Escape From Tomorrow leaves viewers in the lurch

The most successfully realized element in writer-director Randy Moore’s would-be cult film Escape From Tomorrow, which has all the raw ingredients for a David Lynch-style phantasm, is that it was surreptitiously filmed in Disney World and Disneyland. While on vacation at Epcot Center with his wife and two young children,…

Livin’ la vida loca in Machete Kills

During his 2012 presidential campaign, Republican candidate Herman Cain rhapsodized about the fence he’d build on the U.S.-Mexico border: twenty feet tall, with barbed wire, electricity and a moat. “And I would put those alligators in that moat!” he cheered. For Machete Kills, Robert Rodriguez built that fence but left…

Ken Foree on Dawn of the Dead and being a horror fan

Veteran character actor Ken Foree has deep roots in Denver. He graduated from a small Catholic high school here, where he was an all-city, all-state basketball player for two years — “arguably the best player in the state of Colorado,” he says — and his appearance at this year’s Mile…

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Al Karim, Zimmer, Al Karim, Friberg. Robischon Gallery is so large that it can easily handle four (or, in a pinch, five) substantial solos. Typically, there’s some unifying element that links them all together, and that’s true this time, as all of the artists involved use photo-based methods ranging from…

Smart casting elevates the entertaining Haute Cuisine

Over time, French president François Mitterrand grew weary of the fancy foods being dished up by his chefs, and so it came to pass that a little-known provincial cook was invited, in the late 1980s, to take over the president’s kitchen. In Haute Cuisine, a diverting, fictionalized version of the…

Gravity connects with viewers and pulls them in

Some movies are so tense and deeply affecting that they shave years off your life as you’re watching, only to give back that lost time, and more, at the end. Alfonso Cuarón’s Gravity is one of those movies. Sandra Bullock and George Clooney play astronauts — one a medical engineer,…

Parkland revisits the Kennedy assassination and its aftermath

“What a shitty place to die.” Whatever your feelings about Dallas, that’s a pretty harsh assessment. Then again, the character in Peter Landesman’s well-intentioned but unfulfilling Parkland who says it, an aide to fallen President John F. Kennedy, can probably be forgiven for his snotty Yankee attitude. Next month marks…

Metallica: Through the Never‘s Weird Provocation of White Aggrievement

In their experimental new film, the members of Metallica endeavor to translate the anger and pain in their music into a visual medium. Directed by Nimród Antalis, Metallica: Through the Neveris the band’s second big-screen effort, the first being being the 2004 behind-the-scenes documentary Metallica: Some Kind of Monster. That…

Podcast: Why Alfonso Cuaron’s Gravity is a near-perfect movie

On this week’s Voice Film Club podcast, the Village Voice’s Alan Scherstuhl and Stephanie Zacharek both praise Alfonso Cuarón’s Gravity (starring George Clooney and Sandra Bullock), saying the director exhibits a “lovely human touch” with film, which is set in space, and that it’s “so different than anything else he’s…

Is Agents of S.H.I.E.L.D. the next great Joss Whedon show?

Fanboys (and girls!), start your engines — Joss Whedon is back on TV, and this time he brought the Marvel Universe with him. Hot off the massive success of The Avengers, Whedon has taken the helm of its spinoff series, Agents of S.H.I.E.L.D.. The show launches him once more into…

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Al Wynne. As many know, the Black Forest home and studio shared for more than sixty years by the late Al Wynne and his widow, Lou Wynne, was utterly destroyed by fire this summer. The conflagration took some 400 works by Al in the form of watercolors and drawings, constituting…

Talent abounds in the understated Enough Said

James Gandolfini’s charisma wasn’t something turned on at will, but rather a vibe that radiated from deep within: It’s in the timbre of his voice, his rolling carriage, the way he’s always just one flirtatious millisecond behind the beat. Part of what Gandolfini does in Nicole Holofcener’s Enough Said is…

Don Jon: a comedy with a sense of purpose

To paraphrase the Bee Gees, Joseph Gordon-Levitt should be dancing. He’s already done it in (500) Days of Summer, where he led an exuberant ensemble routine that out-Dr Peppered any Dr Pepper commercial. Then there was his smashing Saturday Night Live re-creation of Donald O’Connor’s “Make ‘Em Laugh” — like…

The swingin’ ’70s set the stage for Rush

It was 1976, a year when all the groovy girls were traipsing around in tiny suede skirts and all the cool guys had Badfinger hair. One of those guys was English racing driver James Hunt, the charismatic rapscallion who won that year’s Formula One World Championship. (The embroidered badge on…

On FX’s The Bridge, Serial Killers Are a First-World Problem

Mild spoilers up to The Bridge’s ninth episode below. Artisanal murders are all the rage these days. On Showtime’s Dexter, NBC’s Hannibal and Fox’s The Following, small-batch, labor-intensive, sold-with-a-story slaughters have become TV’s equivalent of the Cronut. Handsome, intelligent and mannered as court eunuchs, serial killers have become the new…

Reel Rock 8’s climbing films leave audiences with a lot to digest

Sender Films had the story of the year fall into its lap through pure chance. The Boulder-based climbing filmmakers had sent a cameraman to follow the mountain-scaling superteam of Ueli Steck and Simone Moro as they attempted to climb a new route across Everest and its neighboring peak, Lhotse, when…

Reel Rock 8 returns to Boulder with its most controversial film ever

The eighth annual Reel Rock tour, the traveling climbing film show that has become the gold standard in its field over the past decade, launches in Boulder tonight at the Chautauqua Auditorium. On the menu are four new flicks from Sender Films and Big UP productions, including the controversial and…

Jewtopia: Denver native Courtney Mizel on producing the new indie film

Colorado native Courtney Mizel is a lot of things — including the founding director of The Cell (The Counterterrorism Education Learning Lab) in Denver, a small business consultant and former small business owner…and a movie producer. Now based out of Los Angeles, Mizel still does quite a bit of work…

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Lines and Grids. This show, organized by Marks Aardsma, who serves not only as curator, but as participating artist as well, is the fourth in a series of exhibits she’s put together called “Art of the Real.” Aardsma is interested in the nature of painting and has invited eight others…