Review: Abstraction Connects in Havu’s The Connected Edge
Geometric abstraction, an international current, has played an outsized role in the modern art of the American West for the past fifty years, maybe longer. Consider the career of Colorado’s Clark Richert, Agnes Martin’s work in New Mexico…you get the idea. This type of work has not only held on to its relevance, but it’s currently making a comeback. A strong case for that return is The Connected Edge, at the William Havu Gallery, where a trio of artists — two from New Mexico and one from Wyoming — are showing compositions with strong linear elements.