, a Hitchcockian stew of hothouse familial jealousy, sadism and psychosis all tied together by one teenage girl’s homicidal coming of age. Psychosexual imagery permeates every inch of renowned South Korean filmmaker Park Chan-wook’s stateside debut. A blood-tipped pencil or water dripping…

In Top of the Lake, Peggy Olson goes to hell

Elisabeth Moss’s face is far from the only reason to savor Top of the Lake, Jane Campion’s smart, bracing, hugely enjoyable mystery rural noir Top of the Lake, which premieres on the Sundance Channel on Monday, March 18. But that pale-to-radiant instrument of hers — a mouth that suggests her…